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Views from the Choir Loft

Can Marian Hymns Be Sung During the Offertory?

Jeff Ostrowski · February 1, 2025

WISH I COULD SAY that in the year 2025 all liturgical “myths” have been eliminated—but that’s not true. Indeed, some folks are inventing new myths! For example, on 11 December 2024 Blase Cardinal Cupich published an article attempting to downplay and condemn the current USCCB norms for reception of Holy Communion. Those norms specifically and explicitly say that Catholics can receive kneeling. Cardinal Cupich disagrees with those norms, so he invented a weird theory about the reception of Communion being some sort of “procession” (his word). But there was no “procession” to receive Communion at the Last Supper. Cardinal Cupich seems not to realize that in those days people ate meals reclining.1

I see that my colleague, CORRINNE MAY, has joined the “myth-busting” team. She recently published the following article for the TOTUS TUUS apostolate:

*  Corrinne May • Can we choose Marian Hymns for the Offertory?

(1 of 3) Myth Origins • The erroneous claim that Marian songs are forbidden at Mass is familiar to me. There are several explanations for why the myth was created. Today, I’d like to highlight just one. It has to do with tendency that’s developed over the centuries when it comes to printing liturgical books.

(2 of 3) Myth Origins • If you look at ancient liturgical books, most have no headings for the various sections. It’s actually quite confusing until one gets used to it. Nowadays, the opposite is true. Our liturgical books are filled with headings: “Credo, Preface, Offertory, Minor Elevation, Roman Canon, Lord’s Prayer, Consecration, Memento of the Living, Holy Communion,” and so forth. Everything has its own header in our current liturgical books.

(3 of 3) Myth Origins • Certain people—with good intentions, I’m sure—came along and got confused by these headers. For instance, they would notice the OFFERTORY header and declare that everything sung during that time must be related to “offering.”

But such an idea has never
been the tradition of the church.

For instance, look at the Communion antiphons over the last 1,500 years. Very few explicitly have to do with receiving Communion. The same is true of the Offertory antiphons.

Addendum • Corrinne’s article is definitely worth reading. She talks about how she was trained to shoot high-powered rifles!

1 In other words, they ate meals laying down—sort of leaning on one side. This practice seems to have been adopted from the ancient Greeks. Leaving that aside, even if one stands to receive Holy Communion, one must still momentarily stop. Therefore, the procession is stopped whether communicants kneel or stand. Cardinal Cupich would do well to abandon this ill-considered theory he came up with.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blase Cardinal Cupich Last Updated: February 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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