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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

Jeff Ostrowski · February 24, 2026

OME HAVE CALLED Monsignor James Dunlop Crichton (d. 2001) “Britain’s foremost Roman Catholic liturgist.” It’s difficult to take such an assertion seriously in light of elementary errors he sometimes made. For instance, in 1996, he declared vis-à-vis choirs singing for Mass: “Their role is to support the people and help them to sing well what might otherwise be difficult to sing without their support.” Likewise, in 1990, Crichton wrote: “The choir is the servant of the people and not an independent element that may go its own way.” That’s false. In fairness, he wasn’t alone; e.g. the USCCB Liturgical Committee (23 November 1980) said: “Musicians, singers, and instrumentalists are responsible for providing the direction and support by which the community can pray and sing well” insisting that “the primary focus for composers of liturgical music” must be “the entire assembly itself.”

Irrefutable Truth • Vatican II explicitly said: “The treasury of sacred music is to be preserved and fostered with very great care.” Only a minuscule percentage of the THESAURUS MUSICAE SACRAE is congregational. As I pointed out in my recent essay, Let the Choir Have a Voice, that statement doesn’t allow for wiggle room, nuance, or interpretation.1 Following this injunction, our childrens’ choir last Sunday joined our volunteer parish choir for the First Sunday of Lent. Here’s a brief excerpt:

Here’s the direct URL link.

Download This Musical Score • That score can be downloaded completely free of charge by following this URL link. At that same location, you will find much information with regard to the provenance of this arrangement. Moreover, you’ll discover free rehearsal videos (of a high-quality) for each individual voice … and that’s quite a boon for volunteer choirs.

Kevin Allen • That “Tantum Ergo” excerpt—which you heard in the video—comes from a magnificent collection by Kevin Allen (legendary composer of sacred music) called Motecta Trium Vocum. Readers will want to check out EMPORIUM KEVIN ALLEN, where some of Mæstro Allen’s musical scores may be purchased. Furthermore, if you live in Chicago, you’ll want to check out these upcoming events:

1 There will always be priests who say: “Who cares what Vatican II mandated? I’ll do as I please.” But no serious person can honestly claim Vatican II said choirs are only there to support congregational singing. The THESAURUS MUSICAE SACRAE has a meaning: real choral music. Not baby music; not folks songs; not broadway songs; not Disney songs; not the musical equivalent of “goo goo gah gah.” The conscientious choirmaster should never be ashamed of teaching Catholic choirs authentic choral music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Monsignor James Dunlop Crichton, Thesaurus musicae sacrae Last Updated: February 24, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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