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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bending Your Ear • A Sound Theology

Dr. Samuel Backman · November 5, 2024

HEN WE EXPERIENCE some form of stormy weather in the life of the Church, we Catholics often assume that our situation is somehow unprecedented. “Surely,” we might think, “they never faced such problems in the purer and simpler world of the past.” While it can be easy to fall into this largely sentimental trap, let us not forget the passage in Ecclesiastes (1:9) which reminds us that “there is nothing new under the sun.”

Gnostic Suspicions • One of the problems that has reared its ugly head again and again in the life of the Church is the heresy of Gnosticism. According to this mindset, we would understand that the material world is intrinsically evil and deceptive, and that only spiritual knowledge is good. As Catholics however, this is not our belief. We believe that God saved us by assuming human flesh, and we believe that he teaches us, as he taught his disciples, through their senses. Furthermore, he remains sensibly present to us in the seven sacraments.

We have thus far established that the material world is not intrinsically evil, and we have further established that our five senses are God-given goods. However, like any God-given good, we must use it properly! We have a duty to ensure that our senses are virtuously governed by our intellect.

Musical Virtue and Vice • As a musician, I am keenly interested in cultivating the use of our sense of hearing. The power the music has upon the soul is great, and while I could quote some great philosophers or theologians to drive home my point on the power of music, I will take a strange turn and look to the ways in which “bad guys” have leveraged or censored it throughout history. Hitler, Stalin, and other totalitarians have micromanaged music under their rule with an iron fist. They wanted to ensure that sounds heard in their respective empires were cultivating a strong sense of blind loyalty and deference. These tyrants so feared the power of music that they kept a stranglehold on it.

As “good guys,” we as Catholic should ensure that our consumption of music engenders virtue and proper order and harmony (pun intended) in our souls. This is why the Church has published extensively on the role of music in the liturgy. The way in which music is deployed in the Holy Mass has a direct impact on how we understand our relationship with God.

Musical Cultivation of the Soul • However, it is not only in the context of the sacred liturgy that we must ensure that our sense of sound is cultivated, but in our daily lives. Please don’t misunderstand me—you don’t have to listen to Gregorian Chant at a party or at the gym—and let’s be honest, I don’t think I could handle that! With that said, I must reflect: are there certain types of music I listen to that arouse anger, aggression, or any other negative passion? It is important to be aware of our “musical diet,” as it has spiritual consequences.

Seize the Opportunities in Front of You • Through the centuries, Holy Mother Church has not only cultivated music in the sacred liturgy, but in the context of concerts and devotional practices. I would encourage any Catholic to seek out opportunities to take in live music that truly elevates the soul. We are now nearing the season of Advent, when sacred concerts are plentiful. Take advantage of this great opportunity to immerse your God-given sense of hearing to lead you more deeply into the ethos of Advent!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 5, 2024

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About Dr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

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President’s Corner

    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

Recent Posts

  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026

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