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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Patrick Williams • Article Archive

Patrick Williams serves as organist and choirmaster at Mater Misericordiae Parish and Saint Edward the Confessor Catholic Church. These are churches of the diocese of Phoenix, served by the Priestly Fraternity of Saint Peter (FSSP) with exclusive use of the pre-conciliar rites in Latin.—Read full biography (with photographs).

Patrick Williams · October 9, 2023

Gregorian Rhythm Wars • “Godspeed!” (9 Oct 2023)

“It is all too easy to be lured away from a common-sense interpretation of the oldest sources by the siren song of beautiful, polished performances according to some other style.” —Patrick Williams

Patrick Williams · October 2, 2023

Vollaerts Revisited

“The time is ripe to reconsider the contributions of Fr. Jan Vollaerts to Gregorian musicology.” —Patrick Williams

Patrick Williams · September 28, 2023

Gregorian Rhythm Wars • “Nuances of Nuances” (28 Sep 2023)

“Reading deliberate ‘nuances’ into normal variations in handwriting is a solution in search of a problem.” —Patrick Williams

Patrick Williams · September 28, 2023

Active Participation or Not?

“Somehow, an amplified soloist drowning out everyone else is deemed ‘active participation,’ but a choir of thirty voices singing polyphony is not.” —Patrick Williams

Patrick Williams · September 24, 2023

Concerning Alterations to the Vatican Edition

“I cannot imagine any justification for making such an alteration and still claiming that one’s edition corresponds to the Vaticana.” —Patrick Williams

Patrick Williams · September 16, 2023

Gregorian Rhythm Wars • “Mocquereau on Trial” (16 Sep 2023)

“The burden of proof is on the one who persists in ignoring the evidence.” —Patrick Williams

Patrick Williams · August 30, 2023

Report from St. Louis Chant Workshop with Marcel Pérès

“I would characterize the sound as heavy and visceral in contrast to the soaring and ethereal aesthetic of the Solesmes style of chant.” —Patrick Williams

Patrick Williams · August 19, 2023

Gregorian Rhythm Wars • “Check the Date!” (19 Aug 2023)

“The oldest rhythmic sources are reliable. Study them for yourself and don’t take my word for anything!” —Patrick Williams

Patrick Williams · August 8, 2023

Gregorian Offertory • “Exaltabo te Domine”

Eleventh Sunday after Pentecost, Seventeenth Sunday in Ordinary Time, Ash Wednesday

Patrick Williams · July 24, 2023

Gregorian Rhythm Wars • “Patrick’s Fifth Reply to Jeff” (24 July 2023)

“Now all you have to do is connect the dots for yourself.” —Patrick Williams

Patrick Williams · July 16, 2023

Gregorian Rhythm Wars • “Tradition, Beauty, and Musicality” (16 July 2023)

“How delightful it would be to hear chants sung beautifully in a style that hasn’t been recorded hundreds of times already!” —Patrick Williams

Patrick Williams · July 12, 2023

Gregorian Rhythm Wars • “Williams Responds to Weaver” (12 July 2023)

“What is to be gained from outdated scholarship and an anachronistic aesthetic that cannot be better accomplished by a return to the oldest sources?” —Patrick Williams

Patrick Williams · July 4, 2023

Gregorian Rhythm Wars • “Patrick’s Fourth Reply to Jeff” (4 July 2023)

“It is disingenuous and ludicrous to inject the notion of hallucination and magic into the historical narrative.” —Patrick Williams

Patrick Williams · June 28, 2023

Gregorian Rhythm Wars • Video: “Introduction to Mensuralism” (28 June 2023)

“If a picture is worth a thousand words, then a video has to be worth at least 1.8 million words.” —Dr. James McQuivey

Patrick Williams · June 18, 2023

“Text-Informed Performance Practice in Chant”

“The older responsorial method is more in accord with a right understanding of this text.” —Patrick Williams

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Rarely indeed,” asserted Pope Benedict XV (2 October 1921), “has the idealism of art and the glory of the faith been joined in such perfect harmony” as in the works of Palestrina and fellow polyphonists.

— Quoted by Gerard Ellard SJ (Church history professor at St. Mary’s College, KS)

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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