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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Very Best 42 Seconds of Gregorian Chant”

Jeff Ostrowski · August 20, 2024

ENRI GHÉON tells the story of SAINT JOHN MARY VIANNEY visiting a child who lay bedridden—one open sore from head to foot, without a moment’s rest—with no hope on this earth. “You are in great suffering, my poor child?” asked the curé, bending over him. “No,” he answered, “today I feel not yesterday’s pain, and tomorrow I shall not feel today’s.” Father Vianney pressed him: “You would very much like to be cured?” The child responded: “No; I was sinful before I fell ill; I might fall back into that. I’m safer as I am.” Vianney later declared: “Children so indwelt by the Holy Spirit put us to shame…”

Today I Feel Not Yesterday’s Pain • Some men spend their entire life seeking comfort and pleasure. But Archbishop Sheen always spoke about something he called: The Last “And Then.” Consider a conversation with a teenage boy. You ask him what he’d like to do. “I want to succeed in school.” And then? “I want to become a doctor.” And then? “Make money.” And then? “Get married.” And then? “Have children.” And then? “Be happy.” And then? “See my children grow up.” And then? “Grow old, watching my children succeed.” There comes a last and then.

Those Who Pretend • As I already said, some people spend their whole life in pursuit of comfort. Others devote hours each day to arguing with strangers on the internet. But eventually, they will die—and they’ll face their creator. As the DIES IRAE puts it so beautifully: “Líber scríptus proferétur, in quo tótum continétur, únde múndus judicétur.” At the hour of judgment, they’ll wish they hadn’t spent their life seeking pleasure. Some people pretend not to understand Fulton Sheen’s Last “And Then.” However, I personally believe everyone (deep down) understands it—whether they admit it or not.

Gregorian Chant’s Best 42 Seconds (1 of 4) • We must offer our lives to God. Each morning, before looking at your iPhone, make your daily offering. Offer up all your joys and sufferings. You can even offer up ‘mundane’ things like brushing your teeth. And we can serve God in various ways. One way is by singing holy music—and Gregorian Chant can lead you to holiness.

Gregorian Chant’s Best 42 Seconds (2 of 4) • Sometimes, the beauty and purity of CARMEN GREGORIANUM take some effort to appreciate. (The same is true of many other things in this world.) Gregorian Chant sung well is utterly mesmerizing, utterly hypnotic, and utterly peaceful. It can call to mind the purity of Almighty God. It can help us pray. I believe that singing Gregorian Chant is a holy activity. It’s amazing how certain passages can stick in one’s mind, even after decades have elapsed.

Gregorian Chant’s Best 42 Seconds (3 of 4) • I woke up this morning with a tune in my head. It comes from HOLY SATURDAY (Sabbato Sancto), and I don’t know any passage more beautiful. At the end of this article, I attempted to record that section. See if you agree it would not be wrong to label it as: Gregorian Chant’s Best 42 Seconds.

Gregorian Chant’s Best 42 Seconds (4 of 4) • In our current situation, many Catholics have never heard Gregorian Chant. Far too often, the plainsong they have heard is not sung well. Rather than singing a 20-minute TRACT or lengthy RESPONSORY, English adaptations can help “pave the way” towards an appreciation for plainsong. Below is the Entrance Chant we will sing on 1 September 2024, which is the 22nd Sunday in Ordinary Time:

*  PDF Download • ENTRANCE CHANT (Singer’s Score)
*  PDF Download • ENTRANCE CHANT (Organ Accompaniment)

Here’s the direct URL link.

Promises Kept • As I promised, the following is my attempt to sing a wonderful passage from HOLY SATURDAY. See if you agree its 42 seconds are hauting—especially the “enim” melisma:

Here’s the direct URL link.

A translation of what I sang on that video:

Exodus 14:1 • Then Moses and the children
of Israel sang this canticle to the Lord: Let
us sing to the Lord: so great He is and so
glorious; horse and rider hurled into the sea!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: August 20, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

Recent Posts

  • “Catholic Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak

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