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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Confirmed! • Bp. Woost Elected Chairman of “Committee on Divine Divine Worship”

Jeff Ostrowski · November 12, 2024

OU CAN INSTANTLY watch the brief video (which took place earlier today) showing Bishop Michael G. Woost being elected CHAIRMAN of the USCCB “Committee on Divine Divine Worship.” He beat Archbishop Alexander K. Sample, and will replace Bishop Steven J. Lopes. In the month of November, the bishops of the United States often hold important meetings. According to an 11 November 2024 article in The Pillar, there has been some movement regarding the “new” (!) lectionary project announced in 2013.

New Lectionary • For some time, the claim has been made that the “Abbey Psalms & Canticles” will eventually appear in the USA Lectionary, which (at some point) is supposed to be revised. Many are skeptical, because the exact same claim was made by the USCCB regarding the Revised-Revised Grail—but that was a lie.1

Copyright Status • Considerable discussion online has ensued regarding whether the “Abbey Psalms & Canticles” is a candidate for proprietary copyright status:

*  PDF Download • Re: Copyright Status of “Abbey Psalms & Canticles”
—This article contains a PDF comparison chart.

Garbled Words • For sixty years, Catholics have demanded to know what is gained by the ceaseless tinkering with liturgical translations. Mary Elizabeth Sperry (associate director of the USCCB’s Office for the Biblical Apostolate) attempted to justify the constant modifications as follows:

“The primary way that most Catholics are going to experience Scripture is in the Word proclaimed to the Eucharistic assembly,” Sperry said. “If they can’t understand what they hear, they are missing one of the presence [sic] of Christ in the liturgy.”

Such a statement strikes me as extremely problematic. For one thing, there are many passages in Sacred Scripture which not even the Catholic Church “understands”—cf. the Book of Revelation. Indeed, Saint Peter said of Saint Paul’s Epistles: “There are passages in them difficult to understand, and these, like the rest of scripture, are twisted into a wrong sense by ignorant and restless minds, to their own undoing.” Furthermore, OUR REDEEMER (Jesus Christ, the Second Person of the Blessed Trinity) is present—Body, Blood, Soul, and Divinity—in the SANCTISSIMUM. What more could we sinful humans reasonably demand? It would be weird for a Catholic to say: “Yeah, I know Jesus is present in the Eucharist—and that’s great and everything—but I want more.” I’m skeptical that the reason for this constant tinkering is owing to a “lack of presence” on the part of our Savior.

New Lectionary • When will this “new” Lectionary appear? Catholics have been asking that since 2013. The “best” guess seems to be 2029. Mary Elizabeth Sperry told The Pillar “it’s not clear how long that process will take.”

1 Pew books such as WORSHIP IV HYMNAL (G.I.A. Publications) which tried to “get a leg up on the competition” ended up printing a translation in hundreds of thousands of books that has never appeared—and will never appear—in any USA Lectionary. Some believe the reason the Revised-Revised Grail was abandoned had to do with its particular copyright scheme. The USCCB allowed the copyright of the Revised-Revised Grail to be administered by a private, non-Christian company. Anybody who used the texts of the Mass, proclaimed them on YouTube, reproduced them in a prayer book, or broadcast them on the radio could only do so if that company gave permission. When this scheme was revealed publicly by people like Jeffrey Tucker (a high-ranking officer of the Church Music Association of America), it caused enormous scandal—for good reason. Texts which are mandated for use in the sacred liturgy and heavily indulgenced should not be sold.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Obey, then, these prescriptions sincerely and calmly. [viz. clerics must pray their office in Latin.] It is not an excessive love of old ways that prompts them.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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