• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Kid’s Repertoire • 3 Recommendations (Mark Haas)

Mark Haas · November 20, 2025

T IS AN HONOR to offer my own recommendation for Children’s Choir pieces that I have found to be quite helpful to me over the years. I add mine to recommendations by my esteemed colleagues: Andrea Leal; Chris Mueller; Keven Smith; and Dr. Calabrese. As a children’s choir director, one of my greatest joys is watching young singers grow in confidence, musicality, and prayerfulness. Choosing the right repertoire is essential: the music must be approachable, yet rich enough to serve as a gateway into deeper musical concepts. With that in mind, I am delighted to share my top three selections for developing children’s voices—pieces that have proven both musically formative and spiritually meaningful. Perhaps they will serve your children’s choirs as well.

(1)

Jesu! Rex Admirabilis – Giovanni Pierluigi da Palestrina

*  Mp3 Download • Live Children’s Choir Rec. (‘Jesu! Rex Admirabilis’)
—“Jesu! Rex Admirabilis”  • Ave Maria Parish Children’s Choir • Mark Haas, director.

*  PDF Download • Musical Score
—Courtesy of Rick Wheeler.

Among Palestrina’s vast catalog of sacred works, Jesu! Rex Admirabilis remains one of his most beloved motets. It is often used as a model when teaching Renaissance counterpoint because of its exemplary voice-leading and balanced textures. What makes this motet so useful for young choirs is its serene, floating lines and gentle imitation—hallmarks of Palestrina’s style that make the piece surprisingly accessible. I have found that even beginning music readers can grasp the basic concept of imitative polyphony through this work. Children delight in hearing a melodic idea appear in another voice, as though they’re uncovering a musical secret. It opens the door to understanding more complex polyphonic repertoire later on.

You are welcome to these practice tracks: Soprano | Alto | Baritone

(2)

Jubilate Deo – Maureen Briare

*  Mp3 Download • Live Children’s Choir Rec. (‘Jubilate Deo’)
—“Jubilate Deo”  • Ave Maria Parish Children’s Choir • Mark Haas, director

Moving from Renaissance polyphony to contemporary liturgical music, Maureen Briare’s Jubilate Deo is a simple two-part round perfect for any joyous occasion. It also includes an optional trumpet line that adds a festive, processional character. My children’s choir absolutely loves this piece—in fact, for several of them, it remains their favorite all year long. The round structure helps young singers gain confidence quickly, and because the repetition is built into the form, it requires minimal rehearsal time while still producing a beautiful, energetic sound. Briare’s writing is joyful, bright, and eminently singable, making it a reliable go-to for Sundays in Easter, First Communions, and other celebrations. Sheet music can be acquired here.

(3)

Anima Christi – Marco Frisina

*  Mp3 Download • Live Children’s Choir Rec. (‘Anima Christi’)
—“Anima Christi” • Ave Maria Parish Children’s Choir • Mark Haas, director

A modern classic by Italian priest-composer Marco Frisina, Anima Christi sets the ancient Eucharistic prayer in a deeply expressive and prayerful way. The text petitions Christ for sanctification, protection, healing, and ultimately union with Him— themes that resonate profoundly even with young singers. Musically, I have found this piece invaluable for introducing children to reading alto harmony, thanks to its clear yet expressive voice leading. Its flowing lines also provide an excellent opportunity to refine Latin pronunciation in a pastoral and approachable context. Frisina’s writing feels both contemporary and timeless, making it a beautiful addition to any liturgical celebration.

You are welcome to these practice tracks: Soprano | Alto | Tenor | Bass

(H)

(Honorable Mention) Dear Lady of Fatima – Gladys Gollahon

*  Mp3 Download • Live Children’s Choir Rec. (‘Dear Lady of Fatima’)
—“Dear Lady of Fatima”  • Ave Maria Parish Children’s Choir • Mark Haas, director

*  PDF Download • Dear Lady of Fatima by Gladys Gollahon

There is something uniquely endearing about children singing a hymn to Our Lady—especially on the Feast of Our Lady of Fatima. Perhaps this is because the Fatima apparitions themselves involved children, and the Blessed Mother so often chooses to reveal herself to young children. I recently discovered this mid-20th-century gem and created a simple two-part arrangement for children’s choir. Our parishioners were visibly moved—many moved to tears—as the children sang this love song to the Blessed Mother. Its tenderness, simplicity, and devotional character make it a lovely optional piece for Marian feasts.

May your own Children’s Choir be blest with joyful music. Perhaps some of these selections can be additions to your own musical collections this year.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Children Repertoire Recommendations Last Updated: November 20, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Is this the dumbest statement ever written? “When considering texts for his motets, Gombert obtained his inspiration from Scripture—such as the Psalms—as opposed to the liturgy of the Roman Catholic church.”

— Wikipedia

Recent Posts

  • Psalm Tone Challenge!
  • Card. Heenan on Ronald Knox: “Perhaps the Church’s greatest figure of the 20th century.”
  • “Kaitrin Drost Strikes Again!” • Plus a Few Random Thoughts and Tirades by Jeff Ostrowski
  • PDF • “O Come All Ye Faithful” (Simplified)
  • Bing Crosby, Christmas, and Catholicism

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.