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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How do you pronounce this word in Latin?

Jeff Ostrowski · September 15, 2025

HIS YEAR, the second Sunday of November will be replaced by a special feast: Dedicatio Basilicae Lateranensis. Where did the feast come from? Why is this feast so weighty that it “overpowers” a Sunday? If you scroll down to the bottom, I attempt to provide the answer to both questions. Today, however, I would like to narrow my focus to the COMMUNION ANTIPHON (Jerúsalem Quae Aedificátur Ut Cívitas), which is familiar to us since it’s traditionally sung on the 4th Sunday of Lent.

One Latin Word • More specifically, today I focus on a single word from that COMMUNION ANTIPHON: idípsum. For many years, we have attempted to explain Trochee Trouble, with varying levels of success. Countless readers still struggle to comprehend it, but this single word—idípsum—illustrates the problem admirably. See if you can tell the difference between the FRENCH TROCHEE and the GERMAN TROCHEE:

*  PDF Download • COMPARISON CHART
—Regarding “Trochee Trouble” • Example from Jerusalem COMMUNION.

Disunity • The long and short of it (pardon the pun) has to do with language. The French place accents on the final syllables whereas the German language has ‘heavy’ or ‘stressed’ tonic accents. Because Dom Mocquereau was French, he favored the final accent of each word—perhaps hoping those unfamiliar with Latin wouldn’t notice. The German school took a different approach. As a result, the EDITIO VATICANA is sung differently depending on which Trochee ‘school’ is adopted.

Analysis • I feel that singing idípsum according to the French school would be quite painful for anyone who truly knows Latin. Do you agree or disagree?

Father Lasance Speaks
9 November • Dedication of the Lateran Basilica

As the anniversary of the dedication of a cathedral is kept as a solemn festival in all the churches of a diocese, so the dedication of the Church of Saint John Lateran, the cathedral of the Supreme Pontiff, is everywhere celebrated. The first mention of the Lateran in ecclesiastical history is that of Optatus of Milevis who relates that a Council against the Donatists was held within its walls. About this time Constantine gave to the Church of Rome the ancient Palace of the Laterani, part of the dowry of his wife, Fausta.

From that time onwards the Lateran became the ordinary residence of the Popes, and may be regarded as a memorial of that long series of holy Pontiffs who inhabited it during the course of nearly ten centuries. Those walls, now nearly two thousand years old, have seen many important events in history and have figured in poetry and in art, whilst they sheltered a dynasty of Pontiffs who ruled longer than any dynasty of kings. Here, at the suggestion of Pope Sylvester, Constantine the Great transformed or constructed the first basilica dedicated to the Saviour at Rome. In the Twelfth Century, on account of the baptistery, it was dedicated to Saint John the Baptist and began to be called Saint John Lateran. In the early Middle Ages the Pope officiated, not at one church only, but in all the basilicas and titles within and without the city. On great solemnities and for ordinations and coronations, he officiated at Saint Peter’s. When the observance of the stations declined, the Lateran was ranked as the Papal residence, and the basilica was looked upon as a cathedral with regard to the other titular churches of the city.

As papal cathedral and mother of all the churches, the Basilica of the Saviour has been clothed with the dignity of a symbol of the Pontifical authority in the eyes of the Catholic world. The Liturgy has also concentrated in her ritual this belief held by the household of the faith, and Pius X raised the feast which we celebrate today to the same rank of a double of the second class for the entire Latin Church, as is held by the great feasts of the religious year.

In this basilica and the Latern Palace five ecumenical councils were held, besides twenty synods. The basilica, after its destruction, was rebuilt by Benedict XIII and consecrated on 9 November 1726. Since that time the feast has been kept in the Universal Church. The dedication of a church is an important liturgical event. It is not the same thing to pray in private, or to pray in the sacred sanctuary and to take part in the rites of Catholic Liturgy. By reason of its consecration the Church is the throne of God’s mercy, the place chosen by Him, and where He chiefly condescends to work our salvation. Here we know He listens to our prayers; here Jesus is pleased to receive from the assembly of believers that solemn, public, and united adoration which is due to Him.

Additional Titles:

Die 9 novembris • In Dedicatione Basilicae Lateranensis
Dedicatio Basilicae Lateranensis, 9 novembris
Die 9 novembris • In Dedicatione Archbasilicae Sanctissimi Salvatoris
The Dedication of the Archbasilica of Our Holy Savior
In Dedicatione Basilicæ Ss. Salvatoris
November 9 • Dedication of the Church of our Savior
Dedication of Our Savior’s Church

Older liturgical books—such as Catholic Almanac & Laity’s Directory (Baltimore)—call it: “Dedication of St. Saviour’s.” The Basilica of Saint John Lateran is the cathedral of the diocese of Rome and the official ecclesiastical seat of the Holy Father. The Basilica is also called the “Church of Holy Savior” or the “Church of Saint John Baptist.”

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 9 November Dedication of Saint John Lateran, French Vs German Trochee, Gregorian Rhythm Wars, Trochee Trouble Last Updated: September 15, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“To suggest, even loosely, that Catholics walk a more or less similar path to God as other religions drains martyrdom of its meaning. Why give up your life for Christ when other paths may get us to the same God? Such a sacrifice would be senseless.”

— Archbishop Charles J. Chaput

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