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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

Jeff Ostrowski · February 20, 2025

HE SECOND VATICAN Council solemnly declared: “The treasury of sacred music is to be preserved and fostered with great care.” Unfortunately, many priests and bishops since 1970 have interpreted the words preserved and fostered with great care to mean “banished, condemned, and outlawed.” I can’t explain how this situation arose; only God knows.1 In the 1960s, clerics wrote to Pope Saint Paul VI seeking permission to get rid of Gregorian Chant and the Church’s immemorial lingua sacra. (Their requests contradicted the explicit mandates of Vatican II.) On 15 August 1966, Paul VI replied:

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past. One may well wonder why such things have been fostered.”

(1 of 2) Feeling Discouraged • When choir members are absent for rehearsal or Mass, this can cause discouragement. The conscientious choirmaster must understand such things will happen—especially in volunteer choirs. A topic we’ll discuss at length this summer during Sacred Music Symposium 2025 will be “the best attendance policy.” One must learn to come to each rehearsal with a PLAN B (and also a PLAN C). Indeed, this week, many of our singers will be absent from rehearsal due to illness and unavoidable travel. As a result, I have “scaled back” somewhat our musical outline for Sunday:

*  PDF Download • ORDER OF MUSIC (23-Feb-2025)
—For the 7th Sunday in Ordinary Time (Year C).

The OFFERTORY CHANT this week is particularly beautiful and we’ll use a special hymn traditionally sung during the season of “Pre-Lent.”

(2 of 2) Feeling Discouraged • I mentioned earlier the flagrant disregard for Vatican II. What does this mean? Should we become discouraged and throw in the towel? Or should we imitate saints like Father Noël Chabanel, who did his best and left the rest to God? Let us never fail to offer each day to our Savior: our joys, our sufferings, and even ‘dumb’ mundane things like brushing our teeth. Never turn on your phone until you have made your daily offering.

1 The “treasury of sacred music” is sometimes referred to by its Latin name: THESAURUS MUSICAE SACRAE. It excludes secular styles inappropriate for the Holy Mass: Rock-N-Roll; Country; Bluegrass; off-Broadway; Jazz; and so forth. Some of the songs written in the classic Disney movies are quite beautiful (although they’re too emotional for the public worship of Almighty God). Many ‘popular’ church composers like David Haas, Marty Haugen, Michael Joncas, and Ernest Sands imitate—in a clumsy and slipshod way—the style of the Disney songs. This is very sad and has nothing to do with the THESAURUS MUSICAE SACRAE. In 2013, Sir James MacMillan pointed out that: “A lot of the favoured new settings are musically illiterate, almost is if they were written by semi-trained teenagers coming to grips with musical rudiments.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: David Haas Composer GIA, Disney Movie Songs, Jan Michael Joncas OCP composer, PDF Order of Music for Sainte Marie, Sir James Loy MacMillan, Thesaurus musicae sacrae Last Updated: February 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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