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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Ode to Kevin Allen

Julie Huebner · January 22, 2026

ONSIDER THIS my long overdue ‘Ode to Kevin Allen’. I cannot remember exactly when I first encountered his music, but it was likely during my days as a lurker on this blog (long before becoming a contributor). His Ave Sacer Christi Sanguis, which has received ample attention already, was my gateway piece to a deeper appreciation of his musical offerings. Mr. Allen is the only composer I know who has set that text to music. Many are familiar with the AVE VERUM CORPUS—sung in Elevatióne Córporis Christi—but not that many are aware of the AVE SACER CHRISTI SANGUIS, sung at the elevation of the Most Precious Blood (“in Elevatióne Sánguinis Christi”).

I know what you’re all saying: “Recording, or it didn’t happen!” Here’s an excerpt of my parish’s Schola Immaculata singing that lovely composition last November.

Here’s the direct URL link.

Paratur Nobis Mensa • The real reason I’m writing today is to highlight an Allen piece that my Schola Immaculata sang for Holy Thursday—one that I have yet to hear enough about: Paratur Nobis Mensa. Program it immediately, my friends, in choir lofts around the world! This is not an easy piece and you’ll even hear a hiccup in the recording below. Of course, that is the nature of live music, especially when sung by a fully volunteer Schola. Honestly, that humanity only deepens the prayer.

Here’s the direct URL link.

I was privileged to meet Mr. Allen (and Mr. Ostrowski) at a Gregorian chant workshop put on by Saint Gregory Hall in Chicago in fall of 2024. He was kind, humble, and dealt with a brand new music director asking him many questions with grace. God bless him always!

Both of the motets above come from Motecta Trium Vocum, which can be purchased directly from Amazon via Emporium Kevin Allen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 22, 2026

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About Julie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

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President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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