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Views from the Choir Loft

A Youth Revolution in Sacred Music

Dr. Lucas Tappan · March 20, 2025

T HAS BEEN some time since last I took up the pen to encourage my fellow musicians to look to the future by raising up a new a crop of church musicians worth their salt. However, several recent events have proved the catalyst I needed to make a clarion call for all our readers to educate the youth in the Church’s sublime tradition of sacred music. A few weeks ago, I took a rare Sunday outing with my family to Holy Mass at a parish not our own. We were in a part of the country where the sacred liturgy is anything but sacred … and sometimes everything but liturgical. Nevertheless, such were the circumstances—so I steeled myself against all that I knew I might encounter and stepped across the threshold. My wife said she was happy that we all got to sit together, but then Mass began … and she leaned across, whispering that she thought she’d prefer if I were back at the organ as usual. The best I can say about that particular Mass is that it was valid.

“Meanwhile, Back At The Ranch” • While I was out of town, one of my former choristers—now 16 years old—substituted for me at the full slate of Sunday Masses. I couldn’t have been more pleased when a musical member of the parish told me afterward that she wasn’t sure (at first) if I were at the organ or not. A week later, I took the young organist in question out to lunch in order to say “thank you.” Over a hearty meal, we spoke of his love for the organ and sacred music, as well as his desire to go to seminary one day. As his confirmation sponsor, I point blank asked him—at the conclusion of lunch—about his prayer life and received a pleasant surprise. While I knew his family attended Mass daily and prayed the Rosary, I didn’t realize how serious he was about his daily mental prayer. When I asked where he learned about (Catholic) meditation, he told me he’d read about it in a book on the spiritual life by someone named Adolphus Tanquerey! Another young gentlemen—very much like him—plays incredibly well and is currently pursuing a career in organ building.

Soli Deo Gloria • I obviously can’t take credit for anything in their lives other than giving them some piano and organ lessons over the years. Nevertheless, see them and others I’ve taught, who now contribute to the Church’s sung prayer, I feel extreme gratitude that the Lord has allowed me to play a small part in His work.

Planting Seeds • Just before Christmas, I began giving organ lessons to my son and a couple of his friends. I’ve been pleased to watch their love of the instrument blossom. The parish has a small three-rank pipe organ I procured several years ago. It’s currently located in a chapel across from my office, and I continue to get reports from my son and his friends about their practices, which (at this point) consist more in tuning notes that are “a little off” than in practicing their lessons. When they first regaled me with these stories of their organ escapades, my heart leapt to my throat, imagining a junior high boy accidentally crashing down onto a whole bloody rank of pipes—but I would have done the same thing at that age, had I been given the opportunity. In a couple of years, all three will actively be playing in church.

Truly Blest • I am also thankful for all the young people who sing in the Schola Cantorum each week—enough of them, in fact, that we struggle to find opportunities for them to sing as a group on a regular basis. I have high school cantors who pop up to the choir loft even when they’re not scheduled. Their thought process is: “What could possibly be wrong with forming a little choir at every single Mass?” Other musicians ask me how I do it—but in reality, I don’t. I’ve trained others to do it over the years. While it’s extremely exhausting in the moment, it bears so much wonderful fruit later on, making my life and work easier in the end.

My Challenge To Our Readers • I challenge all of our readers to swell the ranks of our young musicians by engaging in meaningful instruction of the youth. Some of you already do this—and I think that it’s fantastic! If, on the other hand, you struggle to educate the youth of your parish, start by challenging yourself to find just one young piano player this year who could begin learning the pipe organ … and then teach him. Find just one young voice to cantor, or join your choir. After Mass, allow just one child to come up to the loft and play a few notes on the pipe organ. These are the stones that will one day build the edifice of a musically vibrant parish life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 20, 2025

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

Recent Posts

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  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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