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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Possible Error? • 4th Sunday of Lent

Jeff Ostrowski · March 31, 2025

HERE IS MUCH that could be said about Hannibal Bugnini, famously called a “mealy-mouthed scoundrel as bereft of culture as he was of basic honesty” by his fellow reformer, Professor Louis Bouyer. I’ve never been interested in Bugnini rumors or slander: only facts. I’m particularly sensitive to slander for two reasons. First of all, the saints tell us that it’s virtually impossible to make restitution for that sin. Second of all, I have been the object of defamation online.1

Archbishop Bugnini • I hope to someday share facts I’ve learned about Hannibal Bugnini, the man responsible—more than anyone else—for the post-conciliar reforms of the sacred liturgy. We will see whether our Blessed Lord gives me the time and energy necessary to share these facts. It’s not easy to find time, since I currently have many obligations as a husband; father; choirmaster; conductor; editor; and composer. Therefore, for the moment I’ll mention just one fact. On 23 April 1967, the following was written in the private diary of CARDINAL ANTONELLI (who’d been named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962 by Pope Paul VI):

“Father Bugnini has only one interest: press ahead and finish.”

Haste Makes Waste • Because the post-conciliar liturgical reforms were done with such haste, we sometimes find errors. I believe I may have found one such error. As you can see below, the OFFERTORY given for the 4th Sunday of Lent (“Laetare Sunday”) is supposed to be Illúmina óculos meos when Year C readings are used:

I believe this is an error.

During Year A, the 2nd Reading is “You were once darkness, but now you are light in the Lord” (Ephesians 5:8-14) and the Gospel is “The Man Born Blind.” During Year C, the Gospel is about the prodigal son. Surely Illúmina óculos meos was meant to be used during Year A. Do you agree?

The 1984 collection of the GRADUALE ROMANUM by Deacon Cunningham omits Illúmina óculos meos. He gives no explanation for why he omits it. The collection by Richard Rice also omits it without explanation. Perhaps those two men were also bothered by this “error” I am speaking of.

In 2015, Father Samuel Weber published The Proper of the Mass for Sundays and Solemnities, but that collection doesn’t use the GRADUALE ROMANUM. Father Weber sets The Adalbert Propers. (I wish he’d gone with the Graduale Propers instead, but nobody asked me.) However, for offertories Father Weber does use the Graduale Propers, because the Adalbert Propers don’t contain the offertories. When it comes to the 4th Sunday of Lent, Father Weber omits Illúmina óculos meos without any explanation, just as Deacon Cunningham and Richard Rice did.

I would love to hear your thoughts on all of this!

1 Not long ago, I was viciously attacked online by the rector (!) of a cathedral: a priest! This unscrupulous liar claimed that I denied the validity of the Novus Ordo. Of course that’s total nonsense … and quite hurtful. Indeed, I have spent the last twenty years providing free musical scores for the Novus Ordo; scores which are used all over the globe.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Cardinal Ferdinando Giuseppe Antonelli OFM, Louis Bouyer Oratorian Priest Last Updated: March 31, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“A vigorous search is instituted for the best tenor and bass singers to be found in the realm. Luys de Villafranca, master of the altar boys and instructor of plainchant, petitions on November 27 that the boy-bishop festivities be combined this year with those for the Feast of St. Nicholas.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (20 November 1562)

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