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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The 1970s Liturgical Wasteland

Jeff Ostrowski · April 7, 2025

HE FOLLOWING is an excerpt from Maurice Lavanoux’s Liturgical Arts Quarterly dated 2 February 1970. It was authored by Father Robert W. Hovda—an extremely ‘progressive’ priest of the diocese of Fargo—and Gabe Huck. According to online sources, Gabe Huck was director of something called Liturgy Training Publications from 1977 until 2001. Mr. Huck claimed publicly that he was “fired” (his word) by Francis Cardinal George (d. 2015) of Chicago. From what I can tell, Huck’s goal was to convince Catholics that the sacred liturgy must be looked at primarily through a political lens. Thankfully, he seems to have left no enduring legacy.

1970s Article • If the following excerpt is a good representation of Mr. Huck, Cardinal George did well to fire him. Their article would be impossible to parody:

There are no rigid criteria for
selecting good music for the liturgy.
In recent months many songs have
appeared that could well find an
appropriate place in the liturgy;
these might include “Both Sides Now”;
“Abraham, Martin and John”; “Mrs.
Robinson”; “Gentle On My Mind”
(there is a real need for good love
songs in the liturgy); and “Little
Green Apples.” In a sense we need
“disposable” music just as we need—
and to some extent have—“disposable”
art objects which are created to last
not centuries, but weeks (or hours).
Our secular music is that way; the
amount of new material is so great
that even many good things pass
quickly. While many of the songs
from the folk and pop lists (as well
as the country-western list or the
Broadway list) do not have the depth
or quality to last for decades, they
still have the power to enrich the
liturgy here and now.

Final Thoughts • Father Hovda was highly regarded by the Collegeville Press—they called him “the renowned liturgist”—and continued to be cited (and praised) by that group even after certain of his views became known. Here’s a 1970s review by Father Ralph March, a Cistercian born in Hungary, who ended up teaching at the University of Dallas if memory serves:

500 Robert W. Hovda liturgical

Addendum (7 April 2025):
A reader writes: “In today’s post you referred to ‘something called Liturgy Training Publications.’ LTP is the in-house liturgical publishing apparatus of the Archdiocese of Chicago. While much of their output has definitely improved since those heady days of Hovda-worship, they are still stuck in a 1970s mentality overall. However, I will say that I find their bound lectionaries quite elegant, esthetically, and they shocked many of us when they chose our friend Matthew Alderman (definitely not stuck in the 1970s) to provide illustrations for their new Altar Missal. Keep up all of your good work!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Ralph March, Father Robert W Hovda, Matthew Alderman Art Last Updated: April 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

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