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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Reader Feedback” • 19 November 2024

Jeff Ostrowski · November 19, 2024

The following came from Beatrice O.
[We usually redact names for anonymity’s sake.]

EAR CCW TEAM: Good morning, I hope this email finds you well. My name is [redacted], and I’m currently gathering materials for a newly ordained priest. Your website has been an invaluable resource in finding materials for singing the Holy Mass in Latin. Thank you for the excellent work you do in preserving and promoting this sacred tradition. For some weeks now, I’ve been searching for musical scores of the Canon Missae in Cantu (“Eucharistic Prayer I”), but unfortunately, I haven’t been able to locate them. I have consulted sources such as GREGOBASE and several PDFs of the GRADUALE ROMANUM, but without success. I’m reaching out in the hope that you might know where I could find these scores. It would mean a great deal to provide this as a gift to my priest friend. Thank you in advance for your assistance, and I greatly appreciate the work you continue to do.

The following is Jeff Ostrowski’s response:
[This response was posted on 19 November 2024.]

The Answer • Beginning on page 1915 of Volume 1 of the special PDF files we posted in 2013, you will find what you seek. Indeed, all four Eucharistic prayers are given there in musical notation.

Jeff’s (Unsolicited) Opinion • That being said, it might be important to remember that it’s quite “untraditional” to sing the Eucharistic Prayer. Throughout the entire history of the Catholic Church this was never done—until the 1970s. Indeed, the person responsible for all the liturgical reforms of the 1960s (viz. CARDINAL LERCARO) declared in a public letter dated 2 March 1965 that priests who pray the Eucharistic Prayer in an audible voice commit an extremely grave liturgical abuse. For many centuries, the Canon was said in a quiet voice: sotto voce. (Cardinal Lercaro was put in charge of all the liturgical reforms by Pope Saint Paul VI.) The 1970s was very much a liturgical low point; the order of the day was “change for the sake of change.” Someday, all this will have to be sorted out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Giacomo Lercaro Consilium President, CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: November 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

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