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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Good News From The Vatican

Jeff Ostrowski · September 30, 2025

EW THINGS are as repugnant as the inveterate name-dropper. (Those familiar with social media know exactly what I mean.) For ten years, I worked at a huge parish in Los Angeles—a city with no shortage of exhibitionists.1 But the nice people were the humble ones, who never acted snobbish or pretentious. Fulton J. Sheen said it best: “When a friend speaks of great accomplishments, he stands at a distance from our heart. But when he opens up about fears and failings, he’s very near.”

Our Team • Today, I’d like to share something. This concerns you. Your generosity is the only reason we exist. Many organizations have endowments or receive money from estates of deceased people. We have no endowment; no major donors; no savings; and we deliberately refuse to run advertisements. Your generosity—quite literally—is the sole reason we exist.

Vatican City • A few minutes ago, I received a message from our collaborator, Kevin Allen. He had just finished rehearsal with the SISTINE CHAPEL CHOIR (Vatican City):

Missing Music • Having invited Mr. Allen to join the men during rehearsal, they gave him all the requisite scores—but the final piece was missing. He said to me: “I found that rather odd.” But when it came time to rehearse the final piece, all the singers turned toward him and sang his composition “Dómine Convértere” (from Cantiones Sacrae Simplices).

Courage • Friends, I know all too well about the suffering many of you undergo. I know all too well about the indignities, slanders, and injustices committed against music directors like you (even by those who claim to be “exemplary Catholics”). And I’m eminently aware of the lack of appreciation experienced—on a daily basis—by many who have chosen our vocation. On the other hand, why are we surprised by this? After all, it was the religious leaders who betrayed Our Savior and handed Him over to torture and death! As Saint Thomas More put it in Hymn #690:

Since Christ, our leader and our sovereign,
Ascended thither but by manly fight,
And bitter passion: say, would it be right,
Yourselves his faithful foll’wers to record,
Yet stand on terms far better than your Lord?

Conclusion • I hope you receive this news from Rome as a “ray of light”—a bit of brightness—to help lighten your sufferings. Friends, this rehearsal in Rome proves you are making a difference! Musical compositions commissioned by your generosity are being sung in the very heart of Rome.

1 Exhibitionists are people who get into the same room as a celebrity (one or two times) and spend the rest of their lives bragging to others about how that celebrity is their “close friend.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Sistine Chapel Choir Vatican City Last Updated: September 30, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I love them that love me: and they that in the morning early watch for me shall find me.”

— Proverbs 8

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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