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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Confirmed! • Bp. Woost Elected Chairman of “Committee on Divine Divine Worship”

Jeff Ostrowski · November 12, 2024

OU CAN INSTANTLY watch the brief video (which took place earlier today) showing Bishop Michael G. Woost being elected CHAIRMAN of the USCCB “Committee on Divine Divine Worship.” He beat Archbishop Alexander K. Sample, and will replace Bishop Steven J. Lopes. In the month of November, the bishops of the United States often hold important meetings. According to an 11 November 2024 article in The Pillar, there has been some movement regarding the “new” (!) lectionary project announced in 2013.

New Lectionary • For some time, the claim has been made that the “Abbey Psalms & Canticles” will eventually appear in the USA Lectionary, which (at some point) is supposed to be revised. Many are skeptical, because the exact same claim was made by the USCCB regarding the Revised-Revised Grail—but that was a lie.1

Copyright Status • Considerable discussion online has ensued regarding whether the “Abbey Psalms & Canticles” is a candidate for proprietary copyright status:

*  PDF Download • Re: Copyright Status of “Abbey Psalms & Canticles”
—This article contains a PDF comparison chart.

Garbled Words • For sixty years, Catholics have demanded to know what is gained by the ceaseless tinkering with liturgical translations. Mary Elizabeth Sperry (associate director of the USCCB’s Office for the Biblical Apostolate) attempted to justify the constant modifications as follows:

“The primary way that most Catholics are going to experience Scripture is in the Word proclaimed to the Eucharistic assembly,” Sperry said. “If they can’t understand what they hear, they are missing one of the presence [sic] of Christ in the liturgy.”

Such a statement strikes me as extremely problematic. For one thing, there are many passages in Sacred Scripture which not even the Catholic Church “understands”—cf. the Book of Revelation. Indeed, Saint Peter said of Saint Paul’s Epistles: “There are passages in them difficult to understand, and these, like the rest of scripture, are twisted into a wrong sense by ignorant and restless minds, to their own undoing.” Furthermore, OUR REDEEMER (Jesus Christ, the Second Person of the Blessed Trinity) is present—Body, Blood, Soul, and Divinity—in the SANCTISSIMUM. What more could we sinful humans reasonably demand? It would be weird for a Catholic to say: “Yeah, I know Jesus is present in the Eucharist—and that’s great and everything—but I want more.” I’m skeptical that the reason for this constant tinkering is owing to a “lack of presence” on the part of our Savior.

New Lectionary • When will this “new” Lectionary appear? Catholics have been asking that since 2013. The “best” guess seems to be 2029. Mary Elizabeth Sperry told The Pillar “it’s not clear how long that process will take.”

1 Pew books such as WORSHIP IV HYMNAL (G.I.A. Publications) which tried to “get a leg up on the competition” ended up printing a translation in hundreds of thousands of books that has never appeared—and will never appear—in any USA Lectionary. Some believe the reason the Revised-Revised Grail was abandoned had to do with its particular copyright scheme. The USCCB allowed the copyright of the Revised-Revised Grail to be administered by a private, non-Christian company. Anybody who used the texts of the Mass, proclaimed them on YouTube, reproduced them in a prayer book, or broadcast them on the radio could only do so if that company gave permission. When this scheme was revealed publicly by people like Jeffrey Tucker (a high-ranking officer of the Church Music Association of America), it caused enormous scandal—for good reason. Texts which are mandated for use in the sacred liturgy and heavily indulgenced should not be sold.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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