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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Dr. Alfred Calabrese

Dr. Alfred Calabrese · January 15, 2013

ALLED “one of the finest conductors of his generation” by maestro Robert Shaw, Alfred Calabrese enjoys a diverse career as conductor, educator, composer, scholar, and church musician. He has been director of choral activities at Southern Methodist University, Emory University, and Brevard College, Visiting Professor at Indiana University, and guest lecturer at the University of Notre Dame, the University of South Carolina, and the Conservatoire de Versailles. Since 2007 he has been Director of Music at Saint Rita Catholic Church in Dallas, TX, where he oversees a music program with six choirs including the newly established St. Rita Choral Academy, professional singers and organists, and six full and part-time staff members. Calabrese holds the Master of Music and Doctor of Music degrees in Conducting from the prestigious Jacobs School of Music at Indiana University. He has prepared choirs for several prominent conductors including John Nelson and Sir David Willcocks, and in the early 1990’s was an assistant conductor to Robert Shaw and the Grammy © Award winning Atlanta Symphony Chorus.  He worked in close collaboration with Maestro Shaw for three years, rehearsing the ASOC in works as diverse as Mahler Symphony #2, #3, and #8; Berlioz Romeo et Juliette; Janáček Glagolitic Mass, Verdi Quattro Pezzi Sacri, and the annual Christmas with Robert Shaw concerts.

*  DR. ALFRED CALABRESE • Publicity Photo (A)

*  DR. ALFRED CALABRESE • Publicity Photo (B)

Possessing an affinity for compositions for orchestra and choir, his repertoire includes, among others, major works of Bach, Brahms, Britten, Mendelssohn, Mozart, Schubert, Handel, Haydn, Stravinsky, Fauré, Duruflé, Poulenc, and Pärt, and well over 500 smaller pieces for choir alone. In 2005 he led performances of I Pagliacci and Cavalleria Rusticanafor the Atlantic Coast Opera Company. His orchestral repertoire includes symphonies and concerti of Beethoven, Mozart, Poulenc, Handel, Weber, Dvorak among others. Calabrese has been a guest conductor and clinician in America and abroad. As a clinician, he has conducted All-State and honor choirs and has participated in numerous festivals and clinics throughout the United States.  He was a guest conductor at the Conservatoire de Versailles in both 2013 and 2019 and in concerts with l’Ensemble Polyphonique de Versailles. He is presently a guest conductor with the festivals of the American Federation Pueri Cantores.

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Dr. Calabrese has been composing and arranging intermittently since 1990 and self publishes. His compositions since 2007 are primarily for the liturgy, including a nearly completed three-year cycle of Responsorial Psalms for the church year. These have been performed across the country in recent years. Presently, he is at work setting the ad libitum Communion propers as Latin motets for SAB Choir. Dr. Calabrese was born and raised in upstate New York, in the small town of Waterford. A cradle Catholic, his youth was colored and influenced by his strong Italian-American heritage, the Catholic culture of his family and the upstate area, and the beauty of his boyhood parish, St. Mary of the Assumption, Waterford, known affectionately as “the little Cathedral on the hill,” where he sang in the choir beginning at age 15. He is married to Cynthia Calabrese, a musician and development executive. They have two grown children who both work for Catholic-based organizations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: August 27, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski
    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

Recent Posts

  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations

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