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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Charlie Kirk’s Fascination with Traditional Catholic Liturgy

Mark Haas · September 11, 2025

Editor’s Note: We’re a 501(c)3 public charity, established in the state of Texas in 2006. Readers know we don’t cover politics. On the other hand, our policy is to give great leeway to our bloggers. If you’re someone who comes here to avoid political posts, we ask you to simply “keep scrolling.” I emphasize: our policy has always been to give our authors independence.

E ASSASSINATION of Charlie Kirk has sent shockwaves through the entire western world. His passion for truth seeking and debate was inspiring to many who followed him. He was especially passionate about his faith. While identifying as an evangelical protestant, Kirk seemed to be drawn to many Traditional worship elements that exist within Catholic and Orthodox worship.

The Appeal of “Smells and Bells” • Charlie Kirk has repeatedly spoken about the power of traditional liturgy, often contrasting it with the modern entertainment-driven style of worship common in many evangelical settings. On his podcast, he remarked that people are not truly drawn to churches filled with electric guitars, smoke machines, and high production value. Instead, he argued, they long for “tradition, beauty, reverence.” These qualities, often dismissed by contemporary worship leaders, are precisely what Catholic liturgy in its traditional form offers.

Ancient and Beautiful Spaces • Kirk often points to Catholic and Orthodox churches as living witnesses to a faith that has endured. He praises these spaces as “ancient” and “beautiful,” marveling that they have “stood the test of time.”

Unlike evangelical worship centers, which can sometimes resemble concert halls or coffee shops, Catholic and Orthodox churches communicate a sense of permanence. Their architecture, music, and ritual are designed to point upward—to God—rather than inward toward entertainment.

A Generation Restless for Tradition • One of Kirk’s sharpest insights is his observation that younger generations are increasingly disillusioned with the consumerist model of evangelical worship. For many millennials and Gen Z believers, the guitar-driven music and TED Talk-style preaching feel shallow and unsatisfying. Instead, Kirk notes, they are being drawn to the aesthetic and liturgical traditionalism of Catholic and Orthodox services. These traditions provide a depth and seriousness that modern trends cannot replicate, offering something transcendent in a world starved of meaning.

“I Want to Feel Holy” • In a conversation from his Another Signal Chat … And Another Pope? episode, Kirk cut to the heart of his critique: “I don’t need a worship song with electric guitar and smoke. I want to feel holy.” With this statement, he distills what attracts him—and so many others—to Catholic worship: it is not about spectacle, but sanctity.

The Power of Easter Vigil • Perhaps most striking is Kirk’s personal testimony of attending the Catholic Easter Vigil. He described the experience vividly: “I go there … I point up. It’s not a Costco with a rock band and a TED Talk and good coffee … I enjoy the holiness, the beauty, the pageantry, the structure, tradition, and reverence.”

His words reflect a fascination with the Mass as something utterly unlike consumer culture—an encounter with mystery and transcendence.

May he rest in peace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 11, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The liturgical reform bears absolutely no relation to what is called “desacralization” and in no way intends to lend support to the phenomenon of “secularizing the world.” Accordingly the rites must retain their dignity, spirit of reverence, and sacred character.

— Sacred Congregation for Divine Worship (5 September 1970)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.