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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Can Marian Hymns Be Sung During the Offertory?

Jeff Ostrowski · February 1, 2025

WISH I COULD SAY that in the year 2025 all liturgical “myths” have been eliminated—but that’s not true. Indeed, some folks are inventing new myths! For example, on 11 December 2024 Blase Cardinal Cupich published an article attempting to downplay and condemn the current USCCB norms for reception of Holy Communion. Those norms specifically and explicitly say that Catholics can receive kneeling. Cardinal Cupich disagrees with those norms, so he invented a weird theory about the reception of Communion being some sort of “procession” (his word). But there was no “procession” to receive Communion at the Last Supper. Cardinal Cupich seems not to realize that in those days people ate meals reclining.1

I see that my colleague, CORRINNE MAY, has joined the “myth-busting” team. She recently published the following article for the TOTUS TUUS apostolate:

*  Corrinne May • Can we choose Marian Hymns for the Offertory?

(1 of 3) Myth Origins • The erroneous claim that Marian songs are forbidden at Mass is familiar to me. There are several explanations for why the myth was created. Today, I’d like to highlight just one. It has to do with tendency that’s developed over the centuries when it comes to printing liturgical books.

(2 of 3) Myth Origins • If you look at ancient liturgical books, most have no headings for the various sections. It’s actually quite confusing until one gets used to it. Nowadays, the opposite is true. Our liturgical books are filled with headings: “Credo, Preface, Offertory, Minor Elevation, Roman Canon, Lord’s Prayer, Consecration, Memento of the Living, Holy Communion,” and so forth. Everything has its own header in our current liturgical books.

(3 of 3) Myth Origins • Certain people—with good intentions, I’m sure—came along and got confused by these headers. For instance, they would notice the OFFERTORY header and declare that everything sung during that time must be related to “offering.”

But such an idea has never
been the tradition of the church.

For instance, look at the Communion antiphons over the last 1,500 years. Very few explicitly have to do with receiving Communion. The same is true of the Offertory antiphons.

Addendum • Corrinne’s article is definitely worth reading. She talks about how she was trained to shoot high-powered rifles!

1 In other words, they ate meals laying down—sort of leaning on one side. This practice seems to have been adopted from the ancient Greeks. Leaving that aside, even if one stands to receive Holy Communion, one must still momentarily stop. Therefore, the procession is stopped whether communicants kneel or stand. Cardinal Cupich would do well to abandon this ill-considered theory he came up with.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blase Cardinal Cupich Last Updated: February 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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