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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

When Rome Gets It Wrong

Jeff Ostrowski · November 11, 2013

199 Marini Papal Mass with Altar Girls (3/7/2010) AISING A CHILD in the olden days must have been unimaginably difficult. Think of the days before penicillin, running water, and electricity. We ought to get down on our knees each day and thank Almighty God for the gift of modern medicine.

We can look back on those terrible times and be glad they’re finished, done, over with. Similarly, from a liturgical perspective, we can look back upon the dark days of the 1980s and be glad they’re gone. For example, on 5 November 1987, the Congregation for Divine Worship published a document containing several misguided statements. One of the most famous is:

“Musical compositions which date from a period when the active participation of the faithful was not emphasized as the source of the authentic Christian spirit are no longer to be considered suitable for inclusion within liturgical celebrations.”

By way of justification, the Congregation cites — ready for this? — a statement by Pope St. Pius X in a 1903 letter. There’s no need for me to explain why the CDW assertion is bogus; others have already done so. I would simply add that invoking Pius X against Gregorian chant and Renaissance polyphony makes about as much sense as invoking Dr. Martin Luther King in favor of school segregation. Furthermore, the official books issued by the Church even to this day contradict the 1987 statement.

An exceedingly strained exegesis, I suppose, could make that CDW sentence “work.” Perhaps it could refer to excessively long music of the past, but even so, it still amounts to “rearranging deck chairs on the Titanic,” considering liturgical life in the 1980s. Moreover, by a quick Google search, anyone can see that the CDW statement is flagrantly opposed to the clear teachings of the Second Vatican Council (e.g. cf. Sacrosanctum Concilium, §112, §114, and §116).

BUT HOW COULD A ROMAN CONGREGATION be wrong? After all, we’re Catholics … isn’t Rome always right? Well, it’s true that when Peter’s Successor speaks infallibly — that is, when certain conditions are met — regarding faith and morals, we must believe such statements. At the same time, as Fulton Sheen pointed out, “Many a pope has gone through his entire pontificate without ever issuing an infallible statement.” As I mentioned in my series “No Salvation From Decrees,” church officials sometimes make errors of judgement. A famous case was an erroneous ruling by a Roman commission on certain theories of Galileo (although this example is not nearly as damaging to the Church as certain ignorant people think). The Church has also made errors in official documents regarding editions of Gregorian chant. (From what I understand, when a later correction is made, the previous error is “stricken from the record,” similar to how the Egyptians only recorded their victories, not their defeats.) A well-known case dealt with the Editio Medicaea; another condemned the Solesmes rhythmic editions while a certain Cardinal was on vacation (it was reversed when he returned!).

It’s probably fair to say that we Catholics need to stop being so stupid, when our Lord told us we must be “wise as serpents” (Mt 10:16). For example, one of the leading liturgical reformers after the Council was Fr. Godfrey Diekmann, a supporter of women’s ordination, proponent of “hootenanny” Masses, and member of a monastery notorious for sexual abuse of minors. Lex orandi, lex credendi. “We believe as we pray.” Should we be surprised at the results of reforms by “experts” like Diekmann?

DOES IT UPSET ME THAT A ROMAN COMMISSION published an erroneous sentence in the 1980s? Do I lose sleep over the fact that Rome was wrong about the Editio Medicaea in the 19th century? As a matter of fact, I don’t get angry, and let me tell you why.

Every night I read to my daughter before she falls asleep. One book is about sharks; did you know there are more than 400 shark species? My precious little two-year-old has all the sharks memorized — Lemon Shark, Hammerhead, Goblin Shark, etc. — and she points out each one as we read. It’s marvelous, glorious, fantastic, amazing. This is my focus: not some 1980s error by a Roman committee.

Let us calmly follow the example of Msgr. Guido Marini (see above photo). With great peace of soul, he’s preparing the altar girls for a Papal Mass in San Giovanni della Croce (7 March 2010). It’s true that allowing girls to serve at the Altar was a “reform” which might not have been prudent (see here and here), but at this point, what can we do? In truth, very little.

We have much work to do. We have prayers to say and sacrifices to offer up. Abbot Pothier quietly worked within the confines of (flawed) Ecclesiastical law, and ended up causing the most influential musical reform in Church history. He was a saintly, obedient man who shunned any type of scandal or controversy (extant letters to his brother are fascinating). Pay no heed to the piccoluomini, who will answer before Almighty God for what they’ve done. Let us continue doing our work joyfully, with confidence in the Lord and gratitude for all He has given us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

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