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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How do you pronounce this word in Latin?

Jeff Ostrowski · September 15, 2025

HIS YEAR, the second Sunday of November will be replaced by a special feast: Dedicatio Basilicae Lateranensis. Where did the feast come from? Why is this feast so weighty that it “overpowers” a Sunday? If you scroll down to the bottom, I attempt to provide the answer to both questions. Today, however, I would like to narrow my focus to the COMMUNION ANTIPHON (Jerúsalem Quae Aedificátur Ut Cívitas), which is familiar to us since it’s traditionally sung on the 4th Sunday of Lent.

One Latin Word • More specifically, today I focus on a single word from that COMMUNION ANTIPHON: idípsum. For many years, we have attempted to explain Trochee Trouble, with varying levels of success. Countless readers still struggle to comprehend it, but this single word—idípsum—illustrates the problem admirably. See if you can tell the difference between the FRENCH TROCHEE and the GERMAN TROCHEE:

*  PDF Download • COMPARISON CHART
—Regarding “Trochee Trouble” • Example from Jerusalem COMMUNION.

Disunity • The long and short of it (pardon the pun) has to do with language. The French place accents on the final syllables whereas the German language has ‘heavy’ or ‘stressed’ tonic accents. Because Dom Mocquereau was French, he favored the final accent of each word—perhaps hoping those unfamiliar with Latin wouldn’t notice. The German school took a different approach. As a result, the EDITIO VATICANA is sung differently depending on which Trochee ‘school’ is adopted.

Analysis • I feel that singing idípsum according to the French school would be quite painful for anyone who truly knows Latin. Do you agree or disagree?

Father Lasance Speaks
9 November • Dedication of the Lateran Basilica

As the anniversary of the dedication of a cathedral is kept as a solemn festival in all the churches of a diocese, so the dedication of the Church of Saint John Lateran, the cathedral of the Supreme Pontiff, is everywhere celebrated. The first mention of the Lateran in ecclesiastical history is that of Optatus of Milevis who relates that a Council against the Donatists was held within its walls. About this time Constantine gave to the Church of Rome the ancient Palace of the Laterani, part of the dowry of his wife, Fausta.

From that time onwards the Lateran became the ordinary residence of the Popes, and may be regarded as a memorial of that long series of holy Pontiffs who inhabited it during the course of nearly ten centuries. Those walls, now nearly two thousand years old, have seen many important events in history and have figured in poetry and in art, whilst they sheltered a dynasty of Pontiffs who ruled longer than any dynasty of kings. Here, at the suggestion of Pope Sylvester, Constantine the Great transformed or constructed the first basilica dedicated to the Saviour at Rome. In the Twelfth Century, on account of the baptistery, it was dedicated to Saint John the Baptist and began to be called Saint John Lateran. In the early Middle Ages the Pope officiated, not at one church only, but in all the basilicas and titles within and without the city. On great solemnities and for ordinations and coronations, he officiated at Saint Peter’s. When the observance of the stations declined, the Lateran was ranked as the Papal residence, and the basilica was looked upon as a cathedral with regard to the other titular churches of the city.

As papal cathedral and mother of all the churches, the Basilica of the Saviour has been clothed with the dignity of a symbol of the Pontifical authority in the eyes of the Catholic world. The Liturgy has also concentrated in her ritual this belief held by the household of the faith, and Pius X raised the feast which we celebrate today to the same rank of a double of the second class for the entire Latin Church, as is held by the great feasts of the religious year.

In this basilica and the Latern Palace five ecumenical councils were held, besides twenty synods. The basilica, after its destruction, was rebuilt by Benedict XIII and consecrated on 9 November 1726. Since that time the feast has been kept in the Universal Church. The dedication of a church is an important liturgical event. It is not the same thing to pray in private, or to pray in the sacred sanctuary and to take part in the rites of Catholic Liturgy. By reason of its consecration the Church is the throne of God’s mercy, the place chosen by Him, and where He chiefly condescends to work our salvation. Here we know He listens to our prayers; here Jesus is pleased to receive from the assembly of believers that solemn, public, and united adoration which is due to Him.

Additional Titles:

Die 9 novembris • In Dedicatione Basilicae Lateranensis
Dedicatio Basilicae Lateranensis, 9 novembris
Die 9 novembris • In Dedicatione Archbasilicae Sanctissimi Salvatoris
The Dedication of the Archbasilica of Our Holy Savior
In Dedicatione Basilicæ Ss. Salvatoris
November 9 • Dedication of the Church of our Savior
Dedication of Our Savior’s Church

Older liturgical books—such as Catholic Almanac & Laity’s Directory (Baltimore)—call it: “Dedication of St. Saviour’s.” The Basilica of Saint John Lateran is the cathedral of the diocese of Rome and the official ecclesiastical seat of the Holy Father. The Basilica is also called the “Church of Holy Savior” or the “Church of Saint John Baptist.”

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 9 November Dedication of Saint John Lateran, French Vs German Trochee, Gregorian Rhythm Wars, Trochee Trouble Last Updated: September 15, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

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