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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · May 19, 2017

Women Who Wear The Mantilla In Church

“At times, it’s hard because I feel as if I’m the only one in church wearing one.” —Crystalina Evert

Corpus Christi Watershed · May 11, 2017

May Is Dedicated To Mary

“Prior to the singing of each hymn, a brief background of its history and significance in Catholic devotional life will be presented by Peter Meggison.”

Corpus Christi Watershed · April 17, 2017

G.I.A. Publications President: “Statement on Composer David Haas”

Alec Harris (President of GIA Publications) “can’t overestimate the profound impact” that David Haas had on “everyone at GIA Publications.”

Corpus Christi Watershed · April 8, 2017

Members’ Page • Sacred Music Symposium 2018

Private & Confidential

Corpus Christi Watershed · March 28, 2017

Professional Video • Real, Live, Irish Monks!

Silverstream Priory is a house of monks living under the Rule of Saint Benedict.

Corpus Christi Watershed · January 12, 2017

Fr. Magiera Reviews The Campion Hymnal

“These renderings are accompanied by beautiful photos so even the novice should be able to follow the Mass rather easily.”

Corpus Christi Watershed · January 11, 2017

Practice Tracks • Ainslie’s “English Proper Chants”

Want a reliable and accessible way to learn the John Ainslie “English Proper Chants” for your parish choir? Subscribe for *free* weekly practice videos!

Corpus Christi Watershed · December 26, 2016

“The Journey of the Magi”

Originally, the star was shown above the tiled roof of the stable.

Corpus Christi Watershed · December 8, 2016

Print This For Your Children To Color

Courtesy of John Sonnen.

Corpus Christi Watershed · November 28, 2016

Today Only! 40% off musical scores

Why not pick up a copy of Kevin Allen’s “Matri Divinae” collection?

Corpus Christi Watershed · November 24, 2016

Thanksgiving

Pope Francis has said: “Friar Junípero was one of the founding fathers of the United States.”

Corpus Christi Watershed · November 23, 2016

Cardinal Sarah Visits The Monastery of Solesmes

If you read French, you’ll understand these homilies.

Corpus Christi Watershed · November 9, 2016

Sonnen: “I’ve never seen such a fine work of art.”

Spot an ancient chasuble or rare picture of St. Wojtyła? Odds are it came from John Paul Sonnen.

Corpus Christi Watershed · October 20, 2016

Dr. Jennifer Donelson Conducting Seminarians

Kevin Allen’s beautiful “Domine, Non Sum Dignus” has also been sung for Vatican Masses.

Corpus Christi Watershed · September 22, 2016

“For Immediate Release” • Re: Society for Catholic Liturgy Conference in Los Angeles

Archbishop Gomez will still speak, but the venue for Saturday has changed.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

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