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Views from the Choir Loft

Announcement! • New Director for Saint Paul’s Choir School in Harvard Square

Dr. Lucas Tappan · May 31, 2024

WOULD LIKE to share with our readership that earlier in the month St. Paul’s Choir School, Cambridge, MA, officially announced that Mr. Brandon Straub will take up the post of Director of Music for the parish and choir school beginning July 1. While I don’t know Mr. Straub personally, I have heard from those who do know him that he knows his business well and achieves amazing results. He is active both as choir trainer (adults and children) and performer, in sacred and secular settings, and was chosen from an international pool of applicants. Already this fall he will prepare the choristers to sing Mahler’s 8th Symphony with the Boston Symphony Orchestra.

National Profile • As head of the only Catholic boy’s choir school in America, he will hold a position of national importance, especially in the eyes of all of those who work toward the renewal of Catholic sacred music from sea to shining sea.

*  External Link • Official Press Release (Saint Paul’s)

Constructive Criticism • At the same time, I believe it only fair to mention that the former Director of Music, Mr. James Kennerley, a much beloved figure, was unceremoniously fired before Easter 2023, with no reason being given to the public, leaving them to assume the worst. The school was forced to admit that nothing bad that had taken place; they just “went in different directions.” I’ve heard that boys and parents alike were devastated.1

Their Reputation • The choir achieved amazing heights under Mr. Kennerley’s direction, which can be heard here (the choir sings Fauré’s Requiem, among other things, under Kennerley’s direction), while the Boston Globe wrote warmly of the “pure-voiced boys of Saint Paul’s Choir School” after they performed Stranvinski’s Persephoné (prepped by Kennerley) with the Boston Symphony Orchestra and the famous Tanglewood Festival Chorus.

Transitions Are Tough • I hope and pray that the choir boys will be able to work through this tough time of transition and come out all the stronger at the other end, thus enriching the Church with their unique musical gifts. We at CORPUS CHRISTI WATERSHED wish them and Mr. Straub all the best!

1 As someone who’s spent decades training youngsters in sacred music, I was saddened to observe that situation. For all the talk of openness, transparency, and honesty in the Church today, it sometimes seems that pastors, bishops, and leaders within our ranks offend gravely in this area. I consider every appearance of propriety to be crucial. At the same time, owing to our fallen human nature there will always be difficulties in this world—and that’s where forgiveness can play a huge role.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 31, 2024

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use.”

— Fr. Adrian Fortescue (1912)

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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