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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cub Scouts, Abel, and Liturgical Music

Andrew R. Motyka · March 20, 2013

s someone who works in the Office of Worship, I see a huge variety of opinion as to what music is appropriate for Mass. Part of my job as the Archdiocesan Director of Liturgical Music is to help in forming musicians, specifically music directors, for appropriate praise to God through song.

This is incredibly challenging. It may be difficult to believe, but we music directors can be pretty opinionated about our choices of music for the Mass (say it isn’t so!). Any opinion that doesn’t exactly mesh with what we are using on a given Sunday sounds like (or is taken as) a personal attack on musicianship, integrity, and holiness. Nevertheless, there must be some standard for the choice of music at Mass.

Our culture doesn’t help on this front. We have a difficult enough time dodging relativism in morality, never mind music. Since taste in music is subjective, many people simply throw up their hands and declare all discussion moot. How do we engage the Church musician who denies any concrete standard of music and liturgy? I offer this starting point:

Do your best.

That looks pretty trite, now that I read it. But what has long been the Cub Scout Motto has pretty far-reaching implications for any person of faith. In all things related to the worship of God, we should give our best. When selecting a piece for your choir, ask yourself, “Is this the best I can give to God?” Is your preparation for Mass the best you can give? If you continually give less than your full effort, less in quality than you know exists, there is a serious problem. If you cannot give such to the liturgy, the worship of God which is the source and summit of our lives, then your priorities need examination.

Abel knew this well. Abel offered the best of his flock to God, while his brother did not (Genesis 4:3-5). Which offering did God prefer? We need to give our very best in worship as well, even if we have to suffer for it, as Abel most certainly did.

Now, the average Church musician may not have the time, skill, or physical or financial resources to execute the same music as your diocesan cathedral, but that is no excuse not to give it the best you can. If we can agree on the Cub Scout Motto as a starting point in discussing musical preparation for Mass, a real discussion can blossom. Our discussion can move beyond musical relativism and become an exploration of what is good, what is the best.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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