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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Entrance Chant” • 5th Sunday of Lent

Jeff Ostrowski · April 4, 2025

EEL FREE to download the ENTRANCE ANTIPHON in English for the Fifth Sunday of Lent—6 April 2025—which is traditionally known as “Passion Sunday” because it begins a two-week period of special emphasis on our Redeemer’s PASSION. This free organ accompaniment corresponds to the vocalist score. During Passiontide, the “Glória Patri” is omitted. The authentic version of the INTROIT is iconic, and PSALM 42 is quite well-known. The Latin words (Emítte lucem tuam et veritátem tuam: ipsa me de duxérunt et adduxérunt…) are rendered so beautifully by Monsignor Knox:

“The light of thy presence,
the fulfilment of thy promise,
let these be my escort…”

If you’re someone who enjoys rehearsal videos, I’ve attempted to sing it while simultaneously accompanying my voice on the pipe organ.

Here’s the direct URL link.

Veiling of Images • The traditional Gospel for Lent’s 5th Sunday ended with: Jesus autem abscóndit se, et exívit de templo (“but Jesus hid Himself, and went out of the temple”). For the two weeks of Passiontide, church images are hidden with violet fabric. Bishop Durandus says the veiling reminds us that “Christ veiled His divinity during His passion,” but other explanations have also been given.

Unsuccessful Attempt • A secret commission set up by Pope Pius XII (known as the Commissio Piana) attempted to get rid of the traditional name of “Palm Sunday.” They wanted to replace it with Second Passion Sunday, but that never caught on. Catholics still insist upon calling it “Palm Sunday”—and rightly so. The only author I know who adopted their bizarre terminology (“Second Passion Sunday”) was Frederick R. McManus, an extremely ‘progressive’ liturgist.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Entrance Chant Collection Last Updated: April 4, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

Recent Posts

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  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)
  • PDF Download • “Entrance Chant” for the Fifth Sunday of Easter

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