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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Rome Gets It Wrong

Jeff Ostrowski · November 11, 2013

199 Marini Papal Mass with Altar Girls (3/7/2010) AISING A CHILD in the olden days must have been unimaginably difficult. Think of the days before penicillin, running water, and electricity. We ought to get down on our knees each day and thank Almighty God for the gift of modern medicine.

We can look back on those terrible times and be glad they’re finished, done, over with. Similarly, from a liturgical perspective, we can look back upon the dark days of the 1980s and be glad they’re gone. For example, on 5 November 1987, the Congregation for Divine Worship published a document containing several misguided statements. One of the most famous is:

“Musical compositions which date from a period when the active participation of the faithful was not emphasized as the source of the authentic Christian spirit are no longer to be considered suitable for inclusion within liturgical celebrations.”

By way of justification, the Congregation cites — ready for this? — a statement by Pope St. Pius X in a 1903 letter. There’s no need for me to explain why the CDW assertion is bogus; others have already done so. I would simply add that invoking Pius X against Gregorian chant and Renaissance polyphony makes about as much sense as invoking Dr. Martin Luther King in favor of school segregation. Furthermore, the official books issued by the Church even to this day contradict the 1987 statement.

An exceedingly strained exegesis, I suppose, could make that CDW sentence “work.” Perhaps it could refer to excessively long music of the past, but even so, it still amounts to “rearranging deck chairs on the Titanic,” considering liturgical life in the 1980s. Moreover, by a quick Google search, anyone can see that the CDW statement is flagrantly opposed to the clear teachings of the Second Vatican Council (e.g. cf. Sacrosanctum Concilium, §112, §114, and §116).

BUT HOW COULD A ROMAN CONGREGATION be wrong? After all, we’re Catholics … isn’t Rome always right? Well, it’s true that when Peter’s Successor speaks infallibly — that is, when certain conditions are met — regarding faith and morals, we must believe such statements. At the same time, as Fulton Sheen pointed out, “Many a pope has gone through his entire pontificate without ever issuing an infallible statement.” As I mentioned in my series “No Salvation From Decrees,” church officials sometimes make errors of judgement. A famous case was an erroneous ruling by a Roman commission on certain theories of Galileo (although this example is not nearly as damaging to the Church as certain ignorant people think). The Church has also made errors in official documents regarding editions of Gregorian chant. (From what I understand, when a later correction is made, the previous error is “stricken from the record,” similar to how the Egyptians only recorded their victories, not their defeats.) A well-known case dealt with the Editio Medicaea; another condemned the Solesmes rhythmic editions while a certain Cardinal was on vacation (it was reversed when he returned!).

It’s probably fair to say that we Catholics need to stop being so stupid, when our Lord told us we must be “wise as serpents” (Mt 10:16). For example, one of the leading liturgical reformers after the Council was Fr. Godfrey Diekmann, a supporter of women’s ordination, proponent of “hootenanny” Masses, and member of a monastery notorious for sexual abuse of minors. Lex orandi, lex credendi. “We believe as we pray.” Should we be surprised at the results of reforms by “experts” like Diekmann?

DOES IT UPSET ME THAT A ROMAN COMMISSION published an erroneous sentence in the 1980s? Do I lose sleep over the fact that Rome was wrong about the Editio Medicaea in the 19th century? As a matter of fact, I don’t get angry, and let me tell you why.

Every night I read to my daughter before she falls asleep. One book is about sharks; did you know there are more than 400 shark species? My precious little two-year-old has all the sharks memorized — Lemon Shark, Hammerhead, Goblin Shark, etc. — and she points out each one as we read. It’s marvelous, glorious, fantastic, amazing. This is my focus: not some 1980s error by a Roman committee.

Let us calmly follow the example of Msgr. Guido Marini (see above photo). With great peace of soul, he’s preparing the altar girls for a Papal Mass in San Giovanni della Croce (7 March 2010). It’s true that allowing girls to serve at the Altar was a “reform” which might not have been prudent (see here and here), but at this point, what can we do? In truth, very little.

We have much work to do. We have prayers to say and sacrifices to offer up. Abbot Pothier quietly worked within the confines of (flawed) Ecclesiastical law, and ended up causing the most influential musical reform in Church history. He was a saintly, obedient man who shunned any type of scandal or controversy (extant letters to his brother are fascinating). Pay no heed to the piccoluomini, who will answer before Almighty God for what they’ve done. Let us continue doing our work joyfully, with confidence in the Lord and gratitude for all He has given us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“H. E. Cardinal Newman has permitted the Translator the use of all his published hymns. The hymn for Prime has never been published before, except in a little book printed by the present Translator a few years ago, and for which he obtained it from the illustrious writer. H. E. has also had the goodness to prepare the doxologies, altering with the Office, belonging to his own hymns.”

— John Crichton-Stuart (27 June 1879)

Recent Posts

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  • Music List • (Palm Sunday, 2026)
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