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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

Jeff Ostrowski · February 20, 2025

HE SECOND VATICAN Council solemnly declared: “The treasury of sacred music is to be preserved and fostered with great care.” Unfortunately, many priests and bishops since 1970 have interpreted the words preserved and fostered with great care to mean “banished, condemned, and outlawed.” I can’t explain how this situation arose; only God knows.1 In the 1960s, clerics wrote to Pope Saint Paul VI seeking permission to get rid of Gregorian Chant and the Church’s immemorial lingua sacra. (Their requests contradicted the explicit mandates of Vatican II.) On 15 August 1966, Paul VI replied:

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past. One may well wonder why such things have been fostered.”

(1 of 2) Feeling Discouraged • When choir members are absent for rehearsal or Mass, this can cause discouragement. The conscientious choirmaster must understand such things will happen—especially in volunteer choirs. A topic we’ll discuss at length this summer during Sacred Music Symposium 2025 will be “the best attendance policy.” One must learn to come to each rehearsal with a PLAN B (and also a PLAN C). Indeed, this week, many of our singers will be absent from rehearsal due to illness and unavoidable travel. As a result, I have “scaled back” somewhat our musical outline for Sunday:

*  PDF Download • ORDER OF MUSIC (23-Feb-2025)
—For the 7th Sunday in Ordinary Time (Year C).

The OFFERTORY CHANT this week is particularly beautiful and we’ll use a special hymn traditionally sung during the season of “Pre-Lent.”

(2 of 2) Feeling Discouraged • I mentioned earlier the flagrant disregard for Vatican II. What does this mean? Should we become discouraged and throw in the towel? Or should we imitate saints like Father Noël Chabanel, who did his best and left the rest to God? Let us never fail to offer each day to our Savior: our joys, our sufferings, and even ‘dumb’ mundane things like brushing our teeth. Never turn on your phone until you have made your daily offering.

1 The “treasury of sacred music” is sometimes referred to by its Latin name: THESAURUS MUSICAE SACRAE. It excludes secular styles inappropriate for the Holy Mass: Rock-N-Roll; Country; Bluegrass; off-Broadway; Jazz; and so forth. Some of the songs written in the classic Disney movies are quite beautiful (although they’re too emotional for the public worship of Almighty God). Many ‘popular’ church composers like David Haas, Marty Haugen, Michael Joncas, and Ernest Sands imitate—in a clumsy and slipshod way—the style of the Disney songs. This is very sad and has nothing to do with the THESAURUS MUSICAE SACRAE. In 2013, Sir James MacMillan pointed out that: “A lot of the favoured new settings are musically illiterate, almost is if they were written by semi-trained teenagers coming to grips with musical rudiments.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: David Haas Composer GIA, Disney Movie Songs, Jan Michael Joncas OCP composer, PDF Order of Music for Sainte Marie, Sir James Loy MacMillan, Thesaurus musicae sacrae Last Updated: February 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“We being many are one bread and one body, All who share the one bread and one cup. Vs. Thou hast prepared of thy sweetness for the poor, O God, who makest us to dwell in one mind in thy house. All who share the one bread and one cup.”

— Responsory (Matins for Corpus Christi) transl. by Fortescue

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