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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Possible Error? • 4th Sunday of Lent

Jeff Ostrowski · March 31, 2025

HERE IS MUCH that could be said about Hannibal Bugnini, famously called a “mealy-mouthed scoundrel as bereft of culture as he was of basic honesty” by his fellow reformer, Professor Louis Bouyer. I’ve never been interested in Bugnini rumors or slander: only facts. I’m particularly sensitive to slander for two reasons. First of all, the saints tell us that it’s virtually impossible to make restitution for that sin. Second of all, I have been the object of defamation online.1

Archbishop Bugnini • I hope to someday share facts I’ve learned about Hannibal Bugnini, the man responsible—more than anyone else—for the post-conciliar reforms of the sacred liturgy. We will see whether our Blessed Lord gives me the time and energy necessary to share these facts. It’s not easy to find time, since I currently have many obligations as a husband; father; choirmaster; conductor; editor; and composer. Therefore, for the moment I’ll mention just one fact. On 23 April 1967, the following was written in the private diary of CARDINAL ANTONELLI (who’d been named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962 by Pope Paul VI):

“Father Bugnini has only one interest: press ahead and finish.”

Haste Makes Waste • Because the post-conciliar liturgical reforms were done with such haste, we sometimes find errors. I believe I may have found one such error. As you can see below, the OFFERTORY given for the 4th Sunday of Lent (“Laetare Sunday”) is supposed to be Illúmina óculos meos when Year C readings are used:

I believe this is an error.

During Year A, the 2nd Reading is “You were once darkness, but now you are light in the Lord” (Ephesians 5:8-14) and the Gospel is “The Man Born Blind.” During Year C, the Gospel is about the prodigal son. Surely Illúmina óculos meos was meant to be used during Year A. Do you agree?

The 1984 collection of the GRADUALE ROMANUM by Deacon Cunningham omits Illúmina óculos meos. He gives no explanation for why he omits it. The collection by Richard Rice also omits it without explanation. Perhaps those two men were also bothered by this “error” I am speaking of.

In 2015, Father Samuel Weber published The Proper of the Mass for Sundays and Solemnities, but that collection doesn’t use the GRADUALE ROMANUM. Father Weber sets The Adalbert Propers. (I wish he’d gone with the Graduale Propers instead, but nobody asked me.) However, for offertories Father Weber does use the Graduale Propers, because the Adalbert Propers don’t contain the offertories. When it comes to the 4th Sunday of Lent, Father Weber omits Illúmina óculos meos without any explanation, just as Deacon Cunningham and Richard Rice did.

I would love to hear your thoughts on all of this!

1 Not long ago, I was viciously attacked online by the rector (!) of a cathedral: a priest! This unscrupulous liar claimed that I denied the validity of the Novus Ordo. Of course that’s total nonsense … and quite hurtful. Indeed, I have spent the last twenty years providing free musical scores for the Novus Ordo; scores which are used all over the globe.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Cardinal Ferdinando Giuseppe Antonelli OFM, Louis Bouyer Oratorian Priest Last Updated: March 31, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

An Indult of the “Commission for Russia” (25 November 1929) authorizes Bishops and Administrators Apostolic in Russia to permit the celebration of Mass and the reception of Holy Communion in the afternoon or evening, on condition that a Eucharistic fast of four hours from noon be observed.

— Sacred Congregation of Rites, 25 nov 1929

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