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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Now Online! • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages

Jeff Ostrowski · August 18, 2025

Note: This book is the work of Dr. Herbert Patrick Reginald Finberg (1900–1974), a professor at the University of Leicester and (later) a member of ICEL and Rev. Laurence John O’Connell (at one time Master of Ceremonies for Saint Mary of the Lake Seminary a.k.a. “Mundelein”). Father Laurence John O’Connell must not be confused with Canon J. B. O’Connell (1888–1977), a secular priest of the Menevia Diocese in Wales who modified “The Ceremonies of the Roman Rite Described”—after its author, Dr. Adrian Fortescue, died in 1923—and over the next forty years prepared nine more editions. Canon John Berthram O’Connell also published Sacred music and liturgy in 1959.

N TERMS OF sheer beauty—its dark printing that hasn’t faded in more than half a century; its luscious red ink used on every page (not just the ORDO MISSAE); its meticulous type-setting arrangement with Latin alongside English—this Missal was peerless until the Edmund Campion Missal, 3rd edition appeared 80+ years later. Nobody knows who was in charge of this edition, nor who wrote its elegant translations. They are based upon the majestic Bible translation by Monsignor Knox, but they have been (rightly) adjusted to fit the variant used in the traditional Proprium Missae. The fabulous translation by Monsignor Knox was (inexplicably) not chosen for this edition, but that can be found—printed with sumptuous full color—in the Campion, 3rd edition. I’d give anything to know who was responsible for creating this Missal. Whoever edited the propers and orations was truly educated. Consider the lofty language used for the INTROIT on the 13th Sunday after Pentecost:

Bethink thee, Lord, of thy covenant;
wilt thou leave us quite forgotten,
souls unbefriended but for thee?
Bestir thyself, O Lord, to vindicate
thy own cause, and do not neglect
the plea of thy suppliants.

Our blog contributors, Matthew Frederes and Cynthia Ostrowski, collaborated to make this entire book freely available to the entire world without even a login:

*  Complete Download • 1961 Missal
—“The Missal in Latin and English” (London, 1961).

Summary • What can I say about this fantastic production? It’s probably best to let its 1,737 pages speak for it. As I mentioned, I’d give anything to find out the name of its editor, a priest (most likely) who painstakingly crafted each marvelous translation—INTROIT, COLLECT, GRADUAL, etc.—into English. The Holy Week alterations by Pope Pius XII are included, so you’ll notice the Renewal of Baptismal Promises given in both Latin and English. On page 374, there’s a splendid English translation of “CRUX FIDELIS” which I’d never encountered before. It’s extremely ‘British’ but glorious. Without question, this is one of the rarest (and most valuable) treasures our organization has ever made available to the world.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 21, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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