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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bending Your Ear • A Sound Theology

Dr. Samuel Backman · November 5, 2024

HEN WE EXPERIENCE some form of stormy weather in the life of the Church, we Catholics often assume that our situation is somehow unprecedented. “Surely,” we might think, “they never faced such problems in the purer and simpler world of the past.” While it can be easy to fall into this largely sentimental trap, let us not forget the passage in Ecclesiastes (1:9) which reminds us that “there is nothing new under the sun.”

Gnostic Suspicions • One of the problems that has reared its ugly head again and again in the life of the Church is the heresy of Gnosticism. According to this mindset, we would understand that the material world is intrinsically evil and deceptive, and that only spiritual knowledge is good. As Catholics however, this is not our belief. We believe that God saved us by assuming human flesh, and we believe that he teaches us, as he taught his disciples, through their senses. Furthermore, he remains sensibly present to us in the seven sacraments.

We have thus far established that the material world is not intrinsically evil, and we have further established that our five senses are God-given goods. However, like any God-given good, we must use it properly! We have a duty to ensure that our senses are virtuously governed by our intellect.

Musical Virtue and Vice • As a musician, I am keenly interested in cultivating the use of our sense of hearing. The power the music has upon the soul is great, and while I could quote some great philosophers or theologians to drive home my point on the power of music, I will take a strange turn and look to the ways in which “bad guys” have leveraged or censored it throughout history. Hitler, Stalin, and other totalitarians have micromanaged music under their rule with an iron fist. They wanted to ensure that sounds heard in their respective empires were cultivating a strong sense of blind loyalty and deference. These tyrants so feared the power of music that they kept a stranglehold on it.

As “good guys,” we as Catholic should ensure that our consumption of music engenders virtue and proper order and harmony (pun intended) in our souls. This is why the Church has published extensively on the role of music in the liturgy. The way in which music is deployed in the Holy Mass has a direct impact on how we understand our relationship with God.

Musical Cultivation of the Soul • However, it is not only in the context of the sacred liturgy that we must ensure that our sense of sound is cultivated, but in our daily lives. Please don’t misunderstand me—you don’t have to listen to Gregorian Chant at a party or at the gym—and let’s be honest, I don’t think I could handle that! With that said, I must reflect: are there certain types of music I listen to that arouse anger, aggression, or any other negative passion? It is important to be aware of our “musical diet,” as it has spiritual consequences.

Seize the Opportunities in Front of You • Through the centuries, Holy Mother Church has not only cultivated music in the sacred liturgy, but in the context of concerts and devotional practices. I would encourage any Catholic to seek out opportunities to take in live music that truly elevates the soul. We are now nearing the season of Advent, when sacred concerts are plentiful. Take advantage of this great opportunity to immerse your God-given sense of hearing to lead you more deeply into the ethos of Advent!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 5, 2024

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About Dr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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