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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

Cynthia Ostrowski · June 11, 2025

HIS MELODY, “Mille Regretz,” was used as the basis for several compositions sung at my wedding in Texas 18 years ago. Specifically, Father Cristóbal de Morales (a famous Spanish composer) used it as CANTUS FIRMUS for a Mass he wrote. The choir for our wedding consisted of something like 85 singers, including my twin sister. The “Mille Regretz” melody is said to have been the favorite song of of Charles V (d. 1558) the Holy Roman Emperor. Father Morales was not the only one to set this tune. Josquin des Prez (d. 1521) created a famous setting, which is included in the score below. Nicolas Gombert (d. 1560) also created an SAATTB version. I suppose that makes sense, because Nicolas Gombert in 1526AD travelled to Spain—although he was born in Lille around 1495AD—to become a singer in the court chapel of Emperor Charles V. A few days ago, the haunting version by Gombert was recorded by two friends of mine (Veronica and Sicily Moreno), and below is the result of their efforts.

*  PDF Download • “Mille Regretz” AGNUS DEI
—SATB (after Josquin) + SAATTBB (after Gombert).

Free rehearsal videos for each individual voice await you at #24286.

Cultivating God’s Gifts • It would seem that the 16th century was a ‘high point’ when it comes to great composers: Palestrina, Victoria, Lassus, Josquin, Marenzio, Morales, Byrd, Guerrero, Gombert, and so many others. These days, its seem most people are more interested in memes, TikTok, iPhones, algorithms, and artificial intelligence. I wonder whether the pendulum will ever swing back toward more authentic things, such as the music of Gombert. In the meantime, we try to cultivate a love for genuine things in our children. We have tried to teach them to love music, being outside in nature, and doing artistic crafts. In particular, I worry about the affect too much screen time may have on our childrens’ development.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Cantus Firmus Polyphony, Jeffrey Tucker CMAA, Jeffrey Tucker Sacred Music, Missa Mille Regretz Last Updated: June 21, 2025

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About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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