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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Now Online! • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages

Jeff Ostrowski · August 18, 2025

Note: This book is the work of Dr. Herbert Patrick Reginald Finberg (1900–1974), a professor at the University of Leicester and (later) a member of ICEL and Rev. Laurence John O’Connell (at one time Master of Ceremonies for Saint Mary of the Lake Seminary a.k.a. “Mundelein”). Father Laurence John O’Connell must not be confused with Canon J. B. O’Connell (1888–1977), a secular priest of the Menevia Diocese in Wales who modified “The Ceremonies of the Roman Rite Described”—after its author, Dr. Adrian Fortescue, died in 1923—and over the next forty years prepared nine more editions. Canon John Berthram O’Connell also published Sacred music and liturgy in 1959.

N TERMS OF sheer beauty—its dark printing that hasn’t faded in more than half a century; its luscious red ink used on every page (not just the ORDO MISSAE); its meticulous type-setting arrangement with Latin alongside English—this Missal was peerless until the Edmund Campion Missal, 3rd edition appeared 80+ years later. Nobody knows who was in charge of this edition, nor who wrote its elegant translations. They are based upon the majestic Bible translation by Monsignor Knox, but they have been (rightly) adjusted to fit the variant used in the traditional Proprium Missae. The fabulous translation by Monsignor Knox was (inexplicably) not chosen for this edition, but that can be found—printed with sumptuous full color—in the Campion, 3rd edition. I’d give anything to know who was responsible for creating this Missal. Whoever edited the propers and orations was truly educated. Consider the lofty language used for the INTROIT on the 13th Sunday after Pentecost:

Bethink thee, Lord, of thy covenant;
wilt thou leave us quite forgotten,
souls unbefriended but for thee?
Bestir thyself, O Lord, to vindicate
thy own cause, and do not neglect
the plea of thy suppliants.

Our blog contributors, Matthew Frederes and Cynthia Ostrowski, collaborated to make this entire book freely available to the entire world without even a login:

*  Complete Download • 1961 Missal
—“The Missal in Latin and English” (London, 1961).

Summary • What can I say about this fantastic production? It’s probably best to let its 1,737 pages speak for it. As I mentioned, I’d give anything to find out the name of its editor, a priest (most likely) who painstakingly crafted each marvelous translation—INTROIT, COLLECT, GRADUAL, etc.—into English. The Holy Week alterations by Pope Pius XII are included, so you’ll notice the Renewal of Baptismal Promises given in both Latin and English. On page 374, there’s a splendid English translation of “CRUX FIDELIS” which I’d never encountered before. It’s extremely ‘British’ but glorious. Without question, this is one of the rarest (and most valuable) treasures our organization has ever made available to the world.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 21, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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