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Views from the Choir Loft

Possible Error? • 4th Sunday of Lent

Jeff Ostrowski · March 31, 2025

HERE IS MUCH that could be said about Hannibal Bugnini, famously called a “mealy-mouthed scoundrel as bereft of culture as he was of basic honesty” by his fellow reformer, Professor Louis Bouyer. I’ve never been interested in Bugnini rumors or slander: only facts. I’m particularly sensitive to slander for two reasons. First of all, the saints tell us that it’s virtually impossible to make restitution for that sin. Second of all, I have been the object of defamation online.1

Archbishop Bugnini • I hope to someday share facts I’ve learned about Hannibal Bugnini, the man responsible—more than anyone else—for the post-conciliar reforms of the sacred liturgy. We will see whether our Blessed Lord gives me the time and energy necessary to share these facts. It’s not easy to find time, since I currently have many obligations as a husband; father; choirmaster; conductor; editor; and composer. Therefore, for the moment I’ll mention just one fact. On 23 April 1967, the following was written in the private diary of CARDINAL ANTONELLI (who’d been named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962 by Pope Paul VI):

“Father Bugnini has only one interest: press ahead and finish.”

Haste Makes Waste • Because the post-conciliar liturgical reforms were done with such haste, we sometimes find errors. I believe I may have found one such error. As you can see below, the OFFERTORY given for the 4th Sunday of Lent (“Laetare Sunday”) is supposed to be Illúmina óculos meos when Year C readings are used:

I believe this is an error.

During Year A, the 2nd Reading is “You were once darkness, but now you are light in the Lord” (Ephesians 5:8-14) and the Gospel is “The Man Born Blind.” During Year C, the Gospel is about the prodigal son. Surely Illúmina óculos meos was meant to be used during Year A. Do you agree?

The 1984 collection of the GRADUALE ROMANUM by Deacon Cunningham omits Illúmina óculos meos. He gives no explanation for why he omits it. The collection by Richard Rice also omits it without explanation. Perhaps those two men were also bothered by this “error” I am speaking of.

In 2015, Father Samuel Weber published The Proper of the Mass for Sundays and Solemnities, but that collection doesn’t use the GRADUALE ROMANUM. Father Weber sets The Adalbert Propers. (I wish he’d gone with the Graduale Propers instead, but nobody asked me.) However, for offertories Father Weber does use the Graduale Propers, because the Adalbert Propers don’t contain the offertories. When it comes to the 4th Sunday of Lent, Father Weber omits Illúmina óculos meos without any explanation, just as Deacon Cunningham and Richard Rice did.

I would love to hear your thoughts on all of this!

1 Not long ago, I was viciously attacked online by the rector (!) of a cathedral: a priest! This unscrupulous liar claimed that I denied the validity of the Novus Ordo. Of course that’s total nonsense … and quite hurtful. Indeed, I have spent the last twenty years providing free musical scores for the Novus Ordo; scores which are used all over the globe.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Cardinal Ferdinando Giuseppe Antonelli OFM, Louis Bouyer Oratorian Priest Last Updated: March 31, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

After ordering the bishops to appoint in each diocese “special commission of persons who are really competent in the matter, to whom they will entrust the duty of watching over the music performed in the churches in whatever way may seem most advisable,” Pope Pius X continues—“this commission will insist on the music being not only good in itself, but also proportionate to the capacity of the singers, so that it may be always well executed.”

— Dom Alphege Shebbeare (Downside Review)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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