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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Jeff Ostrowski · July 31, 2024

This article first appeared on 2024-03-27
but many have been requesting it—
therefore we’ve “re-printed” below.

ARISHES WHICH SING the CREED in English might be interested my setting, dedicated to Saint Felix. It’s the one found in the “appendix” of the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary. In composing this piece, I had four basic goals: (a) I wanted this setting to be interesting, so people don’t get bored after a few weeks. (b) It needed to be singable—so I kept the congregational sections in a low range, with somewhat simple melodies. (c) The congregational sections tend toward a “brighter” reciting tone, while the cantor parts hover around a “darker” reciting tone—again, in the interest of variety. (d) I treated the cadences differently each time, rather than doing the same thing a billion times, over and over.

Yesterday morning—28 March 2024—I recorded the Saint Felix Creed:

Here’s the direct URL link.

*  PDF Download • Gregorian Notation (Treble Clef)
*  PDF Download • Organ Accompaniment (2 pages)
You can download this congregational insert for the Saint Felix Creed. A special version for choir members who can’t read Gregorian notation is also available.

On 20 March 2014, my musical setting was approved for liturgical use in the United States by The Committee on Divine Worship (a standing committee of the United States Conference of Catholic Bishops). The setting is dedicated to my brother, who is a priest.

OR QUITE a surprisingly long time, the CREED continued to be sung in Greek, not Latin. On page 270 of the Saint Isaac Jogues Illuminated Missal you will discover something utterly remarkable: a color photograph from the 11th century with the CREED in both Latin and Greek. The Latin was written on top—in orange letters—and the Greek underneath. As Dr. Peter Wagner wrote: “The scribes seldom knew Greek, so these renderings of Greek texts into Latin characters teem with mistakes of every kind.” Needless to say, singing the Nicene Creed in Latin is also a venerable and ancient tradition.

A Latin Version • If your choir sings in Latin, you might consider the following version. It’s the ancient Gregorian Chant CREDO VII, interspersed with polyphonic sections I composed (as well as astounding canonical excerpts from Father Guerrero). Below is a ‘live’ recording of our 100% volunteer choir singing this version last Sunday.

The polyphonic sections begin at marker 0:33.

Free rehearsal videos for each individual voice await you at #33782.

You’ll notice that rehearsal videos for each individual voice are available. This can save tons of rehearsal time!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 31, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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