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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gratefulness

Andrew R. Motyka · November 13, 2013

T’S PROBABLY A BIT EARLY to write a post about Thanksgiving, but by the time Thanksgiving actually comes around, I’m already in full Advent mode.

The other day, I was putting some clean dishes away in the cabinets of our apartment, and one of the doors wouldn’t close all the way. I quickly became frustrated that I had to slightly move the bowls over so that the door had clearance to close. How can anyone be expected to live under those conditions. Anyway, I caught myself almost immediately, thinking about how easily I get annoyed at little things, or even slightly larger things that are trivial in the larger picture. For example, I actually have a place to live and possess plates upon which to put my food.

The next time you get frustrated at your parish, whether it’s because of the praise n’ worship music you hate, or the fact that the cantor actually uses a hand gesture (GASP) to indicate when everyone is to sing, or when Father wears his stole on the outside of his chasuble (I swear, next time I’m wearing my underwear on the outside of my pants), or worst of all, when Andy creates spectacularly long run-on sentences that make you have to go back to the beginning of the paragraph to figure out what he was even talking about, try to put it in some perspective.

I’m not saying we shouldn’t aim for the best we have to offer. I’m saying that we shouldn’t adopt scorched-earth rants just because we had to use that David Haas song that one time.

The other day, I was frustrated about something or other at work, and I had to remind myself just how good I have it. I have a wonderfully talented choir, and they are quite good sports about trying the challenging literature I have thrown at them (and excelled at it). I have a parish that appreciates good liturgy and music, and participate in the singing with no arm-twisting, and don’t complain about the choir singing now and then.

Most of all, what we music directors should all be grateful for is the opportunity to serve God through our musical contributions to the liturgy. I always say that, since my vocation is and always will be to be a husband and father, I would clean filth up if it meant putting food on the table. That I get to do what I love and get paid for it is a blessing indeed.

It’s okay to strive for perfection, and always seek something better. Just keep some perspective and be patient with improvement in your life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

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