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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do Protestants Have The Best Hymns?

Jeff Ostrowski · August 10, 2025

URING MY conservatory years, I became friends with a Protestant—let’s pretend his name was “Jeremy”—who had an obsession with the 1940 EPISCOPALIAN HYMNAL. To him, it was the most magnificent hymnal ever printed and everything else was inferior. If an error were brought to his attention, Jeremy scrambled for ways to justify it, insisting: “That’s not really an error.” I was just a freshman (while Jeremy was a graduate student) so I kept my opinions to myself. But deep down, his approach bothered me. For Jeremy, it wasn’t about the beauty of the text, the splendor of the melody, or the hymn’s theology—the only thing that mattered was whether it could be found in that book.

“The Same Again, Please!” • Jeremy told me his church repeats the same 4-5 hymns every Sunday (except during Lent and Advent), exclaiming: “I have known these since my youth, and I can sing the bass and tenor parts. It’s just grand!” His statement bothers me to this day. As Professor László Dobszay said famously:

When we say: “The people like this”
we regard them as unable to develop,
as animals rather than human beings,
and we simply neglect our duties in
helping them towards a true human
existence—indeed, in this case, to
truly Christian existence.

Slow Yet Inexorable • In addition to stylistic diversity, I’ve argued there should be a gradual-yet-inexorable introduction of new hymns and chants as the years go by. It’s similar to the situation in rural areas of New York, where the hills are covered with luscious green trees. It’s truly a gorgeous sight … but what makes it even better is how those trees are constantly changing. First they’re green; then they begin turning red and yellow; then the leaves fall to the ground for winter; then sprout once more in spring. The beauty of those trees is enhanced by change. And the same is true for the liturgical year. At my parish, we have different hymns for the different seasons. (For the record, ALL SAINTS on November 1st is one of my favorite times of the year.)

Something similar could be said about television shows. THE ANDY GRIFFITH SHOW was a famous sitcom; but would Jeremy watch just one episode—the same episode—over and over? That isn’t an appropriate way to appreciate it, no matter how much Jeremy may love that particular episode.

False Accusations • I’m sure I’ll receive emails accusing me of advocating “change for the sake of change.” But that isn’t what I’m saying. First of all, at my parish—for each and every Mass—I make sure the congregation knows at least one song by heart. I am fully aware of how long it takes a congregation to learn new music. Moreover, congregations feel a strong affinity for what they’re familiar with, and this is only natural. Father Valentine Young used to say: “I love most dearly those parts of Sacred Scripture with which I’m the most familiar.”

A Myth • It is true that some (not all) Protestant houses of worship sing the same hymns over and over. Certain denominations—such as ‘high’ anglicans—adopted our Proprium Missae, but most didn’t … so hymns are all they have. This endless repetition has ‘imprinted’ those songs on their hearts. They feel strong emotions for them, and this passion has given rise to the idea that Protestant hymnals are the “very best of all.” But is that really true? Several years ago, SOPHIA INSTITUTE PRESS answered this question:

*  PDF Download • Do Protestants Have All The Good Hymns?

In light of that answer, I don’t see how anyone could pretend Protestants have the best hymns!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1940 Episcopalian Hymnal, Do Protestants Have The Best Hymns?, Latin Mass Musical Diversity Last Updated: December 16, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“As late as 1834, British society had many restrictions on any person not adhering to the Anglican church. For example, Roman Catholics could not attend a university, serve on a city council, be a member of Parliament, serve in the armed forces, or even serve on a jury.”

— Regarding the Church of Henry VIII

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