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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Reader Feedback” • 19 November 2024

Jeff Ostrowski · November 19, 2024

The following came from Beatrice O.
[We usually redact names for anonymity’s sake.]

EAR CCW TEAM: Good morning, I hope this email finds you well. My name is [redacted], and I’m currently gathering materials for a newly ordained priest. Your website has been an invaluable resource in finding materials for singing the Holy Mass in Latin. Thank you for the excellent work you do in preserving and promoting this sacred tradition. For some weeks now, I’ve been searching for musical scores of the Canon Missae in Cantu (“Eucharistic Prayer I”), but unfortunately, I haven’t been able to locate them. I have consulted sources such as GREGOBASE and several PDFs of the GRADUALE ROMANUM, but without success. I’m reaching out in the hope that you might know where I could find these scores. It would mean a great deal to provide this as a gift to my priest friend. Thank you in advance for your assistance, and I greatly appreciate the work you continue to do.

The following is Jeff Ostrowski’s response:
[This response was posted on 19 November 2024.]

The Answer • Beginning on page 1915 of Volume 1 of the special PDF files we posted in 2013, you will find what you seek. Indeed, all four Eucharistic prayers are given there in musical notation.

Jeff’s (Unsolicited) Opinion • That being said, it might be important to remember that it’s quite “untraditional” to sing the Eucharistic Prayer. Throughout the entire history of the Catholic Church this was never done—until the 1970s. Indeed, the person responsible for all the liturgical reforms of the 1960s (viz. CARDINAL LERCARO) declared in a public letter dated 2 March 1965 that priests who pray the Eucharistic Prayer in an audible voice commit an extremely grave liturgical abuse. For many centuries, the Canon was said in a quiet voice: sotto voce. (Cardinal Lercaro was put in charge of all the liturgical reforms by Pope Saint Paul VI.) The 1970s was very much a liturgical low point; the order of the day was “change for the sake of change.” Someday, all this will have to be sorted out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Giacomo Lercaro Consilium President, CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: November 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

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  • PDF Download • Dom Murray Harmonies

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