• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

“The Very Best 42 Seconds of Gregorian Chant”

Jeff Ostrowski · August 20, 2024

ENRI GHÉON tells the story of SAINT JOHN MARY VIANNEY visiting a child who lay bedridden—one open sore from head to foot, without a moment’s rest—with no hope on this earth. “You are in great suffering, my poor child?” asked the curé, bending over him. “No,” he answered, “today I feel not yesterday’s pain, and tomorrow I shall not feel today’s.” Father Vianney pressed him: “You would very much like to be cured?” The child responded: “No; I was sinful before I fell ill; I might fall back into that. I’m safer as I am.” Vianney later declared: “Children so indwelt by the Holy Spirit put us to shame…”

Today I Feel Not Yesterday’s Pain • Some men spend their entire life seeking comfort and pleasure. But Archbishop Sheen always spoke about something he called: The Last “And Then.” Consider a conversation with a teenage boy. You ask him what he’d like to do. “I want to succeed in school.” And then? “I want to become a doctor.” And then? “Make money.” And then? “Get married.” And then? “Have children.” And then? “Be happy.” And then? “See my children grow up.” And then? “Grow old, watching my children succeed.” There comes a last and then.

Those Who Pretend • As I already said, some people spend their whole life in pursuit of comfort. Others devote hours each day to arguing with strangers on the internet. But eventually, they will die—and they’ll face their creator. As the DIES IRAE puts it so beautifully: “Líber scríptus proferétur, in quo tótum continétur, únde múndus judicétur.” At the hour of judgment, they’ll wish they hadn’t spent their life seeking pleasure. Some people pretend not to understand Fulton Sheen’s Last “And Then.” However, I personally believe everyone (deep down) understands it—whether they admit it or not.

Gregorian Chant’s Best 42 Seconds (1 of 4) • We must offer our lives to God. Each morning, before looking at your iPhone, make your daily offering. Offer up all your joys and sufferings. You can even offer up ‘mundane’ things like brushing your teeth. And we can serve God in various ways. One way is by singing holy music—and Gregorian Chant can lead you to holiness.

Gregorian Chant’s Best 42 Seconds (2 of 4) • Sometimes, the beauty and purity of CARMEN GREGORIANUM take some effort to appreciate. (The same is true of many other things in this world.) Gregorian Chant sung well is utterly mesmerizing, utterly hypnotic, and utterly peaceful. It can call to mind the purity of Almighty God. It can help us pray. I believe that singing Gregorian Chant is a holy activity. It’s amazing how certain passages can stick in one’s mind, even after decades have elapsed.

Gregorian Chant’s Best 42 Seconds (3 of 4) • I woke up this morning with a tune in my head. It comes from HOLY SATURDAY (Sabbato Sancto), and I don’t know any passage more beautiful. At the end of this article, I attempted to record that section. See if you agree it would not be wrong to label it as: Gregorian Chant’s Best 42 Seconds.

Gregorian Chant’s Best 42 Seconds (4 of 4) • In our current situation, many Catholics have never heard Gregorian Chant. Far too often, the plainsong they have heard is not sung well. Rather than singing a 20-minute TRACT or lengthy RESPONSORY, English adaptations can help “pave the way” towards an appreciation for plainsong. Below is the Entrance Chant we will sing on 1 September 2024, which is the 22nd Sunday in Ordinary Time:

*  PDF Download • ENTRANCE CHANT (Singer’s Score)
*  PDF Download • ENTRANCE CHANT (Organ Accompaniment)

Here’s the direct URL link.

Promises Kept • As I promised, the following is my attempt to sing a wonderful passage from HOLY SATURDAY. See if you agree its 42 seconds are hauting—especially the “enim” melisma:

Here’s the direct URL link.

A translation of what I sang on that video:

Exodus 14:1 • Then Moses and the children
of Israel sang this canticle to the Lord: Let
us sing to the Lord: so great He is and so
glorious; horse and rider hurled into the sea!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: August 20, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

  • “Common” Responsorial Psalm?
  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.