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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Peculiar Discrepancy” • Immac. Concep. (8 Dec.)

Jeff Ostrowski · December 4, 2024

OST MUSICIANS who have looked over the documents on sacred music realize the Ordinary Form has two sets of propers: (a) SUNG PROPERS and (b) SPOKEN PROPERS. The Sung Propers, found in the revised GRADUALE ROMANUM are among the most ancient prayers we have. The Spoken Propers were a project undertaken by Dom Adalbert Franquesa Garrós in the late 1960s, designed for private Masses or “celebrations without music.” They are found in the priest’s SACRAMENTARY. So far, nobody’s been able to explain why Dom Franquesa’s project was undertaken. For example, Dom Franquesa said the ancient propria for HOLY TRINITY SUNDAY were “inappropriate” but gave no explanation whatsoever.

Zeitgeist Of The 1960s • The Spoken Propers often minimize (or annihilate) certain ideas found in Sacred Scripture. For instance, references to God “conquering” or “destroying” enemies are often bowdlerized: cf. the Entrance Chant for the 16th Sunday in Ordinary Time. They sometimes display an impoverished (or faulty) theology: e.g. the 16th Sunday in Ordinary Time assigns Acceptábis Sacrifícium for the COMMUNION ANTIPHON—but since it reinforces how the Mass is primarily a sacrifice, it was deleted.

Specific Example:

One of my professors used to say: “An example is worth a thousand words.” Therefore, let’s examine a concrete example. Consider the COMMUNION ANTIPHON for the feast of the Immaculate Conception on 8 December:

The “Gregorian Missal” (1990, Solesmes Abbey) is quite helpful because it provides the pericope citation:

In the “spoken” version, however, we see something very sneaky and quite peculiar:

Also, consider the 1970s ICEL version of text, as shown in the (now defunct, pre-2011) SACRAMENTARY. They have a funny way of rendering “Gloriósa dicta sunt de te” into English:

Conclusion • What is there to be said about all this? What possible reason did Dom Adalbert Franquesa Garrós have when he got rid of the section from Saint Luke’s Gospel? Did he have an aversion for the New Testament? Did he consider the Gospel of Saint Luke to be somehow “deficient” or in need of bowdlerization? What specifically was deficient or unacceptable about that verse from the Gospel of Saint Luke? The zeitgeist of the 1960s seemed to be: change for the sake of change!

The Second Vatican Council solemnly declared: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” Did the good of the Church “genuinely and certainly require” the annihilation of that passage from Saint Luke’s Gospel? Who specifically was being harmed by that passage?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Sung Vs Spoken Propers Novus Ordo Last Updated: December 4, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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