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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Jeff Ostrowski · June 4, 2025

ITHOUT A DOUBT, Hannibal Bugnini would have been infuriated by the mind-boggling growth of the MISSALE VETUSTUM over the last 25 years. Indeed, Bugnini revealed his true thoughts in a 29-Jan-1969 letter, having become enraged by an article in L’Osservatore Romano by Hubert Jedin defending traditional worship. In that letter, Bugnini claimed that until the liturgical reforms of the 1960s (!) “millions and hundreds of millions of the faithful” had failed to “achieve worship in spirit and truth.” Bugnini said that the great saints—such as Isaac Jogues, John Vianney, John Bosco, Ignatius of Loyola, Thomas Aquinas, Francis of Assisi, and so forth—had celebrated Mass using “meaningless sounds.” Bugnini then insisted that the venerable Roman Rite (which produced so many saints for 1,500 years) was characterized by:

“a lack of understanding, ignorance, and
the ‘dark night’ of a worship that lacks a face
and light, at least for those out in the nave.”

His brazen letter made explicit what clever people had known all along: viz. Bugnini considered the Catholic saints over the last 1,500 years to be imbeciles. But Hannibal Bugnini did not consider himself unenlightened like the great saints (in his view) were. With his superior intellect, Bugnini believed he’d rescued Catholic congregations from the “dark night”—his term—which had lasted centuries.

Banished By Popes • Having been ‘found out’ by Pope Saint John XXIII, in October of 1962 Bugnini was removed from his teaching position at the Pontifical Lateran University, but was ‘rehabilitated’ when John XXIII died. After about ten years, Pope Saint Paul VI ‘found out’ about Bugnini’s true self and attempted to banish him to Uruguay—but Bugnini refused (in disobedience). Then Paul VI ordered him to Tehran (Iran). Alfons Cardinal Stickler summarized the matter as follows: “For all the work that Bugnini did on the liturgical reform he should have been at least a cardinal. Instead he was removed.”

Amazing Growth • In spite of all the actions taken by the notoriously duplicitous Bugnini, the Traditional Latin Mass has grown exponentially since the 1990s. Moreover, I don’t know a single serious Catholic willing to defend the idea that Bugnini was “enlightened” about the sacred liturgy while the great heroes of the Catholic Faith were liturgical imbeciles. Over the last four years, some clerics in Rome—in anguish over the popularity of the TLM—have attempted to strangle its growth … but it’s difficult to see their efforts being successful in the long run. If the TLM could survive the 1980s, it will surely weather this current storm.

Our Parishioner • A young man who grew up in our parish—Father Michael Caughey—was ordained a few days ago for the Priestly Fraternity of Saint Peter. I have been helping to provide music for his Solemn Masses (offered in the Extraordinary Form). On Monday night, Father Caughey offered Solemn Mass at Saint Mary’s in Muskegon. Our volunteer choir sang so beautifully for the Mass:

More Photographs:
Below are some splendid
photographs from that Mass,
taken by my wife, Cynthia:

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And here’s an excerpt from the POSTLUDE:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Extraordinary Form 1962 Missal, Missale Vetustum Last Updated: June 5, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

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  • “Innsbruck Hymn” • Bach Saint Matthew Passion

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