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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Possible Error? • 4th Sunday of Lent

Jeff Ostrowski · March 31, 2025

HERE IS MUCH that could be said about Hannibal Bugnini, famously called a “mealy-mouthed scoundrel as bereft of culture as he was of basic honesty” by his fellow reformer, Professor Louis Bouyer. I’ve never been interested in Bugnini rumors or slander: only facts. I’m particularly sensitive to slander for two reasons. First of all, the saints tell us that it’s virtually impossible to make restitution for that sin. Second of all, I have been the object of defamation online.1

Archbishop Bugnini • I hope to someday share facts I’ve learned about Hannibal Bugnini, the man responsible—more than anyone else—for the post-conciliar reforms of the sacred liturgy. We will see whether our Blessed Lord gives me the time and energy necessary to share these facts. It’s not easy to find time, since I currently have many obligations as a husband; father; choirmaster; conductor; editor; and composer. Therefore, for the moment I’ll mention just one fact. On 23 April 1967, the following was written in the private diary of CARDINAL ANTONELLI (who’d been named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962 by Pope Paul VI):

“Father Bugnini has only one interest: press ahead and finish.”

Haste Makes Waste • Because the post-conciliar liturgical reforms were done with such haste, we sometimes find errors. I believe I may have found one such error. As you can see below, the OFFERTORY given for the 4th Sunday of Lent (“Laetare Sunday”) is supposed to be Illúmina óculos meos when Year C readings are used:

I believe this is an error.

During Year A, the 2nd Reading is “You were once darkness, but now you are light in the Lord” (Ephesians 5:8-14) and the Gospel is “The Man Born Blind.” During Year C, the Gospel is about the prodigal son. Surely Illúmina óculos meos was meant to be used during Year A. Do you agree?

The 1984 collection of the GRADUALE ROMANUM by Deacon Cunningham omits Illúmina óculos meos. He gives no explanation for why he omits it. The collection by Richard Rice also omits it without explanation. Perhaps those two men were also bothered by this “error” I am speaking of.

In 2015, Father Samuel Weber published The Proper of the Mass for Sundays and Solemnities, but that collection doesn’t use the GRADUALE ROMANUM. Father Weber sets The Adalbert Propers. (I wish he’d gone with the Graduale Propers instead, but nobody asked me.) However, for offertories Father Weber does use the Graduale Propers, because the Adalbert Propers don’t contain the offertories. When it comes to the 4th Sunday of Lent, Father Weber omits Illúmina óculos meos without any explanation, just as Deacon Cunningham and Richard Rice did.

I would love to hear your thoughts on all of this!

1 Not long ago, I was viciously attacked online by the rector (!) of a cathedral: a priest! This unscrupulous liar claimed that I denied the validity of the Novus Ordo. Of course that’s total nonsense … and quite hurtful. Indeed, I have spent the last twenty years providing free musical scores for the Novus Ordo; scores which are used all over the globe.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Cardinal Ferdinando Giuseppe Antonelli OFM, Louis Bouyer Oratorian Priest Last Updated: March 31, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

Recent Posts

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  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?

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