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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Announcement! • New Director for Saint Paul’s Choir School in Harvard Square

Dr. Lucas Tappan · May 31, 2024

WOULD LIKE to share with our readership that earlier in the month St. Paul’s Choir School, Cambridge, MA, officially announced that Mr. Brandon Straub will take up the post of Director of Music for the parish and choir school beginning July 1. While I don’t know Mr. Straub personally, I have heard from those who do know him that he knows his business well and achieves amazing results. He is active both as choir trainer (adults and children) and performer, in sacred and secular settings, and was chosen from an international pool of applicants. Already this fall he will prepare the choristers to sing Mahler’s 8th Symphony with the Boston Symphony Orchestra.

National Profile • As head of the only Catholic boy’s choir school in America, he will hold a position of national importance, especially in the eyes of all of those who work toward the renewal of Catholic sacred music from sea to shining sea.

*  External Link • Official Press Release (Saint Paul’s)

Constructive Criticism • At the same time, I believe it only fair to mention that the former Director of Music, Mr. James Kennerley, a much beloved figure, was unceremoniously fired before Easter 2023, with no reason being given to the public, leaving them to assume the worst. The school was forced to admit that nothing bad that had taken place; they just “went in different directions.” I’ve heard that boys and parents alike were devastated.1

Their Reputation • The choir achieved amazing heights under Mr. Kennerley’s direction, which can be heard here (the choir sings Fauré’s Requiem, among other things, under Kennerley’s direction), while the Boston Globe wrote warmly of the “pure-voiced boys of Saint Paul’s Choir School” after they performed Stranvinski’s Persephoné (prepped by Kennerley) with the Boston Symphony Orchestra and the famous Tanglewood Festival Chorus.

Transitions Are Tough • I hope and pray that the choir boys will be able to work through this tough time of transition and come out all the stronger at the other end, thus enriching the Church with their unique musical gifts. We at CORPUS CHRISTI WATERSHED wish them and Mr. Straub all the best!

1 As someone who’s spent decades training youngsters in sacred music, I was saddened to observe that situation. For all the talk of openness, transparency, and honesty in the Church today, it sometimes seems that pastors, bishops, and leaders within our ranks offend gravely in this area. I consider every appearance of propriety to be crucial. At the same time, owing to our fallen human nature there will always be difficulties in this world—and that’s where forgiveness can play a huge role.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 31, 2024

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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