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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · March 14, 2017

Fighting With Choir Members?

“On Holy Saturday in 1545—while the pope and several cardinals were present—two of the oldest choir members flew at each other during the blessing of the new oils, shouting in a loud voice…”

Jeff Ostrowski · March 10, 2017

Musical Resources • 2nd Sunday of Lent 1

“O God, Who seest how we are destitute of all strength…”

Jeff Ostrowski · March 10, 2017

GoFundMe Campaign • Needing Scholarships!

Sacred Music: “Curse the darkness…or light a candle?”

Jeff Ostrowski · March 7, 2017

Vatican II • What You Were Too Embarrassed To Ask

Fr. Christopher Smith has created a 7-part series on Vatican II.

Jeff Ostrowski · March 6, 2017

PDF Download • “Antiphonale Romanum” (1949)

Yesterday, I used the text on page 366 to create an SATB Hymn for Lent.

Jeff Ostrowski · March 4, 2017

Did You Forget This Fabulous Lenten Hymn?

The psalm verses are optional—making this piece as long or short as you desire.

Jeff Ostrowski · March 3, 2017

Choirmasters, Your Job Is Hard Beyond A Doubt

What does sacred music have to do with the O. J. Simpson murder trial?

Jeff Ostrowski · February 28, 2017

Giacomo Cardinal Lercaro (1891-1976)

“There remains throughout the presence of Bugnini—his bias, his anger, and his prejudice—making one continuously ask the unanswerable question: why?” ~ Msgr. Richard J. Schuler

Jeff Ostrowski · February 22, 2017

“Morae Vocis” acc. to the Vatican Edition

The «Kyriale» contains very few melismatic morae.

Jeff Ostrowski · February 21, 2017

PDF Download • “Cantus Varii” (469 Pages)

The revolution continues!

Jeff Ostrowski · February 20, 2017

2-1 Suspension in Guerrero Motet

“Now this is eternal life: That they may know thee, the only true God, and Jesus Christ, whom thou hast sent.”

Jeff Ostrowski · February 18, 2017

Musical Resources • Sexagesima Sunday 1

“O God, who seest that we put no trust in ourselves…”

Jeff Ostrowski · February 13, 2017

Refutations • “Can the Latin Mass be enriched?”

The OF can enrich the EF, but not the way Fr. Stravinskas describes.

Jeff Ostrowski · February 11, 2017

Who I Am

Vladimir Horowitz was especially known for this ability.

Jeff Ostrowski · February 9, 2017

“A Trip to the Sacred Music Symposium” • (Film)

Two young ladies in high school created this video as part of a school project.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor, and to do all We can to promote its study and use. The employment of Latin has recently been contested in many quarters, and many are asking what the mind of the Apostolic See is in this matter. We have therefore decided to issue the timely directives contained in this document, so as to ensure that the ancient and uninterrupted use of Latin be maintained and, where necessary, restored.”

— Pope John XXIII (22 February 1962)

Recent Posts

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  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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