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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can Polyphony Be Added to the Ordinary Form?

Jeff Ostrowski · January 29, 2025

HEN HOLY JESUITS like Father John Brébeuf came to America, they had no roadmap to follow. Father Brébeuf never thought of himself as a linguist. Yet, he ended up spending countless hours deciphering the native languages and creating a Montagnais dictionary as well as a Huron phrase-book, dictionary, catechism, and grammar. Dr. John A. O’Brien said “Brébeuf’s pioneer studies of the Huron and Petun languages laid the foundation for most subsequent work in these tongues.” In a moment, I’ll explain why I bring this up.

Ordinary Form • Vatican II was clear and explicit when it comes to the THESAURUS MUSICAE SACRAE. Specifically, Vatican II said the THESAURUS “must be preserved and fostered with great care.” Even someone who’s 95% brain-dead can easily comprehend those words. There’s no ambiguity—no wiggle room. Vatican II also gave this mandate: “choirs must be diligently promoted.” Technically, that statement is superfluous because the THESAURUS is choral music. By way of analogy, if I were to order you to perform a bassoon sonata, “fingers and mouth” are clearly required.1

Below are two ‘live’ recordings of my choir singing CHORAL EXTENSIONS. Since these were recorded during our parochial Mass on Sunday, you can hear babies crying and pews slamming:

*  Mp3 Download • HOSANNA CHORAL EXTENSION—‘live’ recording
—Rehearsal videos and score are #29982.

*  Mp3 Download • KYRIE with Extension—by Willam Byrd
—‘Live’ recording by a volunteer choir.

Of course, improvement can always be made. On the other hand, our choir has existed for less than five months—and I feel we’ve made good progress. My wife snapped this photograph after Christmas Midnight Mass:

Conclusion • In spite of the overly-explicit language we just examined, many priests and bishops claim Vatican II outlawed choirs, polyphony, and Latin. Therefore—just like Father Brébeuf—we have to be “creative” or “imaginative” or “enterprising” in how we add polyphony to the Ordinary Form. Using CHORAL EXTENSIONS is one excellent way! We will talk more about this during the 2025 Sacred Music Symposium. Very soon, we’ll be opening up registration: Stay tuned!

1 Nevertheless, I’m glad the Second Vatican Council went out of its way to be explicit (“choirs must be diligently promoted”) in case some idiot wanted to pretend the THESAURUS MUSICAE SACRAE could be “preserved and fostered with great care” without choirs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Choral Extensions, SATB Polyphonic Extension, Thesaurus musicae sacrae Last Updated: April 15, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

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