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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Was Our Choir Director

Veronica Moreno · June 21, 2024

HIS ARTICLE IS ONE I didn’t want to write. I knew it was coming, and avoided it, but it is time. We have to say goodbye to Jeff. It was a blog post similar to this one that (in 2014) started my family on a journey that is now ending. There is an important story about how we started in Mr. Ostrowski’s choir and how we moved to start attending the FSSP parish—but that’s for another time. Here I wanted to mark the end of a season for our family in a very special decade-long experience singing in the very choir you see and hear on this blog. The point of this post is:

(a) to encourage any choir members reading this to think of the long-term support of your choir and parish communities, and
(b) to express a deep appreciation for choir directors and their families.

When I Was Younger • I was a young(ish) mother of 32 when we started singing with Mr. Ostrowski and since then my family has not only added an entire decade, but also two rambunctious children, bringing our total to five. There remain quite a number of us who have been a part of this experience from the very start in 2014-2015. Choir members sometimes ebb and flow; they return and break away. Below you see an image of our choir’s early days. You’d be very happy to know that our next choir director is in one of the pictures!

Rigorous Repertoire & Rambunctious Brood • Mr. Ostrowski’s departure, the summer, a pilgrimage, and other personal items mean that we have decided to spend some time recharging, resetting, and reconfiguring our family’s rhythm and routine. This is quite personal to state, but it isn’t easy to be a wife and a homeschooling (!) mom while finding the requisite time to learn and practice rigorous repertoire. To make matters more difficult we have an enormously long commute across southern California for rehearsal and Sunday Mass. There is the sacrifice of figuring out dinner on practice days, sharing responsibilities for practicing my music, and most importantly, experiencing Mass separated from my rambunctious brood.

Hidden Sacrifices For A Decade • For anyone who’s spent years in the same choir or in the same parish ministries, there has to be a certain “pace” to maintain. We survived for ten years because we had an eye on a long-term prize. I am sure to sing again, and surely, my children, whose liturgical life has been formed by this specific choir, will figure out a way to make this parish ministry a part of their lives. For us, it was a decade of dedication to this singular ministry, as a family. The success of this parish and choir was the goal. I have to admit that while the commute was a cross to bear, we tried to always remember that it was an air-conditioned pilgrimage—“annoyed on the freeway” isn’t too onerous a martyrdom.

Time Has Passed • Take a look at the pictures above. Some of those children no longer have baby faces. Some of those little kids have many more younger siblings.1 Some of those young adults in the pictures are far-flung across the nation (the globe!), some are married, some have started families. All have suffered some heartbreak and loss—and hopefully have found solace. We cannot remain the same people for so long.

Let Me Be Clear • Lest my sermon last longer than eight minutes, let me be clear: this post is to express deep gratitude to our choir director (and all choir directors). Here, specifically a deep thank you to Mr. Ostrowski. A second, heartfelt thank you to Mrs. Ostrowski and the children. Thank you for being “the wind beneath his wings” (she’ll appreciate the 80s reference). Deep thanks for taking a gamble to build a life in Los Angeles and leaving us many riches and blessings.

“Dead” Churches Without Music • I write this in the midst of a real pilgrimage to Europe. (Without air-conditioning sometimes!) We’ve seen more choirs than you’d expect for such a short period of time. We’ve seen that churches truly are museums when they’re quiet. Churches are built for sacred song, that’s when they’re most alive.

I write this today, 20 June 2024, the day after the feasts of Gervasius and Protasius. Today we prayed at their tomb. Like Saint Vitus, they were early martyrs.

The Time I Said “No” • Now I’m not saying choir directors are martyrs, but they sure have to put up with a lot of personalities, mine included! Forgive me Mr. Ostrowski for refusing to sing the introit verse that ONE time! And only ONE time in ten years!

Moving Memories • This afternoon, I am moved by memories of how this choir started, mixed with nostalgia for what time does to us, and inspired by knowing we belong to a Church that Ambrose built. That Augustine wrote for. In the space where those two were moved by music, let us all say a personal Te Deum, an Ambrosian hymn, for the gift that musicians bring to the Church.

Seems like we might need some strength.


Here’s what this space looked like a decade ago when this choir started. Click the links to see more from 2014:

  • I HAVE NOTICED A STRANGE assumption woven into almost all of the writing done by liberals, progressives, modernists, and aging hippies on the resurgence of the traditional Latin Mass. They seem to think of this Mass as a rarefied museum piece of Baroque fastidiousness, celebrated by unfeeling rubricists, for congregations of uncharitable nostalgics, in an atmosphere of dogma and superfluous income. But maybe it is not surprising that such stereotypes thrive among those who have so little experience with the contemporary traditional scene.
  • WHILE IT’S TRUE THAT TOO MANY Catholic churches employ inappropriate music, the good news is that—against all odds—the traditional music still triumphs in one important area: parishes run by “no-nonsense” priests. Whenever I encounter serious parishes, I notice they choose authentic Sacred music without exception.
  • Positive Liturgical Fruits Of Vatican II: Second Part I mentioned what I consider to be an important and positive fruit of the postconciliar reforms. Today, I’ll speak of another positive development, but this one’s a bit tricky, because it’s in potentia. 1 In other words, Vatican II called for it, but it hasn’t yet been fully implemented.
  • WHY DO WE COMPLAIN about the sufferings of this world? Nobody has ever lived in such luxurious times as ours. Can you imagine trying to provide lunch for your family in the year 1300AD? How about 600AD? How about 50BC?
  • DREAMING IN LATIN Don Bosco’s dreams were startlingly thought-provoking. He was not allowed to forget them. His dreams were structured, usually with a guide to lead him and explain things (and to tell him to stop taking notes). They often provided guidance for his work, giving him material for talks and also letting him know the spiritual state of the boys in his care.

These were posts about our choir and parish from early on:

*  Sample #1 • 2 Nov 2014

*  Sample #2 • 29 Dec 2014

*  Sample #3 • 11 Mar 2015


Progress Beyond Belief • If you’ve been following this blog for the last few years, can you believe how far we’ve come? I certainly cannot.

Beg God For Strength • Friends, barbarians sacked Rome and we survived. We lost church buildings and we thrived. The Arians had what seemed like entire bishop national conferences! If our institutions are martyred, future Saint Ambroses will find us! And as one of my favorite mentors would often say, “¡Siempre Adelante!”

(If anyone in Rome is reading this, we are faithful! This mother and her children be there soon to kneel at the tomb of Peter! Don’t exclude these traditions! Don’t exclude us!)

P.S. One last thing. To the new choir director and his wife: welcome! Be assured of my family’s prayers in this new endeavor.

1 Including another little Ostrowski! Praise God!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 11, 2024

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ with regard to 1960s switch to vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Always remember: God opposes the proud.” (leaning into the microphone) “…even when they’re right!”

— ‘Scott Hahn, speaking in Plano, TX’

Recent Posts

  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough

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