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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bending Your Ear • A Sound Theology

Dr. Samuel Backman · November 5, 2024

HEN WE EXPERIENCE some form of stormy weather in the life of the Church, we Catholics often assume that our situation is somehow unprecedented. “Surely,” we might think, “they never faced such problems in the purer and simpler world of the past.” While it can be easy to fall into this largely sentimental trap, let us not forget the passage in Ecclesiastes (1:9) which reminds us that “there is nothing new under the sun.”

Gnostic Suspicions • One of the problems that has reared its ugly head again and again in the life of the Church is the heresy of Gnosticism. According to this mindset, we would understand that the material world is intrinsically evil and deceptive, and that only spiritual knowledge is good. As Catholics however, this is not our belief. We believe that God saved us by assuming human flesh, and we believe that he teaches us, as he taught his disciples, through their senses. Furthermore, he remains sensibly present to us in the seven sacraments.

We have thus far established that the material world is not intrinsically evil, and we have further established that our five senses are God-given goods. However, like any God-given good, we must use it properly! We have a duty to ensure that our senses are virtuously governed by our intellect.

Musical Virtue and Vice • As a musician, I am keenly interested in cultivating the use of our sense of hearing. The power the music has upon the soul is great, and while I could quote some great philosophers or theologians to drive home my point on the power of music, I will take a strange turn and look to the ways in which “bad guys” have leveraged or censored it throughout history. Hitler, Stalin, and other totalitarians have micromanaged music under their rule with an iron fist. They wanted to ensure that sounds heard in their respective empires were cultivating a strong sense of blind loyalty and deference. These tyrants so feared the power of music that they kept a stranglehold on it.

As “good guys,” we as Catholic should ensure that our consumption of music engenders virtue and proper order and harmony (pun intended) in our souls. This is why the Church has published extensively on the role of music in the liturgy. The way in which music is deployed in the Holy Mass has a direct impact on how we understand our relationship with God.

Musical Cultivation of the Soul • However, it is not only in the context of the sacred liturgy that we must ensure that our sense of sound is cultivated, but in our daily lives. Please don’t misunderstand me—you don’t have to listen to Gregorian Chant at a party or at the gym—and let’s be honest, I don’t think I could handle that! With that said, I must reflect: are there certain types of music I listen to that arouse anger, aggression, or any other negative passion? It is important to be aware of our “musical diet,” as it has spiritual consequences.

Seize the Opportunities in Front of You • Through the centuries, Holy Mother Church has not only cultivated music in the sacred liturgy, but in the context of concerts and devotional practices. I would encourage any Catholic to seek out opportunities to take in live music that truly elevates the soul. We are now nearing the season of Advent, when sacred concerts are plentiful. Take advantage of this great opportunity to immerse your God-given sense of hearing to lead you more deeply into the ethos of Advent!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 5, 2024

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About Dr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

Recent Posts

  • PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)
  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)

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