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Views from the Choir Loft

“A Coming Together of My Two Choral Worlds…”

Corrinne May · September 9, 2024

N FRIDAY, the 30th of August, the apostolate I’m part of (TOTUS TUUS APOSTOLATE) helped organize a Votive Mass of the Immaculate Heart of Mary offered Ad Orientem (Facing East) by Father Benedict Mary, OCD. It was a beautiful coming together of my two choral worlds as members of my choir, The Immaculate Heart of Mary (IHM) Choir, joined the Totus Tuus Schola. What was also heartwarming was how the IHM choir had recently concluded our ‘33 Days to Morning Glory’ consecration to Mary, and so—coupled with the MARIAN CONCERT we just did a week back—this evening was another way to give our hearts to Mary, and profess our love for her through the gift of sacred music at a Mass dedicated to her Immaculate Heart.

Programming Ideas • Below is what we sang at Mass that evening. It’s possible readers might get some ‘programming ideas’ from the list of pieces we sang.

Processional Hymn:
“Immaculate Mary, Thy Praises We Sing”
(#776 in the Brébeuf Hymnal)

Introit:
Adeamus Cum Fiducia (PLAINSONG)

Kyrie:
Mass VIII • Missa De Angelis

Gradual:
Exsultabit cor meum (PLAINSONG)

Offertory Antiphon:
Exsultavit spiritus meus (PLAINSONG)

Offertory Hymn:
“Totus Tuus” by Marco Frisina

Sanctus:
Mass VIII • Missa De Angelis

Agnus Dei:
After Fr. Gregerio Allegri (d. 1652)
By J. Ostrowski, score is #7554

Communion Antiphon:
Dixit Jesus matri suae (PLAINSONG)

First Communion Hymn:
“Let All Mortal Flesh Keep Silence”
(#728 in the Brébeuf Hymnal)

Second Communion Hymn:
“Anima Christi” by Marco Frisina

Recessional:
Not Applicable as we went straight into Eucharistic Adoration.

For ADORATION immediately
after Mass, we sang the
following polyphonic works.

Kevin Allen:
“Ave Sacer Christi Sanguis” from
Motecta Trium Vocum (Motets For Three Voices)

Father Francisco Guerrero:
“Adoremus In Aeternum” #2978
(This piece is a perfect canon)

Giovanni Pierluigi da Palestrina:
“O Bone Jesu”

Giovanni Pierluigi da Palestrina:
“Jesu Rex Admirabilis”

Charlotte Lansberg:
“Adoro Te Devote”

Audio Excerpt • You can hear an excerpt if you click on the following video. I apologize it’s ‘portrait’ instead of ‘landscape’—but that’s just how Instagram does things:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: September 9, 2024

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It will not be Rome to tell you what you should do, no: because you have the charism. …you have the Holy Spirit for this. If Rome were to begin to make the decisions it would be a blow to the Holy Spirit, who works in the particular Churches.”

— Pope Francis (27 March 2023)

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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