• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Jeff Ostrowski · June 4, 2025

ITHOUT A DOUBT, Hannibal Bugnini would have been infuriated by the mind-boggling growth of the MISSALE VETUSTUM over the last 25 years. Indeed, Bugnini revealed his true thoughts in a 29-Jan-1969 letter, having become enraged by an article in L’Osservatore Romano by Hubert Jedin defending traditional worship. In that letter, Bugnini claimed that until the liturgical reforms of the 1960s (!) “millions and hundreds of millions of the faithful” had failed to “achieve worship in spirit and truth.” Bugnini said that the great saints—such as Isaac Jogues, John Vianney, John Bosco, Ignatius of Loyola, Thomas Aquinas, Francis of Assisi, and so forth—had celebrated Mass using “meaningless sounds.” Bugnini then insisted that the venerable Roman Rite (which produced so many saints for 1,500 years) was characterized by:

“a lack of understanding, ignorance, and
the ‘dark night’ of a worship that lacks a face
and light, at least for those out in the nave.”

His brazen letter made explicit what clever people had known all along: viz. Bugnini considered the Catholic saints over the last 1,500 years to be imbeciles. But Hannibal Bugnini did not consider himself unenlightened like the great saints (in his view) were. With his superior intellect, Bugnini believed he’d rescued Catholic congregations from the “dark night”—his term—which had lasted centuries.

Banished By Popes • Having been ‘found out’ by Pope Saint John XXIII, in October of 1962 Bugnini was removed from his teaching position at the Pontifical Lateran University, but was ‘rehabilitated’ when John XXIII died. After about ten years, Pope Saint Paul VI ‘found out’ about Bugnini’s true self and attempted to banish him to Uruguay—but Bugnini refused (in disobedience). Then Paul VI ordered him to Tehran (Iran). Alfons Cardinal Stickler summarized the matter as follows: “For all the work that Bugnini did on the liturgical reform he should have been at least a cardinal. Instead he was removed.”

Amazing Growth • In spite of all the actions taken by the notoriously duplicitous Bugnini, the Traditional Latin Mass has grown exponentially since the 1990s. Moreover, I don’t know a single serious Catholic willing to defend the idea that Bugnini was “enlightened” about the sacred liturgy while the great heroes of the Catholic Faith were liturgical imbeciles. Over the last four years, some clerics in Rome—in anguish over the popularity of the TLM—have attempted to strangle its growth … but it’s difficult to see their efforts being successful in the long run. If the TLM could survive the 1980s, it will surely weather this current storm.

Our Parishioner • A young man who grew up in our parish—Father Michael Caughey—was ordained a few days ago for the Priestly Fraternity of Saint Peter. I have been helping to provide music for his Solemn Masses (offered in the Extraordinary Form). On Monday night, Father Caughey offered Solemn Mass at Saint Mary’s in Muskegon. Our volunteer choir sang so beautifully for the Mass:

More Photographs:
Below are some splendid
photographs from that Mass,
taken by my wife, Cynthia:

24347-Father-Caughey-35
24347-Father-Caughey-34
24347-Father-Caughey-33
24347-Father-Caughey-31
24347-Father-Caughey-30
24347-Father-Caughey-29
24347-Father-Caughey-27
24347-Father-Caughey-26
24347-Father-Caughey-25
24347-Father-Caughey-23
24347-Father-Caughey-22
24347-Father-Caughey-20
24347-Father-Caughey-19
24347-Father-Caughey-17
24347-Father-Caughey-16
24347-Father-Caughey-14
24347-Father-Caughey-12
24347-Father-Caughey-11
24347-Father-Caughey-10
24347-Father-Caughey-09
24347-Father-Caughey-08
24347-Father-Caughey-05
24347-Father-Caughey-02
24347-Father-Caughey-01
24347-Father-Caughey-00f
24347-Father-Caughey-000e
24347-Father-Caughey-00e
24347-Father-Caughey-00d
24347-Father-Caughey-00c
24346-Father-Caughey
24345-Father-Caughey-FSSP
24344-Father-Caughey
24343-Father-Caughey-00-CHOIR

And here’s an excerpt from the POSTLUDE:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Extraordinary Form 1962 Missal, Missale Vetustum Last Updated: June 5, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

Recent Posts

  • PDF • “O Come All Ye Faithful” (Simplified)
  • Bing Crosby, Christmas, and Catholicism
  • 💰 Are Church Musicians Paid Too Little?
  • PDF Download • “In Paradisum” in English
  • “O Antiphons” Elevated?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.