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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My choir is devoid of this generation (And it’s a healthy sign)

Mark Haas · October 1, 2025

UR PARISH IS BURSTING at the seams with people of all ages. On any given Sunday—or even weekday Masses—you will see a sanctuary filled with people from every stage of life. There is a strong and steady body of retired parishioners, quietly faithful and prayerful. But what is even more striking is the sheer number of young families. Babies chirp, toddlers squirm, and children whisper (or occasionally yell) throughout the Mass. Far from being a distraction, it is music to my ears: a sign that the Church is alive.

This unique vitality is nowhere more visible than in the choir loft. I currently direct a 30-person adult choir that serves our highest-attended Sunday morning Mass. What’s fascinating about this ensemble is its age composition: the vast majority of our singers are either teenagers, college students, or retirees. At first, I found the absence of people in their 30s and 40s rather strange. Where was the middle generation?

Where is the missing generation? • One Sunday, while glancing down from the loft during the homily, the answer became clear. The “missing” generation was not missing at all—they were sitting right there in the pews, wrangling toddlers, calming babies, and guiding young children through the Mass. They weren’t absent from the Mass; they were fully immersed in it, fulfilling a different, deeply sacred role.

This moment helped me recognize something profound: our parish is extraordinarily healthy. It is not a deficiency that moms and dads in their 30s and 40s are not singing in the choir right now—it is a sign of vocation being lived well. These parents are doing the hard, holy work of raising children in the faith.

As Pope St. John Paul II wrote in Familiaris Consortio: “The future of humanity passes by way of the family.” When mothers and fathers bring their children to Mass week after week—even when it’s difficult, noisy, and distracting—they are laying the foundation for a holy Church and a holy world. “The family,” John Paul II continued, “is the first and vital cell of society.”

The children belong • Some parishes “shew” away the children with the intention of engaging this middle generation of parents. When I was younger, it was common for the children of choir members to be taken to a nursery during Mass. At the time, it seemed like a practical solution; a way to keep the church quiet and allow the choir to focus. But in hindsight, I see how this practice—however well-intentioned—robbed young children of their rightful place within the Mass. By virtue of their baptism, children are full members of the Church and have a claim to the sacred mysteries being celebrated.

As a parish music director, I will always welcome anyone who wishes to join our choirs—no matter their age or season of life. But I also know that for many parents, the choir loft will have to wait. They are in the trenches, in the pews, holding sippy cups and pacifiers, teaching their children how to make the sign of the cross, whispering prayers into little ears, and modeling reverence.

Their time will come • Their role is no less liturgical than ours in the loft. There may come a time when these parents will have the freedom to return to choral ministry. When they do, the door will always be open. But until then, their sacrificial presence in the pews is a hymn of its own.

To every parent currently juggling sippy cups and hymnals, know this: your presence is more than welcome. It is essential. As you whisper prayers to your little ones, you are forming saints. As you calm a fussy toddler while the Sanctus rings out, you are building the Church. Someday, your hands will be free to hold music again—but for now, you hold something even holier: souls entrusted to you by God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 30, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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