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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Children’s Repertoire • Three Recommendations by Mark Haas

Mark Haas · November 20, 2025

T IS AN HONOR to offer my own recommendation for Children’s Choir pieces that I have found to be quite helpful to me over the years.

As a children’s choir director, one of my greatest joys is watching young singers grow in confidence, musicality, and prayerfulness. Choosing the right repertoire is essential: the music must be approachable, yet rich enough to serve as a gateway into deeper musical concepts. With that in mind, I am delighted to share my top three selections for developing children’s voices—pieces that have proven both musically formative and spiritually meaningful. Perhaps they will serve your children’s choirs as well.

 

Jesu! Rex Admirabilis – Giovanni Pierluigi da Palestrina

*  Mp3 Download • Live Children’s Choir Rec. (“Jesu! Rex Admirabilis”)
—”Jesu! Rex Admirabilis”  • Ave Maria Parish Children’s Choir • Mark Haas, director

Among Palestrina’s vast catalog of sacred works, Jesu! Rex Admirabilis remains one of his most beloved motets. It is often used as a model when teaching Renaissance counterpoint because of its exemplary voice-leading and balanced textures. What makes this motet so useful for young choirs is its serene, floating lines and gentle imitation—hallmarks of Palestrina’s style that make the piece surprisingly accessible.

I have found that even beginning music readers can grasp the basic concept of imitative polyphony through this work. Children delight in hearing a melodic idea appear in another voice, as though they’re uncovering a musical secret. It opens the door to understanding more complex polyphonic repertoire later on.

You are welcome to these practice tracks: Soprano | Alto | Baritone

 

Jubilate Deo – Maureen Briare

*  Mp3 Download • Live Children’s Choir Rec. (“Jubilate Deo”)
—”Jubilate Deo”  • Ave Maria Parish Children’s Choir • Mark Haas, director

Moving from Renaissance polyphony to contemporary liturgical music, Maureen Briare’s Jubilate Deo is a simple two-part round perfect for any joyous occasion. It also includes an optional trumpet line that adds a festive, processional character.

My children’s choir absolutely loves this piece—in fact, for several of them, it remains their favorite all year long. The round structure helps young singers gain confidence quickly, and because the repetition is built into the form, it requires minimal rehearsal time while still producing a beautiful, energetic sound. Briare’s writing is joyful, bright, and eminently singable, making it a reliable go-to for Sundays in Easter, First Communions, and other celebrations.

Music can be acquired here.

 

Anima Christi – Marco Frisina

*  Mp3 Download • Live Children’s Choir Rec. (“Anima Christi”)
—”Anima Christi”  • Ave Maria Parish Children’s Choir • Mark Haas, director

A modern classic by Italian priest-composer Marco Frisina, Anima Christi sets the ancient Eucharistic prayer in a deeply expressive and prayerful way. The text petitions Christ for sanctification, protection, healing, and ultimately union with Him— themes that resonate profoundly even with young singers.

Musically, I have found this piece invaluable for introducing children to reading alto harmony, thanks to its clear yet expressive voice leading. Its flowing lines also provide an excellent opportunity to refine Latin pronunciation in a pastoral and approachable context. Frisina’s writing feels both contemporary and timeless, making it a beautiful addition to any liturgical celebration.

You are welcome to these practice tracks: Soprano | Alto | Tenor | Bass

 

(Honorable Mention) Dear Lady of Fatima – Gladys Gollahon

*  Mp3 Download • Live Children’s Choir Rec. (“Dear Lady of Fatima”)
—”Dear Lady of Fatima”  • Ave Maria Parish Children’s Choir • Mark Haas, director

*  PDF Download • Dear Lady of Fatima by Gladys Gollahon

There is something uniquely endearing about children singing a hymn to Our Lady—especially on the Feast of Our Lady of Fatima. Perhaps this is because the Fatima apparitions themselves involved children, and the Blessed Mother so often chooses to reveal herself to young children.

I recently discovered this mid-20th-century gem and created a simple two-part arrangement for children’s choir. Our parishioners were visibly moved—many moved to tears—as the children sang this love song to the Blessed Mother. Its tenderness, simplicity, and devotional character make it a lovely optional piece for Marian feasts.

May your own Children’s Choir be blest with joyful music. Perhaps some of these selections can be additions to your own musical collections this year.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 20, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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