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Views from the Choir Loft

Possible Error? • 4th Sunday of Lent

Jeff Ostrowski · March 31, 2025

HERE IS MUCH that could be said about Hannibal Bugnini, famously called a “mealy-mouthed scoundrel as bereft of culture as he was of basic honesty” by his fellow reformer, Professor Louis Bouyer. I’ve never been interested in Bugnini rumors or slander: only facts. I’m particularly sensitive to slander for two reasons. First of all, the saints tell us that it’s virtually impossible to make restitution for that sin. Second of all, I have been the object of defamation online.1

Archbishop Bugnini • I hope to someday share facts I’ve learned about Hannibal Bugnini, the man responsible—more than anyone else—for the post-conciliar reforms of the sacred liturgy. We will see whether our Blessed Lord gives me the time and energy necessary to share these facts. It’s not easy to find time, since I currently have many obligations as a husband; father; choirmaster; conductor; editor; and composer. Therefore, for the moment I’ll mention just one fact. On 23 April 1967, the following was written in the private diary of CARDINAL ANTONELLI (who’d been named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962 by Pope Paul VI):

“Father Bugnini has only one interest: press ahead and finish.”

Haste Makes Waste • Because the post-conciliar liturgical reforms were done with such haste, we sometimes find errors. I believe I may have found one such error. As you can see below, the OFFERTORY given for the 4th Sunday of Lent (“Laetare Sunday”) is supposed to be Illúmina óculos meos when Year C readings are used:

I believe this is an error.

During Year A, the 2nd Reading is “You were once darkness, but now you are light in the Lord” (Ephesians 5:8-14) and the Gospel is “The Man Born Blind.” During Year C, the Gospel is about the prodigal son. Surely Illúmina óculos meos was meant to be used during Year A. Do you agree?

The 1984 collection of the GRADUALE ROMANUM by Deacon Cunningham omits Illúmina óculos meos. He gives no explanation for why he omits it. The collection by Richard Rice also omits it without explanation. Perhaps those two men were also bothered by this “error” I am speaking of.

In 2015, Father Samuel Weber published The Proper of the Mass for Sundays and Solemnities, but that collection doesn’t use the GRADUALE ROMANUM. Father Weber sets The Adalbert Propers. (I wish he’d gone with the Graduale Propers instead, but nobody asked me.) However, for offertories Father Weber does use the Graduale Propers, because the Adalbert Propers don’t contain the offertories. When it comes to the 4th Sunday of Lent, Father Weber omits Illúmina óculos meos without any explanation, just as Deacon Cunningham and Richard Rice did.

I would love to hear your thoughts on all of this!

1 Not long ago, I was viciously attacked online by the rector (!) of a cathedral: a priest! This unscrupulous liar claimed that I denied the validity of the Novus Ordo. Of course that’s total nonsense … and quite hurtful. Indeed, I have spent the last twenty years providing free musical scores for the Novus Ordo; scores which are used all over the globe.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Cardinal Ferdinando Giuseppe Antonelli OFM, Louis Bouyer Oratorian Priest Last Updated: March 31, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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