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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · June 17, 2013

Benedict Wanted a “Poor” Church, Too

On 13 June, Pope Francis announced the imminent release of an encyclical written “with four hands.” (No, this is not a Schubert Sonata for four hands!)

Corpus Christi Watershed · June 15, 2013

Fr. Pierre Paul And Pope Francis

Fr. Pierre Paul is well-known to Church musicians everywhere due to the amazing progress he has personally overseen with the Vatican choirs.

Corpus Christi Watershed · June 11, 2013

An 1833 English Translation of the Missal?

Considering the history of vernacular translations, which were forbidden at certain times by the Church, the following 1833 document will be of interest.

Corpus Christi Watershed · June 11, 2013

Chant Workshop At Historic Mission San Buenaventura

The session in Ventura, CA, will include Gregorian notation and solfege, Chant in English and Latin, Counting, Mass Ordinary, and a capstone using the Pange Lingua.

Corpus Christi Watershed · June 10, 2013

100 Easy, Beautiful Organ Interludes (Manuals Only)

In the 1930s, Dom Gregory Murray did a tremendous service to Church organists by composing many organ interludes without pedals.

Corpus Christi Watershed · June 9, 2013

Msgr. Wadsworth to help found new Oratory in D.C.

Fr. Richard Mullins is reporting that in July he will be “planting the seeds for an eventual Oratory of St. Philip Neri” with none other than Monsignor Andrew Wadsworth, Executive Director of ICEL.

Corpus Christi Watershed · June 9, 2013

Beautiful Art Can Still Be Found

Stained glass windows by Barbara Ferabecoli.

Corpus Christi Watershed · June 8, 2013

Alexander K. Sample, Archbishop of Portland

“The GLORIA of the Mass set to a Polka beat or in the style of rock music is not sacred music.” — Most Reverend Alexander Sample, Archbishop of Portland

Corpus Christi Watershed · June 7, 2013

Sacred Music Conference: Marquette, Michigan

Those from the Diocese of Marquette and neighboring dioceses are highly encouraged to attend!

Corpus Christi Watershed · June 4, 2013

06 • Lalemant Conversations: Dr. Scott Smith

Dr. Scott Smith speaks about the Mass Propers in a “live” phone interview.

Corpus Christi Watershed · May 30, 2013

Latin Mass Training Videos (FSSP/EWTN)

Superb Training Videos: “How to say Mass in the Extraordinary Form.”

Corpus Christi Watershed · May 28, 2013

St. Edmund Jennings • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

Corpus Christi Watershed · May 28, 2013

Mass of the Prophets and Martyrs • Audio Files

Mass of the Prophets and Martyrs

Corpus Christi Watershed · May 28, 2013

Saint Theodore • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

Corpus Christi Watershed · May 28, 2013

St. Bernadette Mass Setting • Audio Files

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
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