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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Patrick Williams • Article Archive

Patrick Williams serves as organist and choirmaster at Mater Misericordiae Parish and Saint Edward the Confessor Catholic Church. These are churches of the diocese of Phoenix, served by the Priestly Fraternity of Saint Peter (FSSP) with exclusive use of the pre-conciliar rites in Latin.—Read full biography (with photographs).

Patrick Williams · October 9, 2023

Gregorian Rhythm Wars • “Godspeed!” (9 Oct 2023)

“It is all too easy to be lured away from a common-sense interpretation of the oldest sources by the siren song of beautiful, polished performances according to some other style.” —Patrick Williams

Patrick Williams · October 2, 2023

Vollaerts Revisited

“The time is ripe to reconsider the contributions of Fr. Jan Vollaerts to Gregorian musicology.” —Patrick Williams

Patrick Williams · September 28, 2023

Gregorian Rhythm Wars • “Nuances of Nuances” (28 Sep 2023)

“Reading deliberate ‘nuances’ into normal variations in handwriting is a solution in search of a problem.” —Patrick Williams

Patrick Williams · September 28, 2023

Active Participation or Not?

“Somehow, an amplified soloist drowning out everyone else is deemed ‘active participation,’ but a choir of thirty voices singing polyphony is not.” —Patrick Williams

Patrick Williams · September 24, 2023

Concerning Alterations to the Vatican Edition

“I cannot imagine any justification for making such an alteration and still claiming that one’s edition corresponds to the Vaticana.” —Patrick Williams

Patrick Williams · September 16, 2023

Gregorian Rhythm Wars • “Mocquereau on Trial” (16 Sep 2023)

“The burden of proof is on the one who persists in ignoring the evidence.” —Patrick Williams

Patrick Williams · August 30, 2023

Report from St. Louis Chant Workshop with Marcel Pérès

“I would characterize the sound as heavy and visceral in contrast to the soaring and ethereal aesthetic of the Solesmes style of chant.” —Patrick Williams

Patrick Williams · August 19, 2023

Gregorian Rhythm Wars • “Check the Date!” (19 Aug 2023)

“The oldest rhythmic sources are reliable. Study them for yourself and don’t take my word for anything!” —Patrick Williams

Patrick Williams · August 8, 2023

Gregorian Offertory • “Exaltabo te Domine”

Eleventh Sunday after Pentecost, Seventeenth Sunday in Ordinary Time, Ash Wednesday

Patrick Williams · July 24, 2023

Gregorian Rhythm Wars • “Patrick’s Fifth Reply to Jeff” (24 July 2023)

“Now all you have to do is connect the dots for yourself.” —Patrick Williams

Patrick Williams · July 16, 2023

Gregorian Rhythm Wars • “Tradition, Beauty, and Musicality” (16 July 2023)

“How delightful it would be to hear chants sung beautifully in a style that hasn’t been recorded hundreds of times already!” —Patrick Williams

Patrick Williams · July 12, 2023

Gregorian Rhythm Wars • “Williams Responds to Weaver” (12 July 2023)

“What is to be gained from outdated scholarship and an anachronistic aesthetic that cannot be better accomplished by a return to the oldest sources?” —Patrick Williams

Patrick Williams · July 4, 2023

Gregorian Rhythm Wars • “Patrick’s Fourth Reply to Jeff” (4 July 2023)

“It is disingenuous and ludicrous to inject the notion of hallucination and magic into the historical narrative.” —Patrick Williams

Patrick Williams · June 28, 2023

Gregorian Rhythm Wars • Video: “Introduction to Mensuralism” (28 June 2023)

“If a picture is worth a thousand words, then a video has to be worth at least 1.8 million words.” —Dr. James McQuivey

Patrick Williams · June 18, 2023

“Text-Informed Performance Practice in Chant”

“The older responsorial method is more in accord with a right understanding of this text.” —Patrick Williams

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use.”

— Fr. Adrian Fortescue (1912)

Recent Posts

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  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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