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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Something Quite Odd” • Today’s Responsorial Psalm

Jeff Ostrowski · August 4, 2024

OWADAYS I speak very little about the labyrinthine and frustrating morass that is the “approval process” for liturgical music in the Catholic Church. The major reason I avoid this topic is that some (not all) musicians and priests have already reached their conclusions—which they’ll hold onto forever, no matter how much contrary evidence they’re given. In other words, some will never change their minds, even if friends explain their errors until they’re blue in the face.1

Age-Old Pursuit • Much could be said about the various shenanigans that took place after the Second Vatican Council. At the root of much deception was an insatiable (and ruthless) pursuit of profit. You don’t have to be a nuclear physicist to realize that cornering the market on religious texts which thousands of churches are obligated (!) to purchase is a real “cash cow.”

Forthcoming Lectionary? • In the United States of America, a new translation of the Lectionary is supposed to appear at some point. According to top officials, the new Lectionary could be released as early as 2029. This project has been talked about for more than a decade. (Don’t “hold your breath” for it to appear.) I’m told they haven’t even begun work on the Old Testament. A few years ago, certain companies began refusing to print hard-bound books, pretending the new Lectionary was “about to appear.” (That was false.) When a friend of mine became aware of such maneuvers, he became convinced those companies were only pretending the new Lectionary was “imminent” to increase their own profits. His belief seems to have been vindicated.

(1 of 2) Psalter Troubles • Once upon a time, church authorities said the NAB responsorial psalms were going to be replaced by the “REVISED-REVISED GRAIL” translation. Certain publishers—including the WORSHIP IV HYMNAL by GIA Publications—tried to corner of the market by printing that version in their pew books. As a matter of fact, the project was eventually abandoned. That means books like the WORSHIP IV HYMNAL (for more than a decade) printed an incorrect text, which never appeared in any actual Lectionary and never will.

(2 of 2) Psalter Troubles • Currently, some believe the NAB psalter will be replaced by the “Abbey Psalms and Canticles” translation. A few years ago, Michael Breal released the complete text in PDF format. But be careful. According to the powers that be, the “Abbey Psalms and Canticles” may (or may not) be adopted. Specifically, they reserve the right to make “adjustments” to the text if they feel so inclined. Those familiar with the USCCB’s modus operandi realize they can make changes whenever they wish—to any text! They do this by pretending (after the fact) the previous version had been “provisional.” To be honest, it’s an iniquitous procedure.

Much Ado About Nothing • What’s all this about, anyway? The whole thing seems rather insane. I can understand why the original ICEL translation needed to be fixed. Monsignor Richard J. Schuler made that crystal clear three decades ago. But what is so magnificent about the “Abbey Psalms and Canticles” translation? Consider today’s Responsorial Psalm:

*  PDF Download • COMPARISON CHART
—The NAB translation vs. the “Abbey Psalms and Canticles” translation.

The NAB translation says: “He commanded the skies above.” The Abbey Psalms and Canticles translation says: “He commanded the clouds above.” The NAB translation says: “and opened the doors of heaven.” The Abbey Psalms and Canticles translation says: “and opened the gates of heaven.” And so forth.

Am I missing something here?

1 I’ll never forget a telephone conversation I had with a diocesan chancellor about a decade ago regarding the 20-Nov-2012 ruling by the USCCB’s liturgical division. For close to fifty minutes, I explained basic realities about “approved” liturgical texts to this priest, meticulously citing explicit (and undisputed) documentation. But he just didn’t want to hear it. I was wasting my breath.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, NAB Responsorial Psalm Translation, New American Bible Translation, New Lectionary Edition USA, Richard J Schuler Last Updated: December 20, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

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