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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Pius XII speaks about the Liturgy (1956)

Jeff Ostrowski · July 30, 2013

592 Pacelli Rottenburg Nuncio Pacelli — procession in Rottenburg circa 1919 ECENTLY, I had occasion to consider words spoken by Pope Pius XII on 2 November 1954: “This is to be done only for a justifiable reason, and provided the Bishop has not forbidden it because of the danger that the faithful might think it strange.”

We see that Pius XII is careful, lest any novel liturgical actions harm the faithful. I wish bishops had used the pastoral sensitivity of Pius XII in the years following the Second Vatican Council.

Those words of Pius XII remind me of a private letter written by his predecessor, Pope Pius XI:

Of interest is also a responsum privatum of Pius XI to Rev. Beatus Reiser, O.S.B. (June 29, 1930) concerning the use of the orchestra in church: where it has hitherto not been introduced, it should not be in the future; where it can be done away with without too much difficulty on the part of the faithful, it should be abrogated; but where it is an inveterate custom, the use of orchestra should only gradually be cut back till it disappears; in exceptional cases with the Ordinary’s permission, Mass with orchestra can be permitted. Though this is only a private reply, it gives the mind of at least Pius XI on the matter.   [source]

Again, we see the truly pastoral understanding of these great popes.

YEARS AGO, I SHARED with a very smart priest the words of one of the piccoluomini, who had criticized Pius XII for wearing beautiful vestments. I’ll never forget the priest’s reply: “Yes, men like Pacelli actually knew and believed what the Episcopacy represents.” There was nothing more to be said.

Pope Pius XII was, perhaps, the most intelligent person of the entire 20th century. He wrote so much, it would take a lifetime to read it all (with understanding). For instance, his words on “antiquarianism” (Mediator Dei, 20 November 1947) are worth looking at. So are his words about concelebration quoted in the 1958 Instruction. Speaking of concelebration, Bishop Peter J. Elliott has written:

Concelebrating “mentally”, in total silence, is contrary to the practice of the modern Roman Rite. In 1956, anticipating the restoration of concelebration, Pope Pius XII decided that our Rite would follow the Russian practice whereby all concelebrants articulate the words of the epiklesis and the consecration together with the principal celebrant. Cf. Pope Pius XII, Address to the International Congress on Pastoral Liturgy on the Liturgical Movement, September 22, 1956, II. 1, “Actio Christi”.

I strongly recommend reading the following speech (mentioned by Most Rev. Elliott):

      * *  Pope Pius XII speaks about the Liturgy (22 September 1956)

Therein, Pope Pius XII speaks about so many different aspects of liturgy. And now I will not say another word, because this document speaks for itself. Please read it!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Concelebration, His Holiness Pope Pius XII Last Updated: March 16, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

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