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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Antiphons” (Complete) for Ordinary Time — 238 pages!

Richard J. Clark · February 19, 2025

CURRENTLY HAVE a fancy title. Yet any thought that it comes with power would be fantastically delusional on many levels. It is a position of service. I am not entitled to my current position. Furthermore, I could be replaced at any time (not that I plan to put myself in such a position!) All is gift. God’s creation is a gift. The unimaginable joy to be of service to God and His people (the Church)—is a gift. The sacrifice of personal time, sleep, and comfort in order to do so—is a gift. The headaches of preparation while responsible for others’ personal well-being (family and colleagues especially)—is a gift. To collaborate with extraordinary artists who also create as an act of love—is a gift.1

I hope our readers will accept the following gift:

*  PDF Download • COMMUNION ANTIPHONS—238 pages
—Sundays in Ordinary Time (complete) • 238-page PDF file.
—For Assembly, Schola, SATB Choir, Organ • Roman Missal, 3rd edition.
—Composed and harmonized by Richard J. Clark.

To get a ‘feel’ for how these sound, here’s an example (conducted by Maestro Paul French):

*  Mp3 Download • Audio Sample (“Lux Aeterna”)

All is gift never to be taken for granted. We should kneel down and give thanks to be able to continue in service to God and others.

• Related article: Aftermath: Never Take Holy Week for Granted

OFFER THIS GIFT of the complete Communion Antiphons for Ordinary Time. The PDF file (above) includes scores for SATB choir, cantor, assembly, and organ. Congregation files for each antiphon are also included! The antiphons are from the Roman Missal, Third Edition. The verses are in accordance with those prescribed by the GRADUALE ROMANUM. There are sixty-six (66) in all, as the Roman Missal offers two (2) antiphons per Sunday in Ordinary Time regardless of the cycle. The official rubrics say:

6. Two antiphons are provided for Communion, the first from the Psalms, and the second for the most part from the Gospel. One or the other may be selected, as circumstances suggest, but preference should be given to an antiphon that is in harmony with the Gospel of the Mass.

Now Given To The World • These settings were initially offered for free in the Archdiocese of Boston during the pandemic as the pastoral need was greater than any pursuit of publication. My other communion antiphons for Advent, Christmas, Lent, Easter, and Feasts and Solemnities for Ordinary Time can be found here with GIA Publications:

• Communion Antiphons for Advent

• Communion Antiphons for Christmas 

• Communion Antiphons for Lent

• Communion Antiphons for Easter

• Communion Antiphons for Feasts and Solemnities During Ordinary Time • Volume 1

• Communion Antiphons for Feasts and Solemnities During Ordinary Time • Volume 2

1 Collaborating with my children musically is a gift beyond all measure … especially when working a job that takes one away from family quite a bit. God finds a way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: February 19, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

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