• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Guest Author

Guest Author · March 20, 2014

Why Do Priests Care So Much For The Liturgy and Sacred Music?

Does a desire for liturgical and musical elements that are authentically Catholic and deeply rooted in tradition really have anything to do in the life of a priest?

Guest Author · March 16, 2014

Homily: 2nd Sunday of Lent (Year A)

How do you envision heaven? Having a better understanding of it will aid you in getting there!

Guest Author · March 8, 2014

Homily: 1st Sunday of Lent (Year A)

“‘At the acceptable time I have listened to you, and helped you on the day of salvation.’ Behold, now is the acceptable time; behold, now is the day of salvation.” -2 Cor 6:2

Guest Author · March 4, 2014

Principles for Creating Chant for the Vernacular

David Clayton shares free resources and instruction for adapting Latin chant to English.

Guest Author · March 4, 2014

Reflection on the Blessing of the Ashes

A brief Lenten reflection by Fr. Valentine Young, OFM.

Guest Author · March 1, 2014

Homily: 8th Sunday in Ordinary Time (Year A)

A homily by Fr. Valentine Young, OFM.

Guest Author · February 28, 2014

Why the Church Is Dying in Latin America

“We need to realize that beauty is essential to any true notion of progress and human development.”

Guest Author · February 19, 2014

Monsignor Francis P. Schmitt—“Put Out To Pastor”

An in depth article about Monsignor Francis P. Schmitt by Andy Baumert.

Guest Author · February 11, 2014

Review by Fr. Justin Nolan, FSSP

“Many parishioners have told me their children especially love following the Mass in this missal because the pictures are so delightful.”

Guest Author · February 7, 2014

On Singing the Passion Gospel for Palm Sunday

This Lent, consider singing the most important Gospel reading of the year. “Free PDF Download Included!”

Guest Author · January 15, 2014

Catholic Youth Choir Releases CD, Prepares For Tour

The Blackstone Valley Catholic Youth Choir, currently preparing for a mid-Atlantic tour, has released a new CD, “Clothed With the Sun.”

Guest Author · November 4, 2013

The Ordinariness of White

Perhaps we are de-sensitized to the symbol, but the color representing the liturgical feast we celebrate today is in fact one of great importance.

Guest Author · November 2, 2013

“In Medio Ecclesiae” Album Release

The Dominican House of Studies schola has just released its first album, In Medio Ecclesiae, under the aegis of the newly founded Dominicana Records. The album is available now for download at www.dominicanablog.com/records; CD purchase coming soon.

Guest Author · October 2, 2013

Impressive New Hymnal for the Divine Office

A guest article by Br. Dominic Verner O.P.

Guest Author · September 9, 2013

New Gregorian Chant Project Needs Your Support!

Chant is beautiful, stunning, transcendent. Yet do we really know how it sounded centuries ago? Can we, by carefully listening, appreciate the differences between the modes?

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 5
  • Page 6
  • Page 7
  • Page 8
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use.”

— Fr. Adrian Fortescue (1912)

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.