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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Youth Revolution in Sacred Music

Dr. Lucas Tappan · March 20, 2025

T HAS BEEN some time since last I took up the pen to encourage my fellow musicians to look to the future by raising up a new a crop of church musicians worth their salt. However, several recent events have proved the catalyst I needed to make a clarion call for all our readers to educate the youth in the Church’s sublime tradition of sacred music. A few weeks ago, I took a rare Sunday outing with my family to Holy Mass at a parish not our own. We were in a part of the country where the sacred liturgy is anything but sacred … and sometimes everything but liturgical. Nevertheless, such were the circumstances—so I steeled myself against all that I knew I might encounter and stepped across the threshold. My wife said she was happy that we all got to sit together, but then Mass began … and she leaned across, whispering that she thought she’d prefer if I were back at the organ as usual. The best I can say about that particular Mass is that it was valid.

“Meanwhile, Back At The Ranch” • While I was out of town, one of my former choristers—now 16 years old—substituted for me at the full slate of Sunday Masses. I couldn’t have been more pleased when a musical member of the parish told me afterward that she wasn’t sure (at first) if I were at the organ or not. A week later, I took the young organist in question out to lunch in order to say “thank you.” Over a hearty meal, we spoke of his love for the organ and sacred music, as well as his desire to go to seminary one day. As his confirmation sponsor, I point blank asked him—at the conclusion of lunch—about his prayer life and received a pleasant surprise. While I knew his family attended Mass daily and prayed the Rosary, I didn’t realize how serious he was about his daily mental prayer. When I asked where he learned about (Catholic) meditation, he told me he’d read about it in a book on the spiritual life by someone named Adolphus Tanquerey! Another young gentlemen—very much like him—plays incredibly well and is currently pursuing a career in organ building.

Soli Deo Gloria • I obviously can’t take credit for anything in their lives other than giving them some piano and organ lessons over the years. Nevertheless, see them and others I’ve taught, who now contribute to the Church’s sung prayer, I feel extreme gratitude that the Lord has allowed me to play a small part in His work.

Planting Seeds • Just before Christmas, I began giving organ lessons to my son and a couple of his friends. I’ve been pleased to watch their love of the instrument blossom. The parish has a small three-rank pipe organ I procured several years ago. It’s currently located in a chapel across from my office, and I continue to get reports from my son and his friends about their practices, which (at this point) consist more in tuning notes that are “a little off” than in practicing their lessons. When they first regaled me with these stories of their organ escapades, my heart leapt to my throat, imagining a junior high boy accidentally crashing down onto a whole bloody rank of pipes—but I would have done the same thing at that age, had I been given the opportunity. In a couple of years, all three will actively be playing in church.

Truly Blest • I am also thankful for all the young people who sing in the Schola Cantorum each week—enough of them, in fact, that we struggle to find opportunities for them to sing as a group on a regular basis. I have high school cantors who pop up to the choir loft even when they’re not scheduled. Their thought process is: “What could possibly be wrong with forming a little choir at every single Mass?” Other musicians ask me how I do it—but in reality, I don’t. I’ve trained others to do it over the years. While it’s extremely exhausting in the moment, it bears so much wonderful fruit later on, making my life and work easier in the end.

My Challenge To Our Readers • I challenge all of our readers to swell the ranks of our young musicians by engaging in meaningful instruction of the youth. Some of you already do this—and I think that it’s fantastic! If, on the other hand, you struggle to educate the youth of your parish, start by challenging yourself to find just one young piano player this year who could begin learning the pipe organ … and then teach him. Find just one young voice to cantor, or join your choir. After Mass, allow just one child to come up to the loft and play a few notes on the pipe organ. These are the stones that will one day build the edifice of a musically vibrant parish life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 11, 2025

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

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  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?

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