• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)

Jeff Ostrowski · November 16, 2025

F YOU EXAMINE the translation of Psalm 84:9 by Monsignor Knox, you’ll notice it says “the voice of the Lord God within me.” However, when translating the PIUS XII PSALTER, Knox rendered that same passage as: “the voice of the Lord God.” That’s because the Latin words “in me” (within me) were omitted in the PIUS XII PSALTER, whereas those words do occur in the VULGATA. According to Yves Chiron: “Revising the Latin translation of the psalms was among the projects closest to Pius XII’s heart.” Chiron also believes Pope Pius XII felt personally attacked when his psalter—released a few months before the end of World War II—was castigated by most scholars.1 Father Valentine Young, OFM, who entered the seminary in 1943, told me his congregation briefly adopted the PIUS XII PSALTER, but rejected it after about a year.

Father Charles J. Callan • As I mentioned, the erudite Dominican priest, FATHER CHARLES J. CALLAN, published a book in 1949 that provides the Latin alongside an English translation for the entire PIUS XII PSALTER. Father Callan was a seminary professor who, on 22 July 1940, was appointed by Pope Pius XII as ‘consultor’ to the Pontifical Biblical Commission in Rome. Hundreds of his friends gathered within the walls of one of New York’s most beautiful churches, Saint Vincent Ferrer’s, on 12 October 1940 to offer their congratulations to Father Callan, since he the first American to receive this honor. Father Callan wrote many books, including an impressive 1934 hand-missal for the laity, but—in my humble opinion—his greatest contribution was founding The Homiletic and Pastoral Review. We have made available as a free PDF download this monumental 1949 publication. Its full title is: The New Psalter Of Pius XII In Latin And English With Introductions, Notes And Spiritual Reflections by Father Charles J. Callan.

*  PDF Download • COMMENTARY AND TRANSLATION (532 pages)
—“Pius XII Psalter: Latin & English w/ Notes & Spiritual Reflections” (1949).
—Book by Very Reverend Charles Jerome Callan (1877-1962).

Differences & Similarities • When it comes to the PIUS XII PSALTER, some psalms are quite similar to the Vulgate, while others depart from it in a radical way. However, when it comes to speaking about the substance of the psalter itself, most discrepancies aren’t important. This book has been out of print for many decades, and it’s impossible to find a used version for less than $200. That’s why I think our readers will very much appreciate it!

Spotted In The Wild • Certain feasts added in the late 1940s and 1950s employed the PIUS XII PSALTER. For instance, examine the psalm for the INTROIT on the feast of Pope Saint Pius X (3 September) and you can verify this with your own eyes. In the 1950s, Pope Pius XII made changes to HEBDOMADA MAJOR (“Holy week”), and excerpts from the PIUS XII PSALTER were employed, although this was not mandatory. In the 1960s, the LIBER USUALIS often included an APPENDIX at the back, containing what they called “the new psalms.”

Misunderstanding • In the 1940s, it became fashionable to attack Saint Jerome and favor translation directly from the ‘original’ languages. For instance, Penelope Fitzgerald wrote about “the great Jerusalem Bible, prepared by the Dominicans straight from the ancient texts.” But many authorities remind us that Saint Jerome translated directly from manuscripts far more ancient than those we have access to. According to what I’ve been told by scholars, the Hebrew version of the psalter by the Massoretes is only preserved in MSS dating from about the 10th century. That’s about 600 years later than Saint Jerome. Father Cuthbert Lattey (d. 1954) wrote:

“In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.”

Monsignor Knox wisely adds:

“It seems the safest principle to follow the Latin—after all, Saint Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”

Ideological Changes • There’s another problem with accepting uncritically the version of the psalter according to the Massoretes. Because Jews do not accept Christ as Messiah and reject the Gospel, in some instances, the rabbis modified psalm texts they felt were too ‘Christological’ or spoke about the Messiah in too Christian a manner. As a result, MT (the “massoretic text”) is not as accurate as Saint Jerome.

It might be better, therefore, to stop making reference to the ‘original’ languages. Instead, it might be better to make reference to “the very late manuscripts.” Or perhaps they should be called: “The manuscripts that are 600 years later than Saint Jerome.”

 

1 Oddly enough, the PIUS XII PSALTER did find a defender in Ferdinando Cardinal Antonelli, who wrote on 19 December 1963: “No one can deny the worth and advantage of this version.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Augustine Bea German Jesuit Pontifical Biblical Institute, BEA PSALTER, Cardinal Ferdinando Giuseppe Antonelli OFM, Dominican Charles Jerome Callan (1877-1962), Hebdomada Major, Pope Pius XII Psalter Last Updated: January 15, 2026

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.