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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Kid’s Repertoire • 3 Recommendations (Mark Haas)

Mark Haas · November 20, 2025

T IS AN HONOR to offer my own recommendation for Children’s Choir pieces that I have found to be quite helpful to me over the years. I add mine to recommendations by my esteemed colleagues: Andrea Leal; Chris Mueller; Keven Smith; and Dr. Calabrese. As a children’s choir director, one of my greatest joys is watching young singers grow in confidence, musicality, and prayerfulness. Choosing the right repertoire is essential: the music must be approachable, yet rich enough to serve as a gateway into deeper musical concepts. With that in mind, I am delighted to share my top three selections for developing children’s voices—pieces that have proven both musically formative and spiritually meaningful. Perhaps they will serve your children’s choirs as well.

(1)

Jesu! Rex Admirabilis – Giovanni Pierluigi da Palestrina

*  Mp3 Download • Live Children’s Choir Rec. (‘Jesu! Rex Admirabilis’)
—“Jesu! Rex Admirabilis”  • Ave Maria Parish Children’s Choir • Mark Haas, director.

*  PDF Download • Musical Score
—Courtesy of Rick Wheeler.

Among Palestrina’s vast catalog of sacred works, Jesu! Rex Admirabilis remains one of his most beloved motets. It is often used as a model when teaching Renaissance counterpoint because of its exemplary voice-leading and balanced textures. What makes this motet so useful for young choirs is its serene, floating lines and gentle imitation—hallmarks of Palestrina’s style that make the piece surprisingly accessible. I have found that even beginning music readers can grasp the basic concept of imitative polyphony through this work. Children delight in hearing a melodic idea appear in another voice, as though they’re uncovering a musical secret. It opens the door to understanding more complex polyphonic repertoire later on.

You are welcome to these practice tracks: Soprano | Alto | Baritone

(2)

Jubilate Deo – Maureen Briare

*  Mp3 Download • Live Children’s Choir Rec. (‘Jubilate Deo’)
—“Jubilate Deo”  • Ave Maria Parish Children’s Choir • Mark Haas, director

Moving from Renaissance polyphony to contemporary liturgical music, Maureen Briare’s Jubilate Deo is a simple two-part round perfect for any joyous occasion. It also includes an optional trumpet line that adds a festive, processional character. My children’s choir absolutely loves this piece—in fact, for several of them, it remains their favorite all year long. The round structure helps young singers gain confidence quickly, and because the repetition is built into the form, it requires minimal rehearsal time while still producing a beautiful, energetic sound. Briare’s writing is joyful, bright, and eminently singable, making it a reliable go-to for Sundays in Easter, First Communions, and other celebrations. Sheet music can be acquired here.

(3)

Anima Christi – Marco Frisina

*  Mp3 Download • Live Children’s Choir Rec. (‘Anima Christi’)
—“Anima Christi” • Ave Maria Parish Children’s Choir • Mark Haas, director

A modern classic by Italian priest-composer Marco Frisina, Anima Christi sets the ancient Eucharistic prayer in a deeply expressive and prayerful way. The text petitions Christ for sanctification, protection, healing, and ultimately union with Him— themes that resonate profoundly even with young singers. Musically, I have found this piece invaluable for introducing children to reading alto harmony, thanks to its clear yet expressive voice leading. Its flowing lines also provide an excellent opportunity to refine Latin pronunciation in a pastoral and approachable context. Frisina’s writing feels both contemporary and timeless, making it a beautiful addition to any liturgical celebration.

You are welcome to these practice tracks: Soprano | Alto | Tenor | Bass

(H)

(Honorable Mention) Dear Lady of Fatima – Gladys Gollahon

*  Mp3 Download • Live Children’s Choir Rec. (‘Dear Lady of Fatima’)
—“Dear Lady of Fatima”  • Ave Maria Parish Children’s Choir • Mark Haas, director

*  PDF Download • Dear Lady of Fatima by Gladys Gollahon

There is something uniquely endearing about children singing a hymn to Our Lady—especially on the Feast of Our Lady of Fatima. Perhaps this is because the Fatima apparitions themselves involved children, and the Blessed Mother so often chooses to reveal herself to young children. I recently discovered this mid-20th-century gem and created a simple two-part arrangement for children’s choir. Our parishioners were visibly moved—many moved to tears—as the children sang this love song to the Blessed Mother. Its tenderness, simplicity, and devotional character make it a lovely optional piece for Marian feasts.

May your own Children’s Choir be blest with joyful music. Perhaps some of these selections can be additions to your own musical collections this year.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Children Repertoire Recommendations Last Updated: November 20, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

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  • (5 Dec. 2025) • Pope Leo XIV Speaks on Liturgical Music

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