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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Charlie Kirk’s Fascination with Traditional Catholic Liturgy

Mark Haas · September 11, 2025

Editor’s Note: We’re a 501(c)3 public charity, established in the state of Texas in 2006. Readers know we don’t cover politics. On the other hand, our policy is to give great leeway to our bloggers. If you’re someone who comes here to avoid political posts, we ask you to simply “keep scrolling.” I emphasize: our policy has always been to give our authors independence.

E ASSASSINATION of Charlie Kirk has sent shockwaves through the entire western world. His passion for truth seeking and debate was inspiring to many who followed him. He was especially passionate about his faith. While identifying as an evangelical protestant, Kirk seemed to be drawn to many Traditional worship elements that exist within Catholic and Orthodox worship.

The Appeal of “Smells and Bells” • Charlie Kirk has repeatedly spoken about the power of traditional liturgy, often contrasting it with the modern entertainment-driven style of worship common in many evangelical settings. On his podcast, he remarked that people are not truly drawn to churches filled with electric guitars, smoke machines, and high production value. Instead, he argued, they long for “tradition, beauty, reverence.” These qualities, often dismissed by contemporary worship leaders, are precisely what Catholic liturgy in its traditional form offers.

Ancient and Beautiful Spaces • Kirk often points to Catholic and Orthodox churches as living witnesses to a faith that has endured. He praises these spaces as “ancient” and “beautiful,” marveling that they have “stood the test of time.”

Unlike evangelical worship centers, which can sometimes resemble concert halls or coffee shops, Catholic and Orthodox churches communicate a sense of permanence. Their architecture, music, and ritual are designed to point upward—to God—rather than inward toward entertainment.

A Generation Restless for Tradition • One of Kirk’s sharpest insights is his observation that younger generations are increasingly disillusioned with the consumerist model of evangelical worship. For many millennials and Gen Z believers, the guitar-driven music and TED Talk-style preaching feel shallow and unsatisfying. Instead, Kirk notes, they are being drawn to the aesthetic and liturgical traditionalism of Catholic and Orthodox services. These traditions provide a depth and seriousness that modern trends cannot replicate, offering something transcendent in a world starved of meaning.

“I Want to Feel Holy” • In a conversation from his Another Signal Chat … And Another Pope? episode, Kirk cut to the heart of his critique: “I don’t need a worship song with electric guitar and smoke. I want to feel holy.” With this statement, he distills what attracts him—and so many others—to Catholic worship: it is not about spectacle, but sanctity.

The Power of Easter Vigil • Perhaps most striking is Kirk’s personal testimony of attending the Catholic Easter Vigil. He described the experience vividly: “I go there … I point up. It’s not a Costco with a rock band and a TED Talk and good coffee … I enjoy the holiness, the beauty, the pageantry, the structure, tradition, and reverence.”

His words reflect a fascination with the Mass as something utterly unlike consumer culture—an encounter with mystery and transcendence.

May he rest in peace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 11, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

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