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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My choir is devoid of this generation (And it’s a healthy sign)

Mark Haas · October 1, 2025

UR PARISH IS BURSTING at the seams with people of all ages. On any given Sunday—or even weekday Masses—you will see a sanctuary filled with people from every stage of life. There is a strong and steady body of retired parishioners, quietly faithful and prayerful. But what is even more striking is the sheer number of young families. Babies chirp, toddlers squirm, and children whisper (or occasionally yell) throughout the Mass. Far from being a distraction, it is music to my ears: a sign that the Church is alive.

This unique vitality is nowhere more visible than in the choir loft. I currently direct a 30-person adult choir that serves our highest-attended Sunday morning Mass. What’s fascinating about this ensemble is its age composition: the vast majority of our singers are either teenagers, college students, or retirees. At first, I found the absence of people in their 30s and 40s rather strange. Where was the middle generation?

Where is the missing generation? • One Sunday, while glancing down from the loft during the homily, the answer became clear. The “missing” generation was not missing at all—they were sitting right there in the pews, wrangling toddlers, calming babies, and guiding young children through the Mass. They weren’t absent from the Mass; they were fully immersed in it, fulfilling a different, deeply sacred role.

This moment helped me recognize something profound: our parish is extraordinarily healthy. It is not a deficiency that moms and dads in their 30s and 40s are not singing in the choir right now—it is a sign of vocation being lived well. These parents are doing the hard, holy work of raising children in the faith.

As Pope St. John Paul II wrote in Familiaris Consortio: “The future of humanity passes by way of the family.” When mothers and fathers bring their children to Mass week after week—even when it’s difficult, noisy, and distracting—they are laying the foundation for a holy Church and a holy world. “The family,” John Paul II continued, “is the first and vital cell of society.”

The children belong • Some parishes “shew” away the children with the intention of engaging this middle generation of parents. When I was younger, it was common for the children of choir members to be taken to a nursery during Mass. At the time, it seemed like a practical solution; a way to keep the church quiet and allow the choir to focus. But in hindsight, I see how this practice—however well-intentioned—robbed young children of their rightful place within the Mass. By virtue of their baptism, children are full members of the Church and have a claim to the sacred mysteries being celebrated.

As a parish music director, I will always welcome anyone who wishes to join our choirs—no matter their age or season of life. But I also know that for many parents, the choir loft will have to wait. They are in the trenches, in the pews, holding sippy cups and pacifiers, teaching their children how to make the sign of the cross, whispering prayers into little ears, and modeling reverence.

Their time will come • Their role is no less liturgical than ours in the loft. There may come a time when these parents will have the freedom to return to choral ministry. When they do, the door will always be open. But until then, their sacrificial presence in the pews is a hymn of its own.

To every parent currently juggling sippy cups and hymnals, know this: your presence is more than welcome. It is essential. As you whisper prayers to your little ones, you are forming saints. As you calm a fussy toddler while the Sanctus rings out, you are building the Church. Someday, your hands will be free to hold music again—but for now, you hold something even holier: souls entrusted to you by God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 30, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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