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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

Cynthia Ostrowski · June 11, 2025

HIS MELODY, “Mille Regretz,” was used as the basis for several compositions sung at my wedding in Texas 18 years ago. Specifically, Father Cristóbal de Morales (a famous Spanish composer) used it as CANTUS FIRMUS for a Mass he wrote. The choir for our wedding consisted of something like 85 singers, including my twin sister. The “Mille Regretz” melody is said to have been the favorite song of of Charles V (d. 1558) the Holy Roman Emperor. Father Morales was not the only one to set this tune. Josquin des Prez (d. 1521) created a famous setting, which is included in the score below. Nicolas Gombert (d. 1560) also created an SAATTB version. I suppose that makes sense, because Nicolas Gombert in 1526AD travelled to Spain—although he was born in Lille around 1495AD—to become a singer in the court chapel of Emperor Charles V. A few days ago, the haunting version by Gombert was recorded by two friends of mine (Veronica and Sicily Moreno), and below is the result of their efforts.

*  PDF Download • “Mille Regretz” AGNUS DEI
—SATB (after Josquin) + SAATTBB (after Gombert).

Free rehearsal videos for each individual voice await you at #24286.

Cultivating God’s Gifts • It would seem that the 16th century was a ‘high point’ when it comes to great composers: Palestrina, Victoria, Lassus, Josquin, Marenzio, Morales, Byrd, Guerrero, Gombert, and so many others. These days, its seem most people are more interested in memes, TikTok, iPhones, algorithms, and artificial intelligence. I wonder whether the pendulum will ever swing back toward more authentic things, such as the music of Gombert. In the meantime, we try to cultivate a love for genuine things in our children. We have tried to teach them to love music, being outside in nature, and doing artistic crafts. In particular, I worry about the affect too much screen time may have on our childrens’ development.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Cantus Firmus Polyphony, Jeffrey Tucker CMAA, Jeffrey Tucker Sacred Music, Missa Mille Regretz Last Updated: June 21, 2025

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About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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