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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Confirmed! • Bp. Woost Elected Chairman of “Committee on Divine Divine Worship”

Jeff Ostrowski · November 12, 2024

OU CAN INSTANTLY watch the brief video (which took place earlier today) showing Bishop Michael G. Woost being elected CHAIRMAN of the USCCB “Committee on Divine Divine Worship.” He beat Archbishop Alexander K. Sample, and will replace Bishop Steven J. Lopes. In the month of November, the bishops of the United States often hold important meetings. According to an 11 November 2024 article in The Pillar, there has been some movement regarding the “new” (!) lectionary project announced in 2013.

New Lectionary • For some time, the claim has been made that the “Abbey Psalms & Canticles” will eventually appear in the USA Lectionary, which (at some point) is supposed to be revised. Many are skeptical, because the exact same claim was made by the USCCB regarding the Revised-Revised Grail—but that was a lie.1

Copyright Status • Considerable discussion online has ensued regarding whether the “Abbey Psalms & Canticles” is a candidate for proprietary copyright status:

*  PDF Download • Re: Copyright Status of “Abbey Psalms & Canticles”
—This article contains a PDF comparison chart.

Garbled Words • For sixty years, Catholics have demanded to know what is gained by the ceaseless tinkering with liturgical translations. Mary Elizabeth Sperry (associate director of the USCCB’s Office for the Biblical Apostolate) attempted to justify the constant modifications as follows:

“The primary way that most Catholics are going to experience Scripture is in the Word proclaimed to the Eucharistic assembly,” Sperry said. “If they can’t understand what they hear, they are missing one of the presence [sic] of Christ in the liturgy.”

Such a statement strikes me as extremely problematic. For one thing, there are many passages in Sacred Scripture which not even the Catholic Church “understands”—cf. the Book of Revelation. Indeed, Saint Peter said of Saint Paul’s Epistles: “There are passages in them difficult to understand, and these, like the rest of scripture, are twisted into a wrong sense by ignorant and restless minds, to their own undoing.” Furthermore, OUR REDEEMER (Jesus Christ, the Second Person of the Blessed Trinity) is present—Body, Blood, Soul, and Divinity—in the SANCTISSIMUM. What more could we sinful humans reasonably demand? It would be weird for a Catholic to say: “Yeah, I know Jesus is present in the Eucharist—and that’s great and everything—but I want more.” I’m skeptical that the reason for this constant tinkering is owing to a “lack of presence” on the part of our Savior.

New Lectionary • When will this “new” Lectionary appear? Catholics have been asking that since 2013. The “best” guess seems to be 2029. Mary Elizabeth Sperry told The Pillar “it’s not clear how long that process will take.”

1 Pew books such as WORSHIP IV HYMNAL (G.I.A. Publications) which tried to “get a leg up on the competition” ended up printing a translation in hundreds of thousands of books that has never appeared—and will never appear—in any USA Lectionary. Some believe the reason the Revised-Revised Grail was abandoned had to do with its particular copyright scheme. The USCCB allowed the copyright of the Revised-Revised Grail to be administered by a private, non-Christian company. Anybody who used the texts of the Mass, proclaimed them on YouTube, reproduced them in a prayer book, or broadcast them on the radio could only do so if that company gave permission. When this scheme was revealed publicly by people like Jeffrey Tucker (a high-ranking officer of the Church Music Association of America), it caused enormous scandal—for good reason. Texts which are mandated for use in the sacred liturgy and heavily indulgenced should not be sold.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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