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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can Marian Hymns Be Sung During the Offertory?

Jeff Ostrowski · February 1, 2025

WISH I COULD SAY that in the year 2025 all liturgical “myths” have been eliminated—but that’s not true. Indeed, some folks are inventing new myths! For example, on 11 December 2024 Blase Cardinal Cupich published an article attempting to downplay and condemn the current USCCB norms for reception of Holy Communion. Those norms specifically and explicitly say that Catholics can receive kneeling. Cardinal Cupich disagrees with those norms, so he invented a weird theory about the reception of Communion being some sort of “procession” (his word). But there was no “procession” to receive Communion at the Last Supper. Cardinal Cupich seems not to realize that in those days people ate meals reclining.1

I see that my colleague, CORRINNE MAY, has joined the “myth-busting” team. She recently published the following article for the TOTUS TUUS apostolate:

*  Corrinne May • Can we choose Marian Hymns for the Offertory?

(1 of 3) Myth Origins • The erroneous claim that Marian songs are forbidden at Mass is familiar to me. There are several explanations for why the myth was created. Today, I’d like to highlight just one. It has to do with tendency that’s developed over the centuries when it comes to printing liturgical books.

(2 of 3) Myth Origins • If you look at ancient liturgical books, most have no headings for the various sections. It’s actually quite confusing until one gets used to it. Nowadays, the opposite is true. Our liturgical books are filled with headings: “Credo, Preface, Offertory, Minor Elevation, Roman Canon, Lord’s Prayer, Consecration, Memento of the Living, Holy Communion,” and so forth. Everything has its own header in our current liturgical books.

(3 of 3) Myth Origins • Certain people—with good intentions, I’m sure—came along and got confused by these headers. For instance, they would notice the OFFERTORY header and declare that everything sung during that time must be related to “offering.”

But such an idea has never
been the tradition of the church.

For instance, look at the Communion antiphons over the last 1,500 years. Very few explicitly have to do with receiving Communion. The same is true of the Offertory antiphons.

Addendum • Corrinne’s article is definitely worth reading. She talks about how she was trained to shoot high-powered rifles!

1 In other words, they ate meals laying down—sort of leaning on one side. This practice seems to have been adopted from the ancient Greeks. Leaving that aside, even if one stands to receive Holy Communion, one must still momentarily stop. Therefore, the procession is stopped whether communicants kneel or stand. Cardinal Cupich would do well to abandon this ill-considered theory he came up with.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blase Cardinal Cupich Last Updated: February 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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  • “Dies Irae” • A Monstrous Translation

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