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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Confirmed! • Bp. Woost Elected Chairman of “Committee on Divine Divine Worship”

Jeff Ostrowski · November 12, 2024

OU CAN INSTANTLY watch the brief video (which took place earlier today) showing Bishop Michael G. Woost being elected CHAIRMAN of the USCCB “Committee on Divine Divine Worship.” He beat Archbishop Alexander K. Sample, and will replace Bishop Steven J. Lopes. In the month of November, the bishops of the United States often hold important meetings. According to an 11 November 2024 article in The Pillar, there has been some movement regarding the “new” (!) lectionary project announced in 2013.

New Lectionary • For some time, the claim has been made that the “Abbey Psalms & Canticles” will eventually appear in the USA Lectionary, which (at some point) is supposed to be revised. Many are skeptical, because the exact same claim was made by the USCCB regarding the Revised-Revised Grail—but that was a lie.1

Copyright Status • Considerable discussion online has ensued regarding whether the “Abbey Psalms & Canticles” is a candidate for proprietary copyright status:

*  PDF Download • Re: Copyright Status of “Abbey Psalms & Canticles”
—This article contains a PDF comparison chart.

Garbled Words • For sixty years, Catholics have demanded to know what is gained by the ceaseless tinkering with liturgical translations. Mary Elizabeth Sperry (associate director of the USCCB’s Office for the Biblical Apostolate) attempted to justify the constant modifications as follows:

“The primary way that most Catholics are going to experience Scripture is in the Word proclaimed to the Eucharistic assembly,” Sperry said. “If they can’t understand what they hear, they are missing one of the presence [sic] of Christ in the liturgy.”

Such a statement strikes me as extremely problematic. For one thing, there are many passages in Sacred Scripture which not even the Catholic Church “understands”—cf. the Book of Revelation. Indeed, Saint Peter said of Saint Paul’s Epistles: “There are passages in them difficult to understand, and these, like the rest of scripture, are twisted into a wrong sense by ignorant and restless minds, to their own undoing.” Furthermore, OUR REDEEMER (Jesus Christ, the Second Person of the Blessed Trinity) is present—Body, Blood, Soul, and Divinity—in the SANCTISSIMUM. What more could we sinful humans reasonably demand? It would be weird for a Catholic to say: “Yeah, I know Jesus is present in the Eucharist—and that’s great and everything—but I want more.” I’m skeptical that the reason for this constant tinkering is owing to a “lack of presence” on the part of our Savior.

New Lectionary • When will this “new” Lectionary appear? Catholics have been asking that since 2013. The “best” guess seems to be 2029. Mary Elizabeth Sperry told The Pillar “it’s not clear how long that process will take.”

1 Pew books such as WORSHIP IV HYMNAL (G.I.A. Publications) which tried to “get a leg up on the competition” ended up printing a translation in hundreds of thousands of books that has never appeared—and will never appear—in any USA Lectionary. Some believe the reason the Revised-Revised Grail was abandoned had to do with its particular copyright scheme. The USCCB allowed the copyright of the Revised-Revised Grail to be administered by a private, non-Christian company. Anybody who used the texts of the Mass, proclaimed them on YouTube, reproduced them in a prayer book, or broadcast them on the radio could only do so if that company gave permission. When this scheme was revealed publicly by people like Jeffrey Tucker (a high-ranking officer of the Church Music Association of America), it caused enormous scandal—for good reason. Texts which are mandated for use in the sacred liturgy and heavily indulgenced should not be sold.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA Last Updated: November 12, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I have a great quarrel on with Dom Mocquereau over a very stiff book of his which we have translated & which a stupid American woman wants to be adapted to her understanding & terminology. It will be a little difficult to persuade the dear old man, for the lady is going to pay the piper. Truly money is at the root of all evils!”

— Dame Laurentia (talking about Justine Ward)

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