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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can Marian Hymns Be Sung During the Offertory?

Jeff Ostrowski · February 1, 2025

WISH I COULD SAY that in the year 2025 all liturgical “myths” have been eliminated—but that’s not true. Indeed, some folks are inventing new myths! For example, on 11 December 2024 Blase Cardinal Cupich published an article attempting to downplay and condemn the current USCCB norms for reception of Holy Communion. Those norms specifically and explicitly say that Catholics can receive kneeling. Cardinal Cupich disagrees with those norms, so he invented a weird theory about the reception of Communion being some sort of “procession” (his word). But there was no “procession” to receive Communion at the Last Supper. Cardinal Cupich seems not to realize that in those days people ate meals reclining.1

I see that my colleague, CORRINNE MAY, has joined the “myth-busting” team. She recently published the following article for the TOTUS TUUS apostolate:

*  Corrinne May • Can we choose Marian Hymns for the Offertory?

(1 of 3) Myth Origins • The erroneous claim that Marian songs are forbidden at Mass is familiar to me. There are several explanations for why the myth was created. Today, I’d like to highlight just one. It has to do with tendency that’s developed over the centuries when it comes to printing liturgical books.

(2 of 3) Myth Origins • If you look at ancient liturgical books, most have no headings for the various sections. It’s actually quite confusing until one gets used to it. Nowadays, the opposite is true. Our liturgical books are filled with headings: “Credo, Preface, Offertory, Minor Elevation, Roman Canon, Lord’s Prayer, Consecration, Memento of the Living, Holy Communion,” and so forth. Everything has its own header in our current liturgical books.

(3 of 3) Myth Origins • Certain people—with good intentions, I’m sure—came along and got confused by these headers. For instance, they would notice the OFFERTORY header and declare that everything sung during that time must be related to “offering.”

But such an idea has never
been the tradition of the church.

For instance, look at the Communion antiphons over the last 1,500 years. Very few explicitly have to do with receiving Communion. The same is true of the Offertory antiphons.

Addendum • Corrinne’s article is definitely worth reading. She talks about how she was trained to shoot high-powered rifles!

1 In other words, they ate meals laying down—sort of leaning on one side. This practice seems to have been adopted from the ancient Greeks. Leaving that aside, even if one stands to receive Holy Communion, one must still momentarily stop. Therefore, the procession is stopped whether communicants kneel or stand. Cardinal Cupich would do well to abandon this ill-considered theory he came up with.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blase Cardinal Cupich Last Updated: February 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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