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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

Cynthia Ostrowski · June 11, 2025

HIS MELODY, “Mille Regretz,” was used as the basis for several compositions sung at my wedding in Texas 18 years ago. Specifically, Father Cristóbal de Morales (a famous Spanish composer) used it as CANTUS FIRMUS for a Mass he wrote. The choir for our wedding consisted of something like 85 singers, including my twin sister. The “Mille Regretz” melody is said to have been the favorite song of of Charles V (d. 1558) the Holy Roman Emperor. Father Morales was not the only one to set this tune. Josquin des Prez (d. 1521) created a famous setting, which is included in the score below. Nicolas Gombert (d. 1560) also created an SAATTB version. I suppose that makes sense, because Nicolas Gombert in 1526AD travelled to Spain—although he was born in Lille around 1495AD—to become a singer in the court chapel of Emperor Charles V. A few days ago, the haunting version by Gombert was recorded by two friends of mine (Veronica and Sicily Moreno), and below is the result of their efforts.

*  PDF Download • “Mille Regretz” AGNUS DEI
—SATB (after Josquin) + SAATTBB (after Gombert).

Free rehearsal videos for each individual voice await you at #24286.

Cultivating God’s Gifts • It would seem that the 16th century was a ‘high point’ when it comes to great composers: Palestrina, Victoria, Lassus, Josquin, Marenzio, Morales, Byrd, Guerrero, Gombert, and so many others. These days, its seem most people are more interested in memes, TikTok, iPhones, algorithms, and artificial intelligence. I wonder whether the pendulum will ever swing back toward more authentic things, such as the music of Gombert. In the meantime, we try to cultivate a love for genuine things in our children. We have tried to teach them to love music, being outside in nature, and doing artistic crafts. In particular, I worry about the affect too much screen time may have on our childrens’ development.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Cantus Firmus Polyphony, Jeffrey Tucker CMAA, Jeffrey Tucker Sacred Music, Missa Mille Regretz Last Updated: June 21, 2025

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About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“To get people together once a week without an objective is deadly.”

— Dr. Roger Wagner (19 December 1960)

Recent Posts

  • “Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?
  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”

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