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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Confirmed! • Bp. Woost Elected Chairman of “Committee on Divine Divine Worship”

Jeff Ostrowski · November 12, 2024

OU CAN INSTANTLY watch the brief video (which took place earlier today) showing Bishop Michael G. Woost being elected CHAIRMAN of the USCCB “Committee on Divine Divine Worship.” He beat Archbishop Alexander K. Sample, and will replace Bishop Steven J. Lopes. In the month of November, the bishops of the United States often hold important meetings. According to an 11 November 2024 article in The Pillar, there has been some movement regarding the “new” (!) lectionary project announced in 2013.

New Lectionary • For some time, the claim has been made that the “Abbey Psalms & Canticles” will eventually appear in the USA Lectionary, which (at some point) is supposed to be revised. Many are skeptical, because the exact same claim was made by the USCCB regarding the Revised-Revised Grail—but that was a lie.1

Copyright Status • Considerable discussion online has ensued regarding whether the “Abbey Psalms & Canticles” is a candidate for proprietary copyright status:

*  PDF Download • Re: Copyright Status of “Abbey Psalms & Canticles”
—This article contains a PDF comparison chart.

Garbled Words • For sixty years, Catholics have demanded to know what is gained by the ceaseless tinkering with liturgical translations. Mary Elizabeth Sperry (associate director of the USCCB’s Office for the Biblical Apostolate) attempted to justify the constant modifications as follows:

“The primary way that most Catholics are going to experience Scripture is in the Word proclaimed to the Eucharistic assembly,” Sperry said. “If they can’t understand what they hear, they are missing one of the presence [sic] of Christ in the liturgy.”

Such a statement strikes me as extremely problematic. For one thing, there are many passages in Sacred Scripture which not even the Catholic Church “understands”—cf. the Book of Revelation. Indeed, Saint Peter said of Saint Paul’s Epistles: “There are passages in them difficult to understand, and these, like the rest of scripture, are twisted into a wrong sense by ignorant and restless minds, to their own undoing.” Furthermore, OUR REDEEMER (Jesus Christ, the Second Person of the Blessed Trinity) is present—Body, Blood, Soul, and Divinity—in the SANCTISSIMUM. What more could we sinful humans reasonably demand? It would be weird for a Catholic to say: “Yeah, I know Jesus is present in the Eucharist—and that’s great and everything—but I want more.” I’m skeptical that the reason for this constant tinkering is owing to a “lack of presence” on the part of our Savior.

New Lectionary • When will this “new” Lectionary appear? Catholics have been asking that since 2013. The “best” guess seems to be 2029. Mary Elizabeth Sperry told The Pillar “it’s not clear how long that process will take.”

1 Pew books such as WORSHIP IV HYMNAL (G.I.A. Publications) which tried to “get a leg up on the competition” ended up printing a translation in hundreds of thousands of books that has never appeared—and will never appear—in any USA Lectionary. Some believe the reason the Revised-Revised Grail was abandoned had to do with its particular copyright scheme. The USCCB allowed the copyright of the Revised-Revised Grail to be administered by a private, non-Christian company. Anybody who used the texts of the Mass, proclaimed them on YouTube, reproduced them in a prayer book, or broadcast them on the radio could only do so if that company gave permission. When this scheme was revealed publicly by people like Jeffrey Tucker (a high-ranking officer of the Church Music Association of America), it caused enormous scandal—for good reason. Texts which are mandated for use in the sacred liturgy and heavily indulgenced should not be sold.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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