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Views from the Choir Loft

“Something Quite Odd” • Today’s Responsorial Psalm

Jeff Ostrowski · August 4, 2024

OWADAYS I speak very little about the labyrinthine and frustrating morass that is the “approval process” for liturgical music in the Catholic Church. The major reason I avoid this topic is that some (not all) musicians and priests have already reached their conclusions—which they’ll hold onto forever, no matter how much contrary evidence they’re given. In other words, some will never change their minds, even if friends explain their errors until they’re blue in the face.1

Age-Old Pursuit • Much could be said about the various shenanigans that took place after the Second Vatican Council. At the root of much deception was an insatiable (and ruthless) pursuit of profit. You don’t have to be a nuclear physicist to realize that cornering the market on religious texts which thousands of churches are obligated (!) to purchase is a real “cash cow.”

Forthcoming Lectionary? • In the United States of America, a new translation of the Lectionary is supposed to appear at some point. According to top officials, the new Lectionary could be released as early as 2029. This project has been talked about for more than a decade. (Don’t “hold your breath” for it to appear.) I’m told they haven’t even begun work on the Old Testament. A few years ago, certain companies began refusing to print hard-bound books, pretending the new Lectionary was “about to appear.” (That was false.) When a friend of mine became aware of such maneuvers, he became convinced those companies were only pretending the new Lectionary was “imminent” to increase their own profits. His belief seems to have been vindicated.

(1 of 2) Psalter Troubles • Once upon a time, church authorities said the NAB responsorial psalms were going to be replaced by the “REVISED-REVISED GRAIL” translation. Certain publishers—including the WORSHIP IV HYMNAL by GIA Publications—tried to corner of the market by printing that version in their pew books. As a matter of fact, the project was eventually abandoned. That means books like the WORSHIP IV HYMNAL (for more than a decade) printed an incorrect text, which never appeared in any actual Lectionary and never will.

(2 of 2) Psalter Troubles • Currently, some believe the NAB psalter will be replaced by the “Abbey Psalms and Canticles” translation. A few years ago, Michael Breal released the complete text in PDF format. But be careful. According to the powers that be, the “Abbey Psalms and Canticles” may (or may not) be adopted. Specifically, they reserve the right to make “adjustments” to the text if they feel so inclined. Those familiar with the USCCB’s modus operandi realize they can make changes whenever they wish—to any text! They do this by pretending (after the fact) the previous version had been “provisional.” To be honest, it’s an iniquitous procedure.

Much Ado About Nothing • What’s all this about, anyway? The whole thing seems rather insane. I can understand why the original ICEL translation needed to be fixed. Monsignor Richard J. Schuler made that crystal clear three decades ago. But what is so magnificent about the “Abbey Psalms and Canticles” translation? Consider today’s Responsorial Psalm:

*  PDF Download • COMPARISON CHART
—The NAB translation vs. the “Abbey Psalms and Canticles” translation.

The NAB translation says: “He commanded the skies above.” The Abbey Psalms and Canticles translation says: “He commanded the clouds above.” The NAB translation says: “and opened the doors of heaven.” The Abbey Psalms and Canticles translation says: “and opened the gates of heaven.” And so forth.

Am I missing something here?

1 I’ll never forget a telephone conversation I had with a diocesan chancellor about a decade ago regarding the 20-Nov-2012 ruling by the USCCB’s liturgical division. For close to fifty minutes, I explained basic realities about “approved” liturgical texts to this priest, meticulously citing explicit (and undisputed) documentation. But he just didn’t want to hear it. I was wasting my breath.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, NAB Responsorial Psalm Translation, New American Bible Translation, New Lectionary Edition USA, Richard J Schuler Last Updated: July 20, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

At the Catholic gathering (Katholikentag) held at Breslau in August, the Papal Nuncio celebrated Mass for 80,000 participants, facing the people (the “Missa versus populum”).

— “Orate Fratres” Magazine (23 Jan. 1927)

Recent Posts

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  • Insane Baroque-Era Dissonance!
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  • “Reminder” — Month of July (2026)

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