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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The 1970s Liturgical Wasteland

Jeff Ostrowski · April 7, 2025

HE FOLLOWING is an excerpt from Maurice Lavanoux’s Liturgical Arts Quarterly dated 2 February 1970. It was authored by Father Robert W. Hovda—an extremely ‘progressive’ priest of the diocese of Fargo—and Gabe Huck. According to online sources, Gabe Huck was director of something called Liturgy Training Publications from 1977 until 2001. Mr. Huck claimed publicly that he was “fired” (his word) by Francis Cardinal George (d. 2015) of Chicago. From what I can tell, Huck’s goal was to convince Catholics that the sacred liturgy must be looked at primarily through a political lens. Thankfully, he seems to have left no enduring legacy.

1970s Article • If the following excerpt is a good representation of Mr. Huck, Cardinal George did well to fire him. Their article would be impossible to parody:

There are no rigid criteria for
selecting good music for the liturgy.
In recent months many songs have
appeared that could well find an
appropriate place in the liturgy;
these might include “Both Sides Now”;
“Abraham, Martin and John”; “Mrs.
Robinson”; “Gentle On My Mind”
(there is a real need for good love
songs in the liturgy); and “Little
Green Apples.” In a sense we need
“disposable” music just as we need—
and to some extent have—“disposable”
art objects which are created to last
not centuries, but weeks (or hours).
Our secular music is that way; the
amount of new material is so great
that even many good things pass
quickly. While many of the songs
from the folk and pop lists (as well
as the country-western list or the
Broadway list) do not have the depth
or quality to last for decades, they
still have the power to enrich the
liturgy here and now.

Final Thoughts • Father Hovda was highly regarded by the Collegeville Press—they called him “the renowned liturgist”—and continued to be cited (and praised) by that group even after certain of his views became known. Here’s a 1970s review by Father Ralph March, a Cistercian born in Hungary, who ended up teaching at the University of Dallas if memory serves:

500 Robert W. Hovda liturgical

Addendum (7 April 2025):
A reader writes: “In today’s post you referred to ‘something called Liturgy Training Publications.’ LTP is the in-house liturgical publishing apparatus of the Archdiocese of Chicago. While much of their output has definitely improved since those heady days of Hovda-worship, they are still stuck in a 1970s mentality overall. However, I will say that I find their bound lectionaries quite elegant, esthetically, and they shocked many of us when they chose our friend Matthew Alderman (definitely not stuck in the 1970s) to provide illustrations for their new Altar Missal. Keep up all of your good work!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Ralph March, Father Robert W Hovda, Matthew Alderman Art Last Updated: April 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“It is most important that when the faithful assist at the sacred ceremonies … they should sing alternately with the clergy or the choir, as it is prescribed.”

— ‘Pope Pius XI, Divini Cultus (20 Dec 1928) §9’

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