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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Announcement! • New Director for Saint Paul’s Choir School in Harvard Square

Dr. Lucas Tappan · May 31, 2024

WOULD LIKE to share with our readership that earlier in the month St. Paul’s Choir School, Cambridge, MA, officially announced that Mr. Brandon Straub will take up the post of Director of Music for the parish and choir school beginning July 1. While I don’t know Mr. Straub personally, I have heard from those who do know him that he knows his business well and achieves amazing results. He is active both as choir trainer (adults and children) and performer, in sacred and secular settings, and was chosen from an international pool of applicants. Already this fall he will prepare the choristers to sing Mahler’s 8th Symphony with the Boston Symphony Orchestra.

National Profile • As head of the only Catholic boy’s choir school in America, he will hold a position of national importance, especially in the eyes of all of those who work toward the renewal of Catholic sacred music from sea to shining sea.

*  External Link • Official Press Release (Saint Paul’s)

Constructive Criticism • At the same time, I believe it only fair to mention that the former Director of Music, Mr. James Kennerley, a much beloved figure, was unceremoniously fired before Easter 2023, with no reason being given to the public, leaving them to assume the worst. The school was forced to admit that nothing bad that had taken place; they just “went in different directions.” I’ve heard that boys and parents alike were devastated.1

Their Reputation • The choir achieved amazing heights under Mr. Kennerley’s direction, which can be heard here (the choir sings Fauré’s Requiem, among other things, under Kennerley’s direction), while the Boston Globe wrote warmly of the “pure-voiced boys of Saint Paul’s Choir School” after they performed Stranvinski’s Persephoné (prepped by Kennerley) with the Boston Symphony Orchestra and the famous Tanglewood Festival Chorus.

Transitions Are Tough • I hope and pray that the choir boys will be able to work through this tough time of transition and come out all the stronger at the other end, thus enriching the Church with their unique musical gifts. We at CORPUS CHRISTI WATERSHED wish them and Mr. Straub all the best!

1 As someone who’s spent decades training youngsters in sacred music, I was saddened to observe that situation. For all the talk of openness, transparency, and honesty in the Church today, it sometimes seems that pastors, bishops, and leaders within our ranks offend gravely in this area. I consider every appearance of propriety to be crucial. At the same time, owing to our fallen human nature there will always be difficulties in this world—and that’s where forgiveness can play a huge role.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 31, 2024

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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