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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Jeff Ostrowski · June 4, 2025

ITHOUT A DOUBT, Hannibal Bugnini would have been infuriated by the mind-boggling growth of the MISSALE VETUSTUM over the last 25 years. Indeed, Bugnini revealed his true thoughts in a 29-Jan-1969 letter, having become enraged by an article in L’Osservatore Romano by Hubert Jedin defending traditional worship. In that letter, Bugnini claimed that until the liturgical reforms of the 1960s (!) “millions and hundreds of millions of the faithful” had failed to “achieve worship in spirit and truth.” Bugnini said that the great saints—such as Isaac Jogues, John Vianney, John Bosco, Ignatius of Loyola, Thomas Aquinas, Francis of Assisi, and so forth—had celebrated Mass using “meaningless sounds.” Bugnini then insisted that the venerable Roman Rite (which produced so many saints for 1,500 years) was characterized by:

“a lack of understanding, ignorance, and
the ‘dark night’ of a worship that lacks a face
and light, at least for those out in the nave.”

His brazen letter made explicit what clever people had known all along: viz. Bugnini considered the Catholic saints over the last 1,500 years to be imbeciles. But Hannibal Bugnini did not consider himself unenlightened like the great saints (in his view) were. With his superior intellect, Bugnini believed he’d rescued Catholic congregations from the “dark night”—his term—which had lasted centuries.

Banished By Popes • Having been ‘found out’ by Pope Saint John XXIII, in October of 1962 Bugnini was removed from his teaching position at the Pontifical Lateran University, but was ‘rehabilitated’ when John XXIII died. After about ten years, Pope Saint Paul VI ‘found out’ about Bugnini’s true self and attempted to banish him to Uruguay—but Bugnini refused (in disobedience). Then Paul VI ordered him to Tehran (Iran). Alfons Cardinal Stickler summarized the matter as follows: “For all the work that Bugnini did on the liturgical reform he should have been at least a cardinal. Instead he was removed.”

Amazing Growth • In spite of all the actions taken by the notoriously duplicitous Bugnini, the Traditional Latin Mass has grown exponentially since the 1990s. Moreover, I don’t know a single serious Catholic willing to defend the idea that Bugnini was “enlightened” about the sacred liturgy while the great heroes of the Catholic Faith were liturgical imbeciles. Over the last four years, some clerics in Rome—in anguish over the popularity of the TLM—have attempted to strangle its growth … but it’s difficult to see their efforts being successful in the long run. If the TLM could survive the 1980s, it will surely weather this current storm.

Our Parishioner • A young man who grew up in our parish—Father Michael Caughey—was ordained a few days ago for the Priestly Fraternity of Saint Peter. I have been helping to provide music for his Solemn Masses (offered in the Extraordinary Form). On Monday night, Father Caughey offered Solemn Mass at Saint Mary’s in Muskegon. Our volunteer choir sang so beautifully for the Mass:

More Photographs:
Below are some splendid
photographs from that Mass,
taken by my wife, Cynthia:

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And here’s an excerpt from the POSTLUDE:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Extraordinary Form 1962 Missal, Missale Vetustum Last Updated: June 5, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ with regard to 1960s switch to vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

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