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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

Jeff Ostrowski · February 20, 2025

HE SECOND VATICAN Council solemnly declared: “The treasury of sacred music is to be preserved and fostered with great care.” Unfortunately, many priests and bishops since 1970 have interpreted the words preserved and fostered with great care to mean “banished, condemned, and outlawed.” I can’t explain how this situation arose; only God knows.1 In the 1960s, clerics wrote to Pope Saint Paul VI seeking permission to get rid of Gregorian Chant and the Church’s immemorial lingua sacra. (Their requests contradicted the explicit mandates of Vatican II.) On 15 August 1966, Paul VI replied:

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past. One may well wonder why such things have been fostered.”

(1 of 2) Feeling Discouraged • When choir members are absent for rehearsal or Mass, this can cause discouragement. The conscientious choirmaster must understand such things will happen—especially in volunteer choirs. A topic we’ll discuss at length this summer during Sacred Music Symposium 2025 will be “the best attendance policy.” One must learn to come to each rehearsal with a PLAN B (and also a PLAN C). Indeed, this week, many of our singers will be absent from rehearsal due to illness and unavoidable travel. As a result, I have “scaled back” somewhat our musical outline for Sunday:

*  PDF Download • ORDER OF MUSIC (23-Feb-2025)
—For the 7th Sunday in Ordinary Time (Year C).

The OFFERTORY CHANT this week is particularly beautiful and we’ll use a special hymn traditionally sung during the season of “Pre-Lent.”

(2 of 2) Feeling Discouraged • I mentioned earlier the flagrant disregard for Vatican II. What does this mean? Should we become discouraged and throw in the towel? Or should we imitate saints like Father Noël Chabanel, who did his best and left the rest to God? Let us never fail to offer each day to our Savior: our joys, our sufferings, and even ‘dumb’ mundane things like brushing our teeth. Never turn on your phone until you have made your daily offering.

1 The “treasury of sacred music” is sometimes referred to by its Latin name: THESAURUS MUSICAE SACRAE. It excludes secular styles inappropriate for the Holy Mass: Rock-N-Roll; Country; Bluegrass; off-Broadway; Jazz; and so forth. Some of the songs written in the classic Disney movies are quite beautiful (although they’re too emotional for the public worship of Almighty God). Many ‘popular’ church composers like David Haas, Marty Haugen, Michael Joncas, and Ernest Sands imitate—in a clumsy and slipshod way—the style of the Disney songs. This is very sad and has nothing to do with the THESAURUS MUSICAE SACRAE. In 2013, Sir James MacMillan pointed out that: “A lot of the favoured new settings are musically illiterate, almost is if they were written by semi-trained teenagers coming to grips with musical rudiments.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: David Haas Composer GIA, Disney Movie Songs, Jan Michael Joncas OCP composer, PDF Order of Music for Sainte Marie, Sir James Loy MacMillan, Thesaurus musicae sacrae Last Updated: February 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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  • PDF Download • “Anima Christi”
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