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Views from the Choir Loft

Bending Your Ear • A Sound Theology

Dr. Samuel Backman · November 5, 2024

HEN WE EXPERIENCE some form of stormy weather in the life of the Church, we Catholics often assume that our situation is somehow unprecedented. “Surely,” we might think, “they never faced such problems in the purer and simpler world of the past.” While it can be easy to fall into this largely sentimental trap, let us not forget the passage in Ecclesiastes (1:9) which reminds us that “there is nothing new under the sun.”

Gnostic Suspicions • One of the problems that has reared its ugly head again and again in the life of the Church is the heresy of Gnosticism. According to this mindset, we would understand that the material world is intrinsically evil and deceptive, and that only spiritual knowledge is good. As Catholics however, this is not our belief. We believe that God saved us by assuming human flesh, and we believe that he teaches us, as he taught his disciples, through their senses. Furthermore, he remains sensibly present to us in the seven sacraments.

We have thus far established that the material world is not intrinsically evil, and we have further established that our five senses are God-given goods. However, like any God-given good, we must use it properly! We have a duty to ensure that our senses are virtuously governed by our intellect.

Musical Virtue and Vice • As a musician, I am keenly interested in cultivating the use of our sense of hearing. The power the music has upon the soul is great, and while I could quote some great philosophers or theologians to drive home my point on the power of music, I will take a strange turn and look to the ways in which “bad guys” have leveraged or censored it throughout history. Hitler, Stalin, and other totalitarians have micromanaged music under their rule with an iron fist. They wanted to ensure that sounds heard in their respective empires were cultivating a strong sense of blind loyalty and deference. These tyrants so feared the power of music that they kept a stranglehold on it.

As “good guys,” we as Catholic should ensure that our consumption of music engenders virtue and proper order and harmony (pun intended) in our souls. This is why the Church has published extensively on the role of music in the liturgy. The way in which music is deployed in the Holy Mass has a direct impact on how we understand our relationship with God.

Musical Cultivation of the Soul • However, it is not only in the context of the sacred liturgy that we must ensure that our sense of sound is cultivated, but in our daily lives. Please don’t misunderstand me—you don’t have to listen to Gregorian Chant at a party or at the gym—and let’s be honest, I don’t think I could handle that! With that said, I must reflect: are there certain types of music I listen to that arouse anger, aggression, or any other negative passion? It is important to be aware of our “musical diet,” as it has spiritual consequences.

Seize the Opportunities in Front of You • Through the centuries, Holy Mother Church has not only cultivated music in the sacred liturgy, but in the context of concerts and devotional practices. I would encourage any Catholic to seek out opportunities to take in live music that truly elevates the soul. We are now nearing the season of Advent, when sacred concerts are plentiful. Take advantage of this great opportunity to immerse your God-given sense of hearing to lead you more deeply into the ethos of Advent!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 5, 2024

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About Dr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Orlando de Lassus died in Munich on 14 June 1594, the selfsame day his employer decided to dismiss him for economic reasons. He never saw the letter.”

— New Grove

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