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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…

Jeff Ostrowski · May 19, 2025

ESTERDAY AFTER MASS, a gentleman whom I don’t know approached me in the church parking lot. In an excited tone of voice, he exclaimed: “I read your article in the bulletin this week; it was superb. You’re an excellent writer, and your article last week also hit the ball out of the park.” I can’t deny: I was thrilled to receive such a compliment. A few months ago, I was asked by my pastor to contribute a weekly column to our bulletin. In my heart, I had doubts as to whether anyone would read my articles. I do remember Father Valentine Young being astonished when someone told him they never read the bulletin. His response was: “What do you do during the homily?”

Feedback And Praise • The daily offering by Raphael Cardinal Merry Del Val says: “I am ready to accept indifferently from Thy hands, and in the way most pleasing to Thee: health or sickness; riches or poverty; a long life or a short one; friendship or hatred…” That means we must always do what’s right: Period. Saint John Bosco reminded his boys they must never commit sin in pursuit of “human respect.” Nevertheless, it’s really nice to get positive feedback. The gentleman—whose wife was seated in his vehicle—struck me as quite sincere.1

The bulletin articles I’ve written so far are below. I tried to keep them pithy, and powerful. You can judge for yourself whether I was successful:

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  • Sainte Marie Bulletin Articles
    • 2025 04 13th • “Introduction to the Series”
    • 2025 04 20th • “As in Delirium a Man Talks”
    • 2025 04 27th • “Wouldn’t That Be Bizarre?”
    • 2025 05 04th • “Neither Tennis Court Nor Supermarket”
    • 2025 05 11th • “The Entire Hall Burst Into Uproarious Laughter”
    • 2025 05 18th • “Doesn’t the Church Want Us to Understand?”
    • 2025 05 25th • “Why Do We Sing in Both?”
    • 2025 06 01st • “The Church’s Oldest Latin Eucharistic Hymn”
    • 2025 06 08th • “Intriguing Invitation”
    • 2025 06 15th • “Hit the sack” doesn’t mean pound a bag.
    • 2025 06 22nd • Three Words in a Psalm
    • 2025 06 29th • Pope Leo XIV on Polyphony
    • 2025 07 20th • “What Luther Said”
    • 2025 08 10th • “Pope Leo XIV Has Announced…”
    • 2025 08 17th • “Emanations From Penumbras”
    • 2025 08 24th • More On That Latin “Gloria”
    • 2025 08 31st • “The Worm That Dieth Not”
    • 2025 09 07th • “Professor Bouyer’s Regret”
    • 2025 09 14th • “Anti Vs. Ultra”
    • 2025 09 21st • When they get “spitting” mad
    • 2025 10 05th • “Polished Stones for 9 November”

(1 of 3) Jeff Is Ignorant • Truly brilliant minds such as Newman, Fortescue, Knox, or Skeris would laugh if they knew that I was putting myself forth as an author. And I certainly don’t pretend to know much! One thing that’s always confused me is the existence of contradictions in church law.

(2 of 3) Jeff Is Ignorant • For example, the General Instruction of the Roman Missal clearly states that “Songs or hymns may not be used in place of the responsorial Psalm” (§61). Yet we know that sometimes hymns are prescribed by the liturgical books themselves to replace the Responsorial Psalm. Moreover, the GIRM explicitly says one may replace the Responsorial Psalm “with a metrical psalm.” As a matter of fact, a “metrical psalm” is nothing more than a hymn; e.g. look up THE PSALTER OF JOHN DAYE in the famous edition by Thomas Sternhold and John Hopkins. How can such a contradiction be explained?

(3 of 3) Jeff Is Ignorant • Sometimes, a contradiction is the result of faulty translation. The document on the liturgy promulgated by Vatican II—“SACROSANCTUM CONCILIUM”—contains some faulty English translations. Consider the following sentence:

Quæ totius populi plena & actuosa
participatio, in instauranda
et fovenda sacra Liturgia,
summopere est attendenda…

Here’s the usual translation:

In the restoration & promotion of
the sacred liturgy the full & active
participation by all the people is the
aim to be considered above all else…

But that’s a flawed translation. The actual meaning is:

In restoring and nurturing the sacred
Liturgy this full and active
participation of all the people
is very much to be considered…

But sometimes it’s not a matter of a faulty translation. For example, here’s a section from SACROSANCTUM CONCILIUM which I struggle to understand:

34. The rites should be distinguished by a noble simplicity; they should be short, clear, and unencumbered by useless repetitions; they should be within the people’s powers of comprehension, and normally should not require much explanation.

It’s nonsense to say the rites should be “short.” Indeed, the post-conciliar reforms made the MASS OF THE CATECHUMENS much more lengthy than it was before! I’d be interested to know how readers interpret that sentence. If only the word “short” could be changed to “not excessively lengthy,” I believe I could live with that.

1 As church musicians, we almost never get compliments. I’m not sure why that is. As a result, those rare occasions when we do receive complimentary words feel especially meaningful and fulfilling.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Daily Offering Cardinal Merry Del Val, Raphael Cardinal Merry Del Val Last Updated: August 25, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski
    Prex • Particularly Powerful
    The Third Edition of the SAINT EDMUND CAMPION MISSAL contains a Latin-English translation for the ‘old’ Holy Week published by Monsignor Ronald Knox in 1950. His version is utterly splendid, and it’s astonishing it was totally forgotten for 70+ years. I find his translation of a prayer from Palm Sunday (Deus qui dispérsa cóngregas) particularly powerful: “O God, who dost mend what is shattered, and what thou hast mended, ever dost preserve, thou didst bless the chance comers who met Jesus with branches in their hands. Bless these branches too, of palm or olive, which we take up obediently in honour of thy name; rest they where they will, let them carry thy blessing to all who dwell there. All harm thence banish, and let thy power defend us, in proof that thy Son, Jesus Christ, has redeemed us…”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

In the place of liturgy as the fruit of development came fabricated liturgy. We abandoned the organic, living process of growth and development over centuries, and replaced it—as in a manufacturing process—with a fabrication, a banal on-the-spot product.

— ‘Pope Benedict XVI, describing the postconciliar liturgical reforms’

Recent Posts

  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas
  • “Fulfilled!” • Bride’s Musical Request
  • Incredible Message of Hope from Michael Olbash

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