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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Antiphons” (Complete) for Ordinary Time — 238 pages!

Richard J. Clark · February 19, 2025

CURRENTLY HAVE a fancy title. Yet any thought that it comes with power would be fantastically delusional on many levels. It is a position of service. I am not entitled to my current position. Furthermore, I could be replaced at any time (not that I plan to put myself in such a position!) All is gift. God’s creation is a gift. The unimaginable joy to be of service to God and His people (the Church)—is a gift. The sacrifice of personal time, sleep, and comfort in order to do so—is a gift. The headaches of preparation while responsible for others’ personal well-being (family and colleagues especially)—is a gift. To collaborate with extraordinary artists who also create as an act of love—is a gift.1

I hope our readers will accept the following gift:

*  PDF Download • COMMUNION ANTIPHONS—238 pages
—Sundays in Ordinary Time (complete) • 238-page PDF file.
—For Assembly, Schola, SATB Choir, Organ • Roman Missal, 3rd edition.
—Composed and harmonized by Richard J. Clark.

To get a ‘feel’ for how these sound, here’s an example (conducted by Maestro Paul French):

*  Mp3 Download • Audio Sample (“Lux Aeterna”)

All is gift never to be taken for granted. We should kneel down and give thanks to be able to continue in service to God and others.

• Related article: Aftermath: Never Take Holy Week for Granted

OFFER THIS GIFT of the complete Communion Antiphons for Ordinary Time. The PDF file (above) includes scores for SATB choir, cantor, assembly, and organ. Congregation files for each antiphon are also included! The antiphons are from the Roman Missal, Third Edition. The verses are in accordance with those prescribed by the GRADUALE ROMANUM. There are sixty-six (66) in all, as the Roman Missal offers two (2) antiphons per Sunday in Ordinary Time regardless of the cycle. The official rubrics say:

6. Two antiphons are provided for Communion, the first from the Psalms, and the second for the most part from the Gospel. One or the other may be selected, as circumstances suggest, but preference should be given to an antiphon that is in harmony with the Gospel of the Mass.

Now Given To The World • These settings were initially offered for free in the Archdiocese of Boston during the pandemic as the pastoral need was greater than any pursuit of publication. My other communion antiphons for Advent, Christmas, Lent, Easter, and Feasts and Solemnities for Ordinary Time can be found here with GIA Publications:

• Communion Antiphons for Advent

• Communion Antiphons for Christmas 

• Communion Antiphons for Lent

• Communion Antiphons for Easter

• Communion Antiphons for Feasts and Solemnities During Ordinary Time • Volume 1

• Communion Antiphons for Feasts and Solemnities During Ordinary Time • Volume 2

1 Collaborating with my children musically is a gift beyond all measure … especially when working a job that takes one away from family quite a bit. God finds a way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: February 19, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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