Views from the Choir Loft

1928 Weinmann Graduale (on modern staves)

Corpus Christi Watershed · March 19, 2013

ERE IS THE bibliographical information: Gradualbuch: Auszug aus der Editio Vaticana mit Choralnoten, Violinschlssel, geeigneter Transposition, Ubersetzung der Texte und Rubriken • Herausgegeben von Dr. Karl Weinmann (1873-1929) • 1928: Regensburg, Rom, New York & Cincinnati • Druck und Verlag von Friedrich Pustet • Typograph des Heil. Apost. Stuhles und der heil. Ritenkongregation • Weinmann’s Editio Vaticana in Pothier’s Gregorian chant notation BUT ON MODERN STAVES. 676 pages

*  PDF Download • “Gradual on Modern Staves” (1 of 4)
—92.2MB • “Introduction” + “Proper of the Time” until Easter Sunday
*  PDF Download • “Gradual on Modern Staves” (2 of 4)
—85.3MB • “Proper of the Time” starting at Easter Sunday
*  PDF Download • “Gradual on Modern Staves” (3 of 4)
—191MB • “Proper of the Saints” + “Votive Masses”
*  PDF Download • “Gradual on Modern Staves” (3 of 4)
—89MB • “Settings for the Ordinary of the Mass (Kyriale)” + “Indices”

BIOGRAPHY: Dr. Karl Weinmann (1873-1929) was a Roman Catholic priest. It is not known whether he was associated in any way with THE SAINT LEO INSTITUTE FOR SACRED MUSIC, which was founded by Father Franz Xaver Mathias in 1913. Fr. Mathias was an Alsatian priest and organist. Dr. Franz Haberl in a letted dated November 8th, 1908 says among other things: “The question of rhythm has not been solved by the publication of the Vatican edition of the chant.” Dr. Weinmann, author of Geschichte der Kirchenmusik (Leipzig, 1908), and professor of the history of Church music at Dr. Haberl’s school in Ratisbon…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“Common” Responsorial Psalm?

I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will ever persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.

—Jeff Ostrowski

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker