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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

Jeff Ostrowski · February 20, 2025

HE SECOND VATICAN Council solemnly declared: “The treasury of sacred music is to be preserved and fostered with great care.” Unfortunately, many priests and bishops since 1970 have interpreted the words preserved and fostered with great care to mean “banished, condemned, and outlawed.” I can’t explain how this situation arose; only God knows.1 In the 1960s, clerics wrote to Pope Saint Paul VI seeking permission to get rid of Gregorian Chant and the Church’s immemorial lingua sacra. (Their requests contradicted the explicit mandates of Vatican II.) On 15 August 1966, Paul VI replied:

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past. One may well wonder why such things have been fostered.”

(1 of 2) Feeling Discouraged • When choir members are absent for rehearsal or Mass, this can cause discouragement. The conscientious choirmaster must understand such things will happen—especially in volunteer choirs. A topic we’ll discuss at length this summer during Sacred Music Symposium 2025 will be “the best attendance policy.” One must learn to come to each rehearsal with a PLAN B (and also a PLAN C). Indeed, this week, many of our singers will be absent from rehearsal due to illness and unavoidable travel. As a result, I have “scaled back” somewhat our musical outline for Sunday:

*  PDF Download • ORDER OF MUSIC (23-Feb-2025)
—For the 7th Sunday in Ordinary Time (Year C).

The OFFERTORY CHANT this week is particularly beautiful and we’ll use a special hymn traditionally sung during the season of “Pre-Lent.”

(2 of 2) Feeling Discouraged • I mentioned earlier the flagrant disregard for Vatican II. What does this mean? Should we become discouraged and throw in the towel? Or should we imitate saints like Father Noël Chabanel, who did his best and left the rest to God? Let us never fail to offer each day to our Savior: our joys, our sufferings, and even ‘dumb’ mundane things like brushing our teeth. Never turn on your phone until you have made your daily offering.

1 The “treasury of sacred music” is sometimes referred to by its Latin name: THESAURUS MUSICAE SACRAE. It excludes secular styles inappropriate for the Holy Mass: Rock-N-Roll; Country; Bluegrass; off-Broadway; Jazz; and so forth. Some of the songs written in the classic Disney movies are quite beautiful (although they’re too emotional for the public worship of Almighty God). Many ‘popular’ church composers like David Haas, Marty Haugen, Michael Joncas, and Ernest Sands imitate—in a clumsy and slipshod way—the style of the Disney songs. This is very sad and has nothing to do with the THESAURUS MUSICAE SACRAE. In 2013, Sir James MacMillan pointed out that: “A lot of the favoured new settings are musically illiterate, almost is if they were written by semi-trained teenagers coming to grips with musical rudiments.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: David Haas Composer GIA, Disney Movie Songs, Jan Michael Joncas OCP composer, PDF Order of Music for Sainte Marie, Sir James Loy MacMillan, Thesaurus musicae sacrae Last Updated: February 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— Pope Benedict XVI, Letter accompanying “Summorum Pontificum” (7/7/07)

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