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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The 1970s Liturgical Wasteland

Jeff Ostrowski · April 7, 2025

HE FOLLOWING is an excerpt from Maurice Lavanoux’s Liturgical Arts Quarterly dated 2 February 1970. It was authored by Father Robert W. Hovda—an extremely ‘progressive’ priest of the diocese of Fargo—and Gabe Huck. According to online sources, Gabe Huck was director of something called Liturgy Training Publications from 1977 until 2001. Mr. Huck claimed publicly that he was “fired” (his word) by Francis Cardinal George (d. 2015) of Chicago. From what I can tell, Huck’s goal was to convince Catholics that the sacred liturgy must be looked at primarily through a political lens. Thankfully, he seems to have left no enduring legacy.

1970s Article • If the following excerpt is a good representation of Mr. Huck, Cardinal George did well to fire him. Their article would be impossible to parody:

There are no rigid criteria for
selecting good music for the liturgy.
In recent months many songs have
appeared that could well find an
appropriate place in the liturgy;
these might include “Both Sides Now”;
“Abraham, Martin and John”; “Mrs.
Robinson”; “Gentle On My Mind”
(there is a real need for good love
songs in the liturgy); and “Little
Green Apples.” In a sense we need
“disposable” music just as we need—
and to some extent have—“disposable”
art objects which are created to last
not centuries, but weeks (or hours).
Our secular music is that way; the
amount of new material is so great
that even many good things pass
quickly. While many of the songs
from the folk and pop lists (as well
as the country-western list or the
Broadway list) do not have the depth
or quality to last for decades, they
still have the power to enrich the
liturgy here and now.

Final Thoughts • Father Hovda was highly regarded by the Collegeville Press—they called him “the renowned liturgist”—and continued to be cited (and praised) by that group even after certain of his views became known. Here’s a 1970s review by Father Ralph March, a Cistercian born in Hungary, who ended up teaching at the University of Dallas if memory serves:

500 Robert W. Hovda liturgical

Addendum (7 April 2025):
A reader writes: “In today’s post you referred to ‘something called Liturgy Training Publications.’ LTP is the in-house liturgical publishing apparatus of the Archdiocese of Chicago. While much of their output has definitely improved since those heady days of Hovda-worship, they are still stuck in a 1970s mentality overall. However, I will say that I find their bound lectionaries quite elegant, esthetically, and they shocked many of us when they chose our friend Matthew Alderman (definitely not stuck in the 1970s) to provide illustrations for their new Altar Missal. Keep up all of your good work!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Ralph March, Father Robert W Hovda, Matthew Alderman Art Last Updated: April 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“By no means would I offer the counsel that Mass be celebrated in languages other than Latin.”

— Archbishop Dwyer (one of the Vatican II fathers)

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