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Views from the Choir Loft

PDF Download • “Communion Antiphon” by Father Edgard de Laet — For Any Mass!

Veronica Moreno · September 17, 2024

OW MANY OF US can recite PSALM 33 from memory? The 3rd edition of the CAMPION MISSAL discusses ancient psalms added to each Communion antiphon at Mass. In several places, it cites Dr. Peter Wagner—a member of the Vatican Commission on Gregorian Chant under Pope Saint Pius X—talking about PSALM 33, which he calls “the unvarying Communion-chant which in all Masses accompanied the administration of the Holy Eucharist” in the early Church. Both the 1974 GRADUALE ROMANUM and the 1969 GRADUALE SIMPLEX explicitly say PSALM 33 may replace the proper Communion antiphon at any Mass.

Obstacles To Overcome • I like the idea of singing PSALM 33 during Communion—a psalm every Catholic should know by heart—but there’s a problem. If one follows the advice of the GRADUALE, the proper Communion antiphons get annihilated in the process. With the help of a few musical friends, I believe we may have solved the problem! The following arrangement includes those antiphons as optional psalm verses.1 My daughter and I recorded the treble voices for the rehearsal videos. I sang ALTO and my daughter sang SOPRANO:

*  PDF Download • “PSALM 33” (6 pages)
—By Father Edgard de Laet (d. 1973) • This Communion Antiphon can be used at any time.

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Alphabet • In Hebrew, PSALM 33 is an alphabetical acrostic. Monsignor Ronald Knox calls it “an Alphabet of Right-doing” as you can see:

(1 of 2) His Erudition • Monsignor Knox was asked by the bishops of England and Wales to translate the entire Bible into English. Only someone of his erudition could have completed such a task! Notice how Knox preserves the alphabetical acrostic in English.

(2 of 2) His Erudition • Knox does the same thing for PSALM 24, which he calls “An Alphabet of Trust.” He does the same thing for PSALM 36, which he calls “An Alphabet of Patience.” He does the same thing for PSALM 110 and PSALM 111, which he simply calls “Two Alphabets.” Incredibly, Monsignor Knox also preserves the acrostic in the enormously lengthy PSALM 118, which he calls “An Alphabet of Loyalty.” He does the same thing for PSALM 144, which he calls “An Alphabet of Gratitude.” (Needless to say, it’s possible those titles were added by the editor, not Knox himself.)

1 Over the next few weeks, many of the Communion antiphons come from PSALM 118. Experts on the sacred liturgy hold conflicting theories as to why this is the case.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Graduale Romanum, Graduale Simplex, Psalm 33 Communion Antiphon Last Updated: September 17, 2024

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

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