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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Palestrina’s “Ave Maria”

Jeff Ostrowski · June 18, 2025

OU CAN WATCH a billion YouTube videos on “how to become a plumber,” but at some point you must take out tools and produce something. You can read a million books entitled “how to become an artist,” but at some point you must take out a pencil and start drawing. Many of us have elaborate ideas about how we would direct a choir. Similarly, many of us have beliefs vis-à-vis how we would run a sacred music conference. Nevertheless, at some point one must actually do it. Only by doing it in real life does one learn important lessons. I’ve been responsible for overseeing the Sacred Music Symposium for ten years. Yet I’m still astounded by the sheer amount of “little details” which must be taken care of.

Palestrina “Ave Maria” • The following rehearsal videos were produced at breakneck speed. I’m not particularly happy with them … I would have preferred much more time. However—as I’ve tried to explain—ultimately each of us has only so much time. It is better to produce something than to produce nothing. Below is what I came up with. I sang all the lines except the SOPRANO.

*  PDF Download • “Ave Maria for Five Voices” (PALESTRINA)

Free rehearsal videos for each individual voice await you at #24006.

Feeling Crestfallen • Notice the part that says “rehearsal videos for each individual voice await you at…” Most readers won’t take the time to click that button—which leaves me feeling rather crestfallen, because producing such videos requires meticulous work. Even if you’re not currently singing this “Ave María,” I still encourage you to go check those videos out. The music scrolls in front of your eyes, and you can have fun singing along!

Theotokos • The Jesuit martyrs of North America had a deep devotion to the Blessed Mother. Abbat Pothier also had a fervent love for Mary, as evidenced by his 1903 CANTUS MARIALES publication. It’s interesting to note that Pothier is (perhaps) best known for his Gaudens Gaudebo INTROIT adaptation assigned by the universal church to 8 December, the feast of the Immaculate Conception. Abbat Pothier was born on 7 December 1835 and died on 8 December 1923. Younger siblings always imitate older siblings. Similarly, I believe we should imitate the holy Jesuit Martyrs of North America (and Abbat Joseph Pothier) by cultivating a Marian devotion. For that reason, I’m glad we are singing Palestrina’s Ave Maria for Sacred Music Symposium 2025.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbot Joseph Pothier of Solesmes Last Updated: June 18, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

Recent Posts

  • “Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?
  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”

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