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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Jeff Ostrowski · July 31, 2024

This article first appeared on 2024-03-27
but many have been requesting it—
therefore we’ve “re-printed” below.

ARISHES WHICH SING the CREED in English might be interested my setting, dedicated to Saint Felix. It’s the one found in the “appendix” of the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary. In composing this piece, I had four basic goals: (a) I wanted this setting to be interesting, so people don’t get bored after a few weeks. (b) It needed to be singable—so I kept the congregational sections in a low range, with somewhat simple melodies. (c) The congregational sections tend toward a “brighter” reciting tone, while the cantor parts hover around a “darker” reciting tone—again, in the interest of variety. (d) I treated the cadences differently each time, rather than doing the same thing a billion times, over and over.

Yesterday morning—28 March 2024—I recorded the Saint Felix Creed:

Here’s the direct URL link.

*  PDF Download • Gregorian Notation (Treble Clef)
*  PDF Download • Organ Accompaniment (2 pages)
You can download this congregational insert for the Saint Felix Creed. A special version for choir members who can’t read Gregorian notation is also available.

On 20 March 2014, my musical setting was approved for liturgical use in the United States by The Committee on Divine Worship (a standing committee of the United States Conference of Catholic Bishops). The setting is dedicated to my brother, who is a priest.

OR QUITE a surprisingly long time, the CREED continued to be sung in Greek, not Latin. On page 270 of the Saint Isaac Jogues Illuminated Missal you will discover something utterly remarkable: a color photograph from the 11th century with the CREED in both Latin and Greek. The Latin was written on top—in orange letters—and the Greek underneath. As Dr. Peter Wagner wrote: “The scribes seldom knew Greek, so these renderings of Greek texts into Latin characters teem with mistakes of every kind.” Needless to say, singing the Nicene Creed in Latin is also a venerable and ancient tradition.

A Latin Version • If your choir sings in Latin, you might consider the following version. It’s the ancient Gregorian Chant CREDO VII, interspersed with polyphonic sections I composed (as well as astounding canonical excerpts from Father Guerrero). Below is a ‘live’ recording of our 100% volunteer choir singing this version last Sunday.

The polyphonic sections begin at marker 0:33.

Free rehearsal videos for each individual voice await you at #33782.

You’ll notice that rehearsal videos for each individual voice are available. This can save tons of rehearsal time!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 31, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“For any member of laity, who is at least somewhat literate, the ignorance of the Latin tongue, which we can call a truly Catholic language, indicates a certain lack of affection towards the Church.”

— Pope Pius IX

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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