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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Tell Me Lies; Tell Me Sweet Little Lies.” • Re: Post-Conciliar Lectionary Problems

Jeff Ostrowski · July 18, 2025

ROWING UP, I remember a song with these lyrics: “Tell me lies; tell me sweet little lies.” According to Google, the song was written by a band called FLEETWOOD MAC, founded in 1967. I didn’t realize Apple computers were so popular in the 1960s, but I guess that shows what I know! And I must admit that it’s far better to name a band after a Mac than a PC. In any event, those words came to my mind thinking about the post-conciliar LECTIONARY, which has a sad and sordid history. Apropos of this, our organization has reached the final stages of an agreement with several authors who have written a chronicle about the simony problem that arose in the United States after the Second Vatican Council.1

Little Lies • For the moment, let’s consider just one example. The 1970 LECTIONARY makes the following claim:

Notice they didn’t say “altered” or “modified” or “bowdlerized.”

But look what they printed in 1970, hoping nobody would notice:

Here is what they falsely claimed to be reprinting:

A Sneaky Trick • Do you see how they shamelessly modified the original? Do you see how they completely destroyed the rhyme scheme in a puerile effort to make the language less sacral and more casual? The whole point of a SEQUENCE is to sing it. That’s literally how it developed in the first place. Its poetic rhythm is its raison d’être—but they cared not. And don’t even get me started on how their vandalism destroyed the ‘register’ of the poem.

We’ve had 55 years of this nonsense. Enough!

We must have the courage to fix such things.

1 You’ll be hearing tons more about this soon, so please stay tuned. If we don’t confront these problems—honestly and soberly—they’ll never get solved.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: New Lectionary Edition USA Last Updated: July 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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