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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?

Corpus Christi Watershed · May 7, 2025

The following came from Fredericksburg.
[We usually redact names for anonymity’s sake.]

OUR RECENT ARTICLE—in which you posted a PDF download with repertoire ‘suggestions’ for Catholic couples planning their wedding—piqued my interest. Isn’t Mendelssohn’s wedding march largely frowned upon in the Catholic Church? Why would you suggest that over many other suitable pieces like Charpentier’s Te Deum? Also, why do you sing the KYRIE at a Nuptial Mass? I have heard it’s supposed to be omitted at weddings.

The following is Jeff Ostrowski’s response.
[This response was posted on 7 May 2025.]

FULLY endorse the idea that secular music should be excluded from the Roman Catholic Mass—especially music written in a secular style. The “march” you refer to is similar to “O Sacred Head Surrounded” and the marvelous INNSBRUCK melody, inasmuch as they were originally secular compositions. But there’s nothing wrong with singing “O Sacred Head Surrounded” at Mass because its secular associations faded away hundreds of years ago. The ‘nature’ of that melody is not necessarily secular. Indeed, the two hymns I just mentioned have been included in Roman Catholic hymnals for centuries.1

The KYRIE can be sung at the Nuptial Mass according to the current rubrics but omitting it is also a valid option. Whether we like it or not, the current rubrics are contradictory on this point.

1 I can’t remember which page it’s on, but somewhere the Brébeuf Catholic Hymnal provides an elaborate chart proving that “O Sacred Head Surrounded” was included in more Roman Catholic hymn books than any other song except for MELCOMBE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 7, 2025

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Chasuble, or upper garment, represents the purple garment which the soldiers put upon Jesus Christ, and the heavy cross that He carried on His blessed shoulders to Mount Calvary.”

— Guide for the Laity (1875)

Recent Posts

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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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