• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • “Entrance Chant” for the Fifth Sunday of Easter

Jeff Ostrowski · May 13, 2025

HE SUPREME AUTHORITY vis-à-vis the sacred liturgy (except for the pope) during the 1960s was the CONGREGATION OF RITES. Even the Consilium had to seek approval from that dicastery for its decisions. More than a year after Vatican II promulgated the Constitution on the Liturgy (“Sacrosanctum Concilium”), the CONGREGATION OF RITES warned that Latin must remain primary while the vernacular was supposed to be secondary.1 To be precise, that dicastery warned (on 23 July 1964) that using the vernacular to the exclusion of Latin would create an undesirable “paradox” (their word), lamenting that if such were to occur: “Latin imposed as a basis would become an exception, and the vernacular, which must be given a secondary place, would occupy the main position.”

Accepting Reality • The situation we ended up with is a Mass without any Latin at all. This was done in violation of the explicit mandate of Vatican II—but what can I do about it? I’m not a bishop. I’m not even a priest. I’m a husband and father who just wants to make it to heaven.

Consider the following:

*  PDF Download • Musical Score
*  PDF Download • Organ Accompaniment

Here’s the direct URL link.

(1 of 5) English Adaptations • I don’t believe our Lord wants me to spend each day bewailing the fact that most Masses eliminated Latin in spite of what Vatican II mandated and in spite of the warning I quoted earlier (from the CONGREGATION OF RITES, dated 23 July 1964).

(2 of 5) English Adaptations • Instead of spending my energy complaining, I’ve been attempting to promote the splendid English adaptations of Gregorian Chant by the CHAUMONOT COMPOSERS GROUP. Specifically—as you can see above—I’ve been harmonizing them and creating rehearsal videos.

(3 of 5) English Adaptations • Dr. Lucas Tappan once told me he’d attempted to program at his Masses popular Proprium Missae adaptations in English,2 but could not continue using them because his choir felt bored out of their minds with them (and his priest felt the same way). I must admit, he is correct. There are some atrocious plainsong ‘adaptations’ out there. Some companies produce the equivalent of “artificial intelligence” adaptations: boring, uninspired, inartistic, and eminently forgettable.

(4 of 5) English Adaptations • The settings by the CHAUMONOT COMPOSERS GROUP are gorgeous, and I wish you could hear the females in my choir singing these each Sunday. Their beauty melts my heart—and unfortunately a recording device or microphone cannot ‘capture’ their wonderful sound accurately.

(5 of 5) English Adaptations • I never thought I would do plainsong in English. My whole life has been dedicated to singing, teaching, recording, promoting, and studying Gregorian Chant in Latin. But let’s be honest: there was no “perfect time” for the Catholic liturgy. Some bloggers claim the liturgy was perfect before 1954—but that’s false. Indeed, the “pre-1954” Missale Romanum contained many undesirable items, such as insanely ancient feasts being replaced by modern feasts. Those who claim to follow the “pre-1954” missal unwittingly create a “mixture” or “hybrid” liturgy; e.g. they allow Solemn Mass with incense even if there’s no Deacon and Subdeacon, they offer evening Masses, they distribute Holy Communion to the faithful during Mass, they modify the fasting laws, and so forth. I repeat: There is no “perfect” year for the sacred liturgy. Indeed, the liturgy during the 19th-century was unrecognizable because local feasts and modern feasts frequently replaced the ancient TEMPORALE.

Final Thoughts • Father John Vianney never offered the Roman Rite. (Or, if he did, it happened only towards the end of his life.) In those days, France had various “Neo-Gallican” rites. Nonetheless, I believe Saint John Vianney was a great saint. And this is why I don’t think God wants me to spend all day complaining that people violated the mandates of Vatican II. Instead, I feel called to make the best of the situation we have—and to give God as much glory as we possibly can.

1 According to Vatican II, the local bishop was “to decide whether, and to what extent, the vernacular language is to be used.” After the council, certain dishonest people pretended they didn’t know the meaning of the word “whether.” On this, cf. SACROSANCTUM CONCILIUM §36.3. The phrase used by Vatican II was amplior locus (“more space”). The specific Vatican II mandate regarding the vernacular said “the limits of its employment may be extended.” It did not say Catholics should eliminate Latin and replace it with the vernacular. ALFONS CARDINAL STICKLER attended Vatican II as a perítus (“expert”). In a 1999 interview, he said: “I still remember very well how after several radical proposals a Sicilian bishop rose and implored the fathers to allow caution and reason to reign on this point, because otherwise there would be the danger that the entire Mass might be held in the language of the people—whereupon the entire hall burst into uproarious laughter.” The idea that liturgical Latin would be abandoned was absurd to the fathers of Vatican II.
2 If you think I’m going to reveal which set of propers Dr. Tappan was speaking of … I’m not. I already have enough enemies—the last thing I need is more people angry with me!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Entrance Chant Collection, Congregation for Divine Worship, Congregation of Rites, English Adaptation Gregorian Chant, English Adaptation Plainsong, Plainsong in English Last Updated: May 13, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

It would be contrary to the Constitution to decree or even to hint that sung celebrations, especially of the Mass, should be in Latin.

— Annibale Bugnini attacking “Sacrosanctum Concilium” (§36)

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.