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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Now Online! • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages

Jeff Ostrowski · August 18, 2025

Note: This book is the work of Dr. Herbert Patrick Reginald Finberg (1900–1974), a professor at the University of Leicester and (later) a member of ICEL and Rev. Laurence John O’Connell (at one time Master of Ceremonies for Saint Mary of the Lake Seminary a.k.a. “Mundelein”). Father Laurence John O’Connell must not be confused with Canon J. B. O’Connell (1888–1977), a secular priest of the Menevia Diocese in Wales who modified “The Ceremonies of the Roman Rite Described”—after its author, Dr. Adrian Fortescue, died in 1923—and over the next forty years prepared nine more editions. Canon John Berthram O’Connell also published Sacred music and liturgy in 1959.

N TERMS OF sheer beauty—its dark printing that hasn’t faded in more than half a century; its luscious red ink used on every page (not just the ORDO MISSAE); its meticulous type-setting arrangement with Latin alongside English—this Missal was peerless until the Edmund Campion Missal, 3rd edition appeared 80+ years later. Nobody knows who was in charge of this edition, nor who wrote its elegant translations. They are based upon the majestic Bible translation by Monsignor Knox, but they have been (rightly) adjusted to fit the variant used in the traditional Proprium Missae. The fabulous translation by Monsignor Knox was (inexplicably) not chosen for this edition, but that can be found—printed with sumptuous full color—in the Campion, 3rd edition. I’d give anything to know who was responsible for creating this Missal. Whoever edited the propers and orations was truly educated. Consider the lofty language used for the INTROIT on the 13th Sunday after Pentecost:

Bethink thee, Lord, of thy covenant;
wilt thou leave us quite forgotten,
souls unbefriended but for thee?
Bestir thyself, O Lord, to vindicate
thy own cause, and do not neglect
the plea of thy suppliants.

Our blog contributors, Matthew Frederes and Cynthia Ostrowski, collaborated to make this entire book freely available to the entire world without even a login:

*  Complete Download • 1961 Missal
—“The Missal in Latin and English” (London, 1961).

Summary • What can I say about this fantastic production? It’s probably best to let its 1,737 pages speak for it. As I mentioned, I’d give anything to find out the name of its editor, a priest (most likely) who painstakingly crafted each marvelous translation—INTROIT, COLLECT, GRADUAL, etc.—into English. The Holy Week alterations by Pope Pius XII are included, so you’ll notice the Renewal of Baptismal Promises given in both Latin and English. On page 374, there’s a splendid English translation of “CRUX FIDELIS” which I’d never encountered before. It’s extremely ‘British’ but glorious. Without question, this is one of the rarest (and most valuable) treasures our organization has ever made available to the world.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 21, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The Second Plenary Council of Baltimore (Tit. VI, Cap. iii, 379) did order that Vespers be sung, and in their entirety, in all churches on Sundays and feast days and that Vespers be not omitted on account of other services. However, the Fathers of the Council inserted the clause, “quatenus fieri potest,” in consideration of practical difficulties in the carrying out of the decree.

— The American Ecclesiastical Review (Febr. 1949)

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  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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