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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Kid’s Repertoire • 3 Recommendations (Mark Haas)

Mark Haas · November 20, 2025

T IS AN HONOR to offer my own recommendation for Children’s Choir pieces that I have found to be quite helpful to me over the years. I add mine to recommendations by my esteemed colleagues: Andrea Leal; Chris Mueller; Keven Smith; and Dr. Calabrese. As a children’s choir director, one of my greatest joys is watching young singers grow in confidence, musicality, and prayerfulness. Choosing the right repertoire is essential: the music must be approachable, yet rich enough to serve as a gateway into deeper musical concepts. With that in mind, I am delighted to share my top three selections for developing children’s voices—pieces that have proven both musically formative and spiritually meaningful. Perhaps they will serve your children’s choirs as well.

(1)

Jesu! Rex Admirabilis – Giovanni Pierluigi da Palestrina

*  Mp3 Download • Live Children’s Choir Rec. (‘Jesu! Rex Admirabilis’)
—“Jesu! Rex Admirabilis”  • Ave Maria Parish Children’s Choir • Mark Haas, director.

*  PDF Download • Musical Score
—Courtesy of Rick Wheeler.

Among Palestrina’s vast catalog of sacred works, Jesu! Rex Admirabilis remains one of his most beloved motets. It is often used as a model when teaching Renaissance counterpoint because of its exemplary voice-leading and balanced textures. What makes this motet so useful for young choirs is its serene, floating lines and gentle imitation—hallmarks of Palestrina’s style that make the piece surprisingly accessible. I have found that even beginning music readers can grasp the basic concept of imitative polyphony through this work. Children delight in hearing a melodic idea appear in another voice, as though they’re uncovering a musical secret. It opens the door to understanding more complex polyphonic repertoire later on.

You are welcome to these practice tracks: Soprano | Alto | Baritone

(2)

Jubilate Deo – Maureen Briare

*  Mp3 Download • Live Children’s Choir Rec. (‘Jubilate Deo’)
—“Jubilate Deo”  • Ave Maria Parish Children’s Choir • Mark Haas, director

Moving from Renaissance polyphony to contemporary liturgical music, Maureen Briare’s Jubilate Deo is a simple two-part round perfect for any joyous occasion. It also includes an optional trumpet line that adds a festive, processional character. My children’s choir absolutely loves this piece—in fact, for several of them, it remains their favorite all year long. The round structure helps young singers gain confidence quickly, and because the repetition is built into the form, it requires minimal rehearsal time while still producing a beautiful, energetic sound. Briare’s writing is joyful, bright, and eminently singable, making it a reliable go-to for Sundays in Easter, First Communions, and other celebrations. Sheet music can be acquired here.

(3)

Anima Christi – Marco Frisina

*  Mp3 Download • Live Children’s Choir Rec. (‘Anima Christi’)
—“Anima Christi” • Ave Maria Parish Children’s Choir • Mark Haas, director

A modern classic by Italian priest-composer Marco Frisina, Anima Christi sets the ancient Eucharistic prayer in a deeply expressive and prayerful way. The text petitions Christ for sanctification, protection, healing, and ultimately union with Him— themes that resonate profoundly even with young singers. Musically, I have found this piece invaluable for introducing children to reading alto harmony, thanks to its clear yet expressive voice leading. Its flowing lines also provide an excellent opportunity to refine Latin pronunciation in a pastoral and approachable context. Frisina’s writing feels both contemporary and timeless, making it a beautiful addition to any liturgical celebration.

You are welcome to these practice tracks: Soprano | Alto | Tenor | Bass

(H)

(Honorable Mention) Dear Lady of Fatima – Gladys Gollahon

*  Mp3 Download • Live Children’s Choir Rec. (‘Dear Lady of Fatima’)
—“Dear Lady of Fatima”  • Ave Maria Parish Children’s Choir • Mark Haas, director

*  PDF Download • Dear Lady of Fatima by Gladys Gollahon

There is something uniquely endearing about children singing a hymn to Our Lady—especially on the Feast of Our Lady of Fatima. Perhaps this is because the Fatima apparitions themselves involved children, and the Blessed Mother so often chooses to reveal herself to young children. I recently discovered this mid-20th-century gem and created a simple two-part arrangement for children’s choir. Our parishioners were visibly moved—many moved to tears—as the children sang this love song to the Blessed Mother. Its tenderness, simplicity, and devotional character make it a lovely optional piece for Marian feasts.

May your own Children’s Choir be blest with joyful music. Perhaps some of these selections can be additions to your own musical collections this year.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Children Repertoire Recommendations Last Updated: November 20, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“A vigorous search is instituted for the best tenor and bass singers to be found in the realm. Luys de Villafranca, master of the altar boys and instructor of plainchant, petitions on November 27 that the boy-bishop festivities be combined this year with those for the Feast of St. Nicholas.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (20 November 1562)

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