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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Peculiar Discrepancy” • Immac. Concep. (8 Dec.)

Jeff Ostrowski · December 4, 2024

OST MUSICIANS who have looked over the documents on sacred music realize the Ordinary Form has two sets of propers: (a) SUNG PROPERS and (b) SPOKEN PROPERS. The Sung Propers, found in the revised GRADUALE ROMANUM are among the most ancient prayers we have. The Spoken Propers were a project undertaken by Dom Adalbert Franquesa Garrós in the late 1960s, designed for private Masses or “celebrations without music.” They are found in the priest’s SACRAMENTARY. So far, nobody’s been able to explain why Dom Franquesa’s project was undertaken. For example, Dom Franquesa said the ancient propria for HOLY TRINITY SUNDAY were “inappropriate” but gave no explanation whatsoever.

Zeitgeist Of The 1960s • The Spoken Propers often minimize (or annihilate) certain ideas found in Sacred Scripture. For instance, references to God “conquering” or “destroying” enemies are often bowdlerized: cf. the Entrance Chant for the 16th Sunday in Ordinary Time. They sometimes display an impoverished (or faulty) theology: e.g. the 16th Sunday in Ordinary Time assigns Acceptábis Sacrifícium for the COMMUNION ANTIPHON—but since it reinforces how the Mass is primarily a sacrifice, it was deleted.

Specific Example:

One of my professors used to say: “An example is worth a thousand words.” Therefore, let’s examine a concrete example. Consider the COMMUNION ANTIPHON for the feast of the Immaculate Conception on 8 December:

The “Gregorian Missal” (1990, Solesmes Abbey) is quite helpful because it provides the pericope citation:

In the “spoken” version, however, we see something very sneaky and quite peculiar:

Also, consider the 1970s ICEL version of text, as shown in the (now defunct, pre-2011) SACRAMENTARY. They have a funny way of rendering “Gloriósa dicta sunt de te” into English:

Conclusion • What is there to be said about all this? What possible reason did Dom Adalbert Franquesa Garrós have when he got rid of the section from Saint Luke’s Gospel? Did he have an aversion for the New Testament? Did he consider the Gospel of Saint Luke to be somehow “deficient” or in need of bowdlerization? What specifically was deficient or unacceptable about that verse from the Gospel of Saint Luke? The zeitgeist of the 1960s seemed to be: change for the sake of change!

The Second Vatican Council solemnly declared: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” Did the good of the Church “genuinely and certainly require” the annihilation of that passage from Saint Luke’s Gospel? Who specifically was being harmed by that passage?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Sung Vs Spoken Propers Novus Ordo Last Updated: December 4, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

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  • Pope Leo XIV on Sacred Music
  • (5 Dec. 2025) • Pope Leo XIV Speaks on Liturgical Music
  • PDF • “Music List” (Immaculate Concep.)

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