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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The 1970s Liturgical Wasteland

Jeff Ostrowski · April 7, 2025

HE FOLLOWING is an excerpt from Maurice Lavanoux’s Liturgical Arts Quarterly dated 2 February 1970. It was authored by Father Robert W. Hovda—an extremely ‘progressive’ priest of the diocese of Fargo—and Gabe Huck. According to online sources, Gabe Huck was director of something called Liturgy Training Publications from 1977 until 2001. Mr. Huck claimed publicly that he was “fired” (his word) by Francis Cardinal George (d. 2015) of Chicago. From what I can tell, Huck’s goal was to convince Catholics that the sacred liturgy must be looked at primarily through a political lens. Thankfully, he seems to have left no enduring legacy.

1970s Article • If the following excerpt is a good representation of Mr. Huck, Cardinal George did well to fire him. Their article would be impossible to parody:

There are no rigid criteria for
selecting good music for the liturgy.
In recent months many songs have
appeared that could well find an
appropriate place in the liturgy;
these might include “Both Sides Now”;
“Abraham, Martin and John”; “Mrs.
Robinson”; “Gentle On My Mind”
(there is a real need for good love
songs in the liturgy); and “Little
Green Apples.” In a sense we need
“disposable” music just as we need—
and to some extent have—“disposable”
art objects which are created to last
not centuries, but weeks (or hours).
Our secular music is that way; the
amount of new material is so great
that even many good things pass
quickly. While many of the songs
from the folk and pop lists (as well
as the country-western list or the
Broadway list) do not have the depth
or quality to last for decades, they
still have the power to enrich the
liturgy here and now.

Final Thoughts • Father Hovda was highly regarded by the Collegeville Press—they called him “the renowned liturgist”—and continued to be cited (and praised) by that group even after certain of his views became known. Here’s a 1970s review by Father Ralph March, a Cistercian born in Hungary, who ended up teaching at the University of Dallas if memory serves:

500 Robert W. Hovda liturgical

Addendum (7 April 2025):
A reader writes: “In today’s post you referred to ‘something called Liturgy Training Publications.’ LTP is the in-house liturgical publishing apparatus of the Archdiocese of Chicago. While much of their output has definitely improved since those heady days of Hovda-worship, they are still stuck in a 1970s mentality overall. However, I will say that I find their bound lectionaries quite elegant, esthetically, and they shocked many of us when they chose our friend Matthew Alderman (definitely not stuck in the 1970s) to provide illustrations for their new Altar Missal. Keep up all of your good work!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Ralph March, Father Robert W Hovda, Matthew Alderman Art Last Updated: April 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

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