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Corpus Christi Watershed

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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · September 24, 2019

So… You Can’t Visit a Choir School

Choir Schools would help to fill our parishes with congregations and choir members who would expect real sacred music sung to a high degree…

Dr. Lucas Tappan · September 19, 2019

Sense and Sensibility

This lesson is no less true in the realm of sacred music than it is in the realm of lovers.

Dr. Lucas Tappan · September 3, 2019

Let the Fun Begin

I have been searching for ways to bring more choristers into the choir…

Dr. Lucas Tappan · August 27, 2019

Mr. Pete Avendano and His Incredible Choir

Now back in Los Angeles, Avendano hopes to found a Catholic boys choir dedicated solely to singing the Church’s music.

Dr. Lucas Tappan · August 20, 2019

Five Suggestions • “Music in Our Schools”

If we desire to educate, we should keep our end in mind—to teach children what is good, and to love that good.

Dr. Lucas Tappan · August 13, 2019

Five Rules • “Successful Music Camps”

A choirmaster must always be recruiting…and a summer camp is a great recruiting tool.

Dr. Lucas Tappan · July 30, 2019

Announcing: Saint Rita Choral Academy!

The parish’s new venture, the St. Rita Choral Academy, is the brainchild of Dr. Alfred Calabrese.

Dr. Lucas Tappan · July 24, 2019

A Call to Educate Our Future Musicians

Most of these students, without ever having studied the Church’s documents on liturgical music, have an innate sense that our sacred mysteries require sacred music… and they WANT IT!

Dr. Lucas Tappan · July 9, 2019

In Support of the Choir School Tradition

St. Paul’s Choir School is one of only three Catholic choir schools in the United States, and provides an approach we might call the apprenticeship method.

Dr. Lucas Tappan · July 1, 2019

St. Paul’s Choir School Appoints New Director of Music

James Kennerley’s “rehearsal with the men and boys was brilliant as is his organ playing.”

Dr. Lucas Tappan · June 25, 2019

In Search of the Deeper Meaning

I have heard it said that magic shows up at every concert but usually goes home disappointed.

Dr. Lucas Tappan · June 18, 2019

Fr. Finn and the Catholic Choral Tradition in America

Nevertheless, we have had, and quite frankly still have, a number of fine choirs, conductors and organists that I would place on par and even above our European brethren.

Dr. Lucas Tappan · May 28, 2019

St. Mary's

St. Mary’s Cathedral Choir (Sydney, Australia)

If you are interested in the great English Cathedral music tradition, please consider listening to these podcasts.

Dr. Lucas Tappan · May 21, 2019

Further Thoughts on Westminster Cathedral

I am reminded of the care with which the Pieta was transported from the Vatican to New York City for the World’s Fair in 1964 and I hope and pray that the Westminster Cathedral Choir will be treated with as much veneration and respect.

Dr. Lucas Tappan · May 7, 2019

To: Headmaster of Westminster Cathedral Choir School

Like the great Cathedral of Notre Dame, this daily musical offering belongs not only to the Church in London and the British Isles, but to the universal Church.

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Corpus Christi Watershed

President’s Corner

    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski
    Proof Which All Can Immediately See!
    “A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, its attackers often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. But if only they would glance at a copy of the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.
    —Jeff Ostrowski
    New Bulletin Article • “8 June 2025”
    My pastor requested that I write short articles each week for the parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article includes a few anecdotes about Archbishop Fulton J. Sheen and Abraham Lincoln.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

Recent Posts

  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)
  • “Truly Great Processional” • (Pipe Organ)
  • “Re: Vigil Masses” • Reader Feedback (3 June 2025)
  • Proof Which All Can Immediately See!
  • New Bulletin Article • “8 June 2025”

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