• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

My choir is devoid of this generation (And it’s a healthy sign)

Mark Haas · October 1, 2025

UR PARISH IS BURSTING at the seams with people of all ages. On any given Sunday—or even weekday Masses—you will see a sanctuary filled with people from every stage of life. There is a strong and steady body of retired parishioners, quietly faithful and prayerful. But what is even more striking is the sheer number of young families. Babies chirp, toddlers squirm, and children whisper (or occasionally yell) throughout the Mass. Far from being a distraction, it is music to my ears: a sign that the Church is alive.

This unique vitality is nowhere more visible than in the choir loft. I currently direct a 30-person adult choir that serves our highest-attended Sunday morning Mass. What’s fascinating about this ensemble is its age composition: the vast majority of our singers are either teenagers, college students, or retirees. At first, I found the absence of people in their 30s and 40s rather strange. Where was the middle generation?

Where is the missing generation? • One Sunday, while glancing down from the loft during the homily, the answer became clear. The “missing” generation was not missing at all—they were sitting right there in the pews, wrangling toddlers, calming babies, and guiding young children through the Mass. They weren’t absent from the Mass; they were fully immersed in it, fulfilling a different, deeply sacred role.

This moment helped me recognize something profound: our parish is extraordinarily healthy. It is not a deficiency that moms and dads in their 30s and 40s are not singing in the choir right now—it is a sign of vocation being lived well. These parents are doing the hard, holy work of raising children in the faith.

As Pope St. John Paul II wrote in Familiaris Consortio: “The future of humanity passes by way of the family.” When mothers and fathers bring their children to Mass week after week—even when it’s difficult, noisy, and distracting—they are laying the foundation for a holy Church and a holy world. “The family,” John Paul II continued, “is the first and vital cell of society.”

The children belong • Some parishes “shew” away the children with the intention of engaging this middle generation of parents. When I was younger, it was common for the children of choir members to be taken to a nursery during Mass. At the time, it seemed like a practical solution; a way to keep the church quiet and allow the choir to focus. But in hindsight, I see how this practice—however well-intentioned—robbed young children of their rightful place within the Mass. By virtue of their baptism, children are full members of the Church and have a claim to the sacred mysteries being celebrated.

As a parish music director, I will always welcome anyone who wishes to join our choirs—no matter their age or season of life. But I also know that for many parents, the choir loft will have to wait. They are in the trenches, in the pews, holding sippy cups and pacifiers, teaching their children how to make the sign of the cross, whispering prayers into little ears, and modeling reverence.

Their time will come • Their role is no less liturgical than ours in the loft. There may come a time when these parents will have the freedom to return to choral ministry. When they do, the door will always be open. But until then, their sacrificial presence in the pews is a hymn of its own.

To every parent currently juggling sippy cups and hymnals, know this: your presence is more than welcome. It is essential. As you whisper prayers to your little ones, you are forming saints. As you calm a fussy toddler while the Sanctus rings out, you are building the Church. Someday, your hands will be free to hold music again—but for now, you hold something even holier: souls entrusted to you by God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 30, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 26th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 28 September 2025, which is the 26th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a gorgeous melody and extremely powerful text.
    —Jeff Ostrowski
    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • Communion (26th Sn. Ord.)
    This coming Sunday, 28 September 2025, is the 26th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON with Fauxbourdon verses in honor of William Couture sparkles with beauty. It comes Psalm 118 (the lengthiest psalm) which is an “alphabetical acrostic.” That means each verse begins with the successive letter of the Hebrew alphabet.
    —Jeff Ostrowski

Quick Thoughts

    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski
    PDF Download • “Side-By-Side Comparison”
    Pope Urban VIII modified almost all the Church’s ancient hymns in 1632AD. The team responsible for creating the Brébeuf Catholic Hymnal spent years comparing the different versions of each hymn: “Urbanite” vs. “pre-Urbanite.” When it comes to the special hymn for the upcoming feast (9 November)—URBS BEATA JERUSALEM—Dr. Adrian Fortescue pointed out that “the people who changed it in the 17th century did not even keep its metre; so the later version cannot be sung to the old, exceedingly beautiful tune.” Monsignor Hugh Thomas Henry (d. 1946), a professor of Gregorian Chant at Saint Charles Borromeo Seminary (Overbrook, Philadelphia), wrote: “Of this hymn in particular some think that, whereas it did not suffer as much as some others, yet it lost much of its beauty in the revision; others declare that it was admirably transformed without unduly modifying the sense.” You can use this side-by-side comparison chart to compare both versions. When it comes to its meaning, there’s little significant difference between the two versions: e.g. “name of Christ” vs. “love of Christ.”
    —Jeff Ostrowski

Random Quote

“For any member of laity, who is at least somewhat literate, the ignorance of the Latin tongue, which we can call a truly Catholic language, indicates a certain lack of affection towards the Church.”

— Pope Pius IX

Recent Posts

  • My choir is devoid of this generation (And it’s a healthy sign)
  • Good News From The Vatican
  • I’m tired of tribalism.
  • “Allow Us to protect your interests, even against your own will.” —Pope Saint Paul VI
  • “Music List” • 26th in Ordinary Time (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.