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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Very Best 42 Seconds of Gregorian Chant”

Jeff Ostrowski · August 20, 2024

ENRI GHÉON tells the story of SAINT JOHN MARY VIANNEY visiting a child who lay bedridden—one open sore from head to foot, without a moment’s rest—with no hope on this earth. “You are in great suffering, my poor child?” asked the curé, bending over him. “No,” he answered, “today I feel not yesterday’s pain, and tomorrow I shall not feel today’s.” Father Vianney pressed him: “You would very much like to be cured?” The child responded: “No; I was sinful before I fell ill; I might fall back into that. I’m safer as I am.” Vianney later declared: “Children so indwelt by the Holy Spirit put us to shame…”

Today I Feel Not Yesterday’s Pain • Some men spend their entire life seeking comfort and pleasure. But Archbishop Sheen always spoke about something he called: The Last “And Then.” Consider a conversation with a teenage boy. You ask him what he’d like to do. “I want to succeed in school.” And then? “I want to become a doctor.” And then? “Make money.” And then? “Get married.” And then? “Have children.” And then? “Be happy.” And then? “See my children grow up.” And then? “Grow old, watching my children succeed.” There comes a last and then.

Those Who Pretend • As I already said, some people spend their whole life in pursuit of comfort. Others devote hours each day to arguing with strangers on the internet. But eventually, they will die—and they’ll face their creator. As the DIES IRAE puts it so beautifully: “Líber scríptus proferétur, in quo tótum continétur, únde múndus judicétur.” At the hour of judgment, they’ll wish they hadn’t spent their life seeking pleasure. Some people pretend not to understand Fulton Sheen’s Last “And Then.” However, I personally believe everyone (deep down) understands it—whether they admit it or not.

Gregorian Chant’s Best 42 Seconds (1 of 4) • We must offer our lives to God. Each morning, before looking at your iPhone, make your daily offering. Offer up all your joys and sufferings. You can even offer up ‘mundane’ things like brushing your teeth. And we can serve God in various ways. One way is by singing holy music—and Gregorian Chant can lead you to holiness.

Gregorian Chant’s Best 42 Seconds (2 of 4) • Sometimes, the beauty and purity of CARMEN GREGORIANUM take some effort to appreciate. (The same is true of many other things in this world.) Gregorian Chant sung well is utterly mesmerizing, utterly hypnotic, and utterly peaceful. It can call to mind the purity of Almighty God. It can help us pray. I believe that singing Gregorian Chant is a holy activity. It’s amazing how certain passages can stick in one’s mind, even after decades have elapsed.

Gregorian Chant’s Best 42 Seconds (3 of 4) • I woke up this morning with a tune in my head. It comes from HOLY SATURDAY (Sabbato Sancto), and I don’t know any passage more beautiful. At the end of this article, I attempted to record that section. See if you agree it would not be wrong to label it as: Gregorian Chant’s Best 42 Seconds.

Gregorian Chant’s Best 42 Seconds (4 of 4) • In our current situation, many Catholics have never heard Gregorian Chant. Far too often, the plainsong they have heard is not sung well. Rather than singing a 20-minute TRACT or lengthy RESPONSORY, English adaptations can help “pave the way” towards an appreciation for plainsong. Below is the Entrance Chant we will sing on 1 September 2024, which is the 22nd Sunday in Ordinary Time:

*  PDF Download • ENTRANCE CHANT (Singer’s Score)
*  PDF Download • ENTRANCE CHANT (Organ Accompaniment)

Here’s the direct URL link.

Promises Kept • As I promised, the following is my attempt to sing a wonderful passage from HOLY SATURDAY. See if you agree its 42 seconds are hauting—especially the “enim” melisma:

Here’s the direct URL link.

A translation of what I sang on that video:

Exodus 14:1 • Then Moses and the children
of Israel sang this canticle to the Lord: Let
us sing to the Lord: so great He is and so
glorious; horse and rider hurled into the sea!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: August 20, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

I feel the greatest destroyer of peace today is abortion, because it is a direct war, a direct killing—direct murder by the mother herself. And we read in the Scripture, for God says very clearly: “Even if a mother could forget her child, I will not forget you: I have carved you in the palm of my hand.”

— Mother Theresa (11 Dec 1979)

Recent Posts

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  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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