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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Organ Accompaniments for the Campion Hymnal

St. Edmund Campion Missal and Hymnal · July 1, 2013

Remember! This page is from 2013.

ORGANIST VOL. 1   •   388 pages, spiral bound
— Complete Kyriale   •   $37.99

Contents:   Three (3) different harmonizations of the Ordinarium Missae are included in our book:
1.) Achille P. Bragers, LOW KEY;
2.) Carlo Rossini, MIDDLE KEY;
3.) Nova Organi Harmonia, HIGH KEY.

For purposes of comparison:   Other merchants sell the Bragers Kyriale (alone!) for $38.


ORGANIST VOL. 2   •   374 pages, spiral bound
— Hymns & Simple Chants   •   $44.95

Contents:   1.) Organ accompaniments for all the Hymns in Campion Hymnal;   2.) Additional transpositions and alternate harmonizations for many of the hymns;   3.) Information on interpreting the Vatican Edition rhythm;   4.) Organ accompaniments for the “Simple Chants” in the Campion Hymnal.

For purposes of comparison:   GIA sells their “Gather Comprehensive” accompaniment book for $105.   OCP sells their “Journeysongs Third Edition” accompaniment book for $110.   GIA sells their “Worship Fourth Edition” accompaniment book for $115.

To sing SATB versions of the hymns, please use the harmonizations provided in the Organist Edition. Permission is hereby given to xerox copy individual pages, as long as such copies are used in accordance with this goal (and not shared for any other purpose).

A NOTE ABOUT HYMN HARMONIZATIONS :

The “perfect” hymn harmonization does not exist. Harmonizations must be chosen according to: 1.) skill of the organist; 2.) acoustic of the Church; 3.) type of choir; 4.) needs of the congregation; 5.) amount of verses to be sung; 6.) time of day (lower for morning, higher for evening); and a thousand other important considerations. For this reason, we included the “standard” harmonization for each hymn. We also included transpositions for more than half of the hymns (based on range and tessitura, which, incidentally, are not the same thing). Furthermore, we included alternate harmonizations when this seemed appropriate.

 

* * *  Take advantage of coupons that give you 20% or even 30% off your entire order!  Click here.


* *  To understand the video above, you need to know how to “right click.”   If you don’t know how to right click, here’s a 30 second video explaining how.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 23, 2020

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President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

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