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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Gregorian Chant Booklet” mailed by Pope Saint Paul VI to every bishop

Jeff Ostrowski · February 23, 2026

OR SEVERAL MONTHS, I’ve been studying a book called Thirty Years of Liturgical Renewal by Father Frederick R. McManus, one of the founders of ICEL, who celebrated on 24 August 1964 (for the first time in United States history) a complete Mass in the vulgar tongue. To be honest, I only pick up this book when I need to ‘get my blood running’. It’s a truly infuriating tome, in which McManus insists over and over again that every Catholic who lived before Vatican II was a liturgical ignoramus. If I can find time and energy, someday I might give McManus’ book a rigorous treatment. Each page contains at least one sentence so staggeringly smug and uninformed that it causes one’s blood to boil.

Breathtaking Breakthrough? • Readers know well the serious reasons behind the Church’s perennial preference for a lingua sacra at Mass. It will surprise nobody that McManus (who detested Latin) insisted upon the vulgar tongue. But what never ceases to amaze me is how the reformers pretend the vulgar tongue’s introduction was some ‘breakthrough’ or ‘epiphany’ or ‘quantum leap’—as if the great saints never realized they were praying in a lingua sacra. In other words, pushing for the vulgar tongue is one thing. Pretending it’s a brilliant ‘revelation’ the great saints were too dumb to conceive of is something truly reprehensible.

Heartbreaking Dismay • Father McManus must have experienced heartbreak in 1974 when Pope Saint Paul VI mailed a booklet of CARMEN GREGORIANUM (“Gregorian Chant”) to every western bishop. Its title was: “JUBILATE DEO: Easier Gregorian Chants the faithful should learn, bearing in mind Vatican II’s Constitution on the Sacred Liturgy.” As of 23 February 2026, you can download this booklet free of charge:

*  PDF Download • JUBILATE DEO (86 pages)
—Cantus Gregoriani faciliores quos fideles discant oportet.

This booklet surely caused McManus deep sorrow for two reasons: (1) The entire booklet is in Latin, filled with Gregorian Chant; (2) The booklet is explicitly meant for Catholics in the pews. Father McManus declared that Catholics must never (!) read along with the celebrant (as he proclaims prayers at Mass) from a booklet or printed text. Specifically, he insists that doing so:

“can only be an inhibition to
authentic celebration & community
participation.” (Page 139)

His Word Is Law • Father McManus never explains why it’s so terrible to follow—by means of printed materials—liturgical prayers. Nor does he make an exception for hearing-impaired or deaf Catholics. Indeed, one reason I called his book ‘infuriating’ is because his opinions are invariably presented as incontrovertible and unquestionable. Since Father McManus nowhere gives a justification, I can only guess. My guess would be that Catholics following along with the celebrant would thwart priests who wish to modify surreptitiously official Church texts.

Atténde Dómine • Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, “Atténde Dómine” has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. Abbé Ferdinand Portier—who published Le Bréviaire de l’Organiste—composed an accompaniment for it since it’s found in the LIBER CANTUALIS (although he only includes two verses). The Nouveau Manuel Complet De l’Organist (1863) contains extra verses I hadn’t been aware of. Dr. Adrian Fortescue included it in his hymnal; a testament to how popular it must’ve been. Indeed, I was surprised to see that—although it is not authentic CARMEN GREGORIANUM—it was included in the JUBILATE DEO booklet mailed to each bishop. The following musical score has an incredibly accurate version in English, a nice version in Spanish, and the original Latin. Although I don’t claim to have a great singing voice, I recorded a rehearsal video:

*  PDF Download • “Atténde Dómine” (Musical Score)
—Plainsong version: English, Spanish, and Latin.

Here’s the direct URL link.

English Plainsong • I wasn’t around when Vatican II happened; I was born in the 1980s. Nobody back then asked my opinion. I have dedicated my life to Latin plainsong, but I realize the Church does allow the vulgar tongue. For that reason, I felt compelled to create that rehearsal video (in English).

Terminology Tricks • A quote attributed to George Orwell (d. 1950) says: “Whoever controls the language controls the mind.” When people like McManus contradict explicit mandates of Vatican II, they never call this disobedience. Instead, they claim to be “going beyond” Vatican II or “developing upon” Vatican II. Father McManus chose his language carefully. Consider page 105, on which McManus describes Catholics who disagree with his interpretations as “disaffected people” who suffer from “a psychological resistance to change” as a result of “a simple nostalgia.” Naturally, McManus never entertains the possibility that his views might be incorrect.

A Lopsided Vote • On page 105 (5th paragraph), McManus makes an interesting statement, claiming that “dissatisfied people” foolishly resist his reforms because of “a desire to preserve the music written for Latin.” Did you notice the way Father McManus selected his words? Did you see how carefully he phrased that? Readers know Vatican II—on 4 December 1963—explicitly mandated that “the treasury of sacred music is to be preserved and fostered with very great care.” No mention of desire. That decree was one of the most lopsided votes of the council, with 2,147 bishops voting in favor and only 4 against. But notice how Father McManus doesn’t say “in obedience to explicit mandates of Vatican II.” Instead, he speaks of a “desire” (his word) to preserve the music written for Latin. I won’t insult the intelligence of our readers by explaining why McManus chose that particular phraseology.

Final Thoughts • If anyone desires to mail us physical copies of various editions of JUBILATE DEO, this would thrill us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Attende Domine Gregorian Chant PDF file, Cantus Gregoriani Faciliores Quos Fideles Discant Oportet, Carmen Gregorianum, Iubilate Deo Booklet Sent by Paul VI, Jubilate Deo Booklet Sent by Paul VI Last Updated: February 23, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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