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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bending Your Ear • A Sound Theology

Dr. Samuel Backman · November 5, 2024

HEN WE EXPERIENCE some form of stormy weather in the life of the Church, we Catholics often assume that our situation is somehow unprecedented. “Surely,” we might think, “they never faced such problems in the purer and simpler world of the past.” While it can be easy to fall into this largely sentimental trap, let us not forget the passage in Ecclesiastes (1:9) which reminds us that “there is nothing new under the sun.”

Gnostic Suspicions • One of the problems that has reared its ugly head again and again in the life of the Church is the heresy of Gnosticism. According to this mindset, we would understand that the material world is intrinsically evil and deceptive, and that only spiritual knowledge is good. As Catholics however, this is not our belief. We believe that God saved us by assuming human flesh, and we believe that he teaches us, as he taught his disciples, through their senses. Furthermore, he remains sensibly present to us in the seven sacraments.

We have thus far established that the material world is not intrinsically evil, and we have further established that our five senses are God-given goods. However, like any God-given good, we must use it properly! We have a duty to ensure that our senses are virtuously governed by our intellect.

Musical Virtue and Vice • As a musician, I am keenly interested in cultivating the use of our sense of hearing. The power the music has upon the soul is great, and while I could quote some great philosophers or theologians to drive home my point on the power of music, I will take a strange turn and look to the ways in which “bad guys” have leveraged or censored it throughout history. Hitler, Stalin, and other totalitarians have micromanaged music under their rule with an iron fist. They wanted to ensure that sounds heard in their respective empires were cultivating a strong sense of blind loyalty and deference. These tyrants so feared the power of music that they kept a stranglehold on it.

As “good guys,” we as Catholic should ensure that our consumption of music engenders virtue and proper order and harmony (pun intended) in our souls. This is why the Church has published extensively on the role of music in the liturgy. The way in which music is deployed in the Holy Mass has a direct impact on how we understand our relationship with God.

Musical Cultivation of the Soul • However, it is not only in the context of the sacred liturgy that we must ensure that our sense of sound is cultivated, but in our daily lives. Please don’t misunderstand me—you don’t have to listen to Gregorian Chant at a party or at the gym—and let’s be honest, I don’t think I could handle that! With that said, I must reflect: are there certain types of music I listen to that arouse anger, aggression, or any other negative passion? It is important to be aware of our “musical diet,” as it has spiritual consequences.

Seize the Opportunities in Front of You • Through the centuries, Holy Mother Church has not only cultivated music in the sacred liturgy, but in the context of concerts and devotional practices. I would encourage any Catholic to seek out opportunities to take in live music that truly elevates the soul. We are now nearing the season of Advent, when sacred concerts are plentiful. Take advantage of this great opportunity to immerse your God-given sense of hearing to lead you more deeply into the ethos of Advent!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 5, 2024

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About Dr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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