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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do Protestants Have The Best Hymns?

Jeff Ostrowski · August 10, 2025

URING MY conservatory years, I became friends with a Protestant—let’s pretend his name was “Jeremy”—who had an obsession with the 1940 EPISCOPALIAN HYMNAL. To him, it was the most magnificent hymnal ever printed and everything else was inferior. If an error were brought to his attention, Jeremy scrambled for ways to justify it, insisting: “That’s not really an error.” I was just a freshman (while Jeremy was a graduate student) so I kept my opinions to myself. But deep down, his approach bothered me. For Jeremy, it wasn’t about the beauty of the text, the splendor of the melody, or the hymn’s theology—the only thing that mattered was whether it could be found in that book.

“The Same Again, Please!” • Jeremy told me his church repeats the same 4-5 hymns every Sunday (except during Lent and Advent), exclaiming: “I have known these since my youth, and I can sing the bass and tenor parts. It’s just grand!” His statement bothers me to this day. As Professor László Dobszay said famously:

When we say: “The people like this”
we regard them as unable to develop,
as animals rather than human beings,
and we simply neglect our duties in
helping them towards a true human
existence—indeed, in this case, to
truly Christian existence.

Slow Yet Inexorable • In addition to stylistic diversity, I’ve argued there should be a gradual-yet-inexorable introduction of new hymns and chants as the years go by. It’s similar to the situation in rural areas of New York, where the hills are covered with luscious green trees. It’s truly a gorgeous sight … but what makes it even better is how those trees are constantly changing. First they’re green; then they begin turning red and yellow; then the leaves fall to the ground for winter; then sprout once more in spring. The beauty of those trees is enhanced by change. And the same is true for the liturgical year. At my parish, we have different hymns for the different seasons. (For the record, ALL SAINTS on November 1st is one of my favorite times of the year.)

Something similar could be said about television shows. THE ANDY GRIFFITH SHOW was a famous sitcom; but would Jeremy watch just one episode—the same episode—over and over? That isn’t an appropriate way to appreciate it, no matter how much Jeremy may love that particular episode.

False Accusations • I’m sure I’ll receive emails accusing me of advocating “change for the sake of change.” But that isn’t what I’m saying. First of all, at my parish—for each and every Mass—I make sure the congregation knows at least one song by heart. I am fully aware of how long it takes a congregation to learn new music. Moreover, congregations feel a strong affinity for what they’re familiar with, and this is only natural. Father Valentine Young used to say: “I love most dearly those parts of Sacred Scripture with which I’m the most familiar.”

A Myth • It is true that some (not all) Protestant houses of worship sing the same hymns over and over. Certain denominations—such as ‘high’ anglicans—adopted our Proprium Missae, but most didn’t … so hymns are all they have. This endless repetition has ‘imprinted’ those songs on their hearts. They feel strong emotions for them, and this passion has given rise to the idea that Protestant hymnals are the “very best of all.” But is that really true? Several years ago, SOPHIA INSTITUTE PRESS answered this question:

*  PDF Download • Do Protestants Have All The Good Hymns?

In light of that answer, I don’t see how anyone could pretend Protestants have the best hymns!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1940 Episcopalian Hymnal, Latin Mass Musical Diversity Last Updated: August 11, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

Recent Posts

  • Online Breviary With Chant
  • “Dynamic Equivalence” • Serious Problems with the Forthcoming Lectionary Translation
  • Cardinal Ranjith on “Active Participation”
  • Exec. Director of ICEL weighs in on our series • “PDF comparison chart” included
  • “Music List” • 22nd in Ordinary Time (Year C)

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